As I have said before and hope to repeat for many years to come, NETFLIX is taking the cake when it comes to combing through international productions and finding top-notch stories. 

KINGDOM is brilliant.

Rated R for violence. No sexually explicit content at all. Not even a kiss. And yes, this is a zombie story, but with a twist, which I’ll explain in my longer review. However, be prepared for gore. I watched 2 seasons, but apparently a 3rd is being made to be released in early 2021.

First, the short review…

6 Reasons I Recommend KINGDOM

  1. Game of Thrones meets the Walking Dead. If the two stories got together and had a child, KINGDOM would be that child.
  2. Gorgeous costumes, especially the hats
  3. Palace intrigue galore
  4. Amazing performances by talented actors many of us have never seen
  5. A refreshingly different setting and world
  6. Lots of “scare” moments where you jump out of your seat. These filmmakers know the tropes and use them well.

Now, for the longer review…

The story is based loosely on the Manga series, The Kingdom of the Gods by Kim Eun-hee and Yang Kyung-il. The story for television was written by Kim Eun-hee, directed by Kim Seong-hun.

Set in late 16th century Korea (The Joseon Period), Crown Prince Lee Chang, our protagonist, discovers a plot to unseat him. His father is ill and dying and the Queen Consort (not the Prince’s mother) is pregnant with a son…potentially. She and her father are angling for this newborn to take the throne. However, the King must not die from his illness before this child is born, so the the palace doctors are asked to keep him alive at all costs. There is an herb, called the resurrection plant, that must be administered to him in a particular way at death. From this herb, the brain comes back to life, but the creature that resides in the body now has an insatiable hunger for human flesh. Thus, the zombie angle.

The audience is introduced to this creature, the King in the first episode, so no spoilers here. The King is not only a zombie ready to devour any attendant who comes his way, he is being controlled, in chains, by the Queen’s family. She bans the Crowned Prince from seeing his father and although he suspects the King is dead, he cannot prove it. Knowing his life is in danger without his father’s protection, the Crowned Prince flees and while he goes into hiding, the zombie plague is carried to a small village through a body in a coffin, whose death was caused by the King creature.

The Queen Consort

As the Zombie plague spreads and begins to ravage the region, the Prince comes into his own, fighting to protect his people, but this is a complicated two-front war. The Prince is being chased by his step mother’s clan while fighting the zombie masses. While on the countryside, he slowly unravels the mystery surrounding the condition of his father and does eventually come back to the palace, face to face with the creature. I say no more, lest I spoil…

A few of the secondary characters that emerge are wonderful and as compelling as the Prince and the Queen, including the Prince’s bodyguard, a nurse who escapes the scene of the first zombie outbreak, a perfect villain in the Father of the Queen (although the Queen gives him a run for his money on that score), and a rogue hunter who eventually aligns himself with the Prince.

I loved the writing, all the dialogue is perfect and no scene is wasted. KINGDOM often reminded of Shakespeare, Hamlet in particular…That is how well put together these characters are and the stage is…well, many lovely locations in South Korea.

I cannot recommend this series highly enough. If you do watch it, drop me a line and let me know what you thought of it.

To watch the official trailer, click KINGDOM trailer

I recently finished viewing all 4 seasons of THE MAN IN THE HIGH CASTLE and loved it. Also…I know I’m a little late to the game, but it’s hard to keep up, especially if you’re trying to read and watch scifi! There’s a lot of good content out there in the multiverse. I give this story a PG 13 rating, so be warned, parents.

THE MAN IN THE HIGH CASTLE is not a new story, but it was imagined anew by creator Frank Spotnitz for our era. It is based on Philip K. Dick’s novel of the same name (which I have not yet read, but will soon because I enjoyed the series so much). Dick’s daughter was involved in the production of the tv version, overseeing her father’s vision.

This story is less science fiction in the traditional sense and more alternative history. Dick wrote THE MAN IN THE HIGH CASTLE after being inspired by the novel Bring the Jubilee, by Ward Moore, whose novel is an alternative history of the US where the Confederate States win the Civil War. In Dick’s novel, the Axis powers win World War II. First, the short review:

5 Reasons I Recommend THE MAN IN HIGH CASTLE

  1. Superb storytelling…I was surprised at how well the writer(s) kept me engaged, including the pacing over 4 seasons. Bravo!
  2. Spot-on performances. A brilliant portrayal of John Smith, an American/Nazi leader, by Rufus Sewell. Also, a powerful female hero in Juliana Crain (Alexa Davalos)
  3. A satisfying enough ending (will say no more lest I spoil)
  4. Pushing characters to their limits and not turning away from human dilemmas like: How far would you go to protect your family? Would you kill a person in cold blood if you know they will be responsible for death and mayhem in the future?
  5. Finally, if you find history a bore, consider jump-starting your learning via consuming smart fiction, like THE MAN IN THE HIGH CASTLE. World War II was a fascinating and dark time in world history with reverberations reaching into our current era, more than we might think. THE MAN IN THE HIGH CASTLE gives the audience an intimate view into the characters of the day, many of whom are real historical people, but if not real, the fictional characters help the audience understand the zeitgeist of the time.

Longer Review…

I appreciated and enjoyed all four seasons of THE MAN IN THE HIGH CASTLE, but my favorite seasons were 3 and 4. Seasons 3 and 4 put forward the more complex moral and philosophical questions around Nazism, occupation and the kind of determination that it takes to defeat evil. I still appreciated season 1 and 2. The moral framework was being laid, the true heroes were being defined, but by season 3, defeating evil in our midst becomes the clear goal. It will require dedication, resilience and the broader community…something I feel to be true throughout history. Unlikely allies come together to defeat evil.

In that sense, I found the series remarkably relevant. Dick is playing with alternative histories in this story and Spotnitz (credit for the screenplay/creator goes alone to Frank Spotnitz on the show’s Wikipedia page) was able to put forward a world that in many respects, felt as real as the news I see on my screen on any given day. Before Covid19 and George Floyd protests…in this series (in the book, I assume as well) memorials, monuments and statues are blown up, taken down, destroyed. That was interesting for me to ponder.

In THE MAN IN THE HIGH CASTLE, those taking down the monuments are Nazis, determined to wipe out American history and recreate their own version of history that will be imposed on Americans. One character spells out the reason, “Once we wipe out their narrative, it will help them accept our narrative, the Nazi narrative.” The Nazis empower the young people in the US to riot and do violence to any who try to protect the monuments.

I would hesitate to make a moral statement about those who have defaced monuments in our cities in these last months, but I did find it fascinating to see this portrayal, non political, I assume because the screenplay was written long before our recent protests. How would those scenes be written today? I wonder…

To counter that narrative that “good ‘ol America just needs to be reclaimed”, the Black Communist Rebellion becomes an important power in the final season. Those characters are drawn in a way that is multi-faceted and dignifying. The series touches on Civil Rights era injustices while highlighting the Nazi take on black skin, which is horrifying and includes the sterilization of young black women. The audience sees the “graded” evil of racism.

THE MAN IN THE HIGH CASTLE does not justify white supremacy. It tries, I think, to highlight its evil and does not let white America off the hook. Like I said…this is a complex narrative and, to give Dick credit, it was written in the early 1960s.

In the series, the Axis powers have split the US into three zones. The Japanese rule that which is West of Rockies. The East is ruled by the Nazis and in an attempt to keep these powers from eating each other, the middle of the US is neutral. Juliana Crain is a San Francisco native, so plenty of Northern California sites on screen, including the supremely gorgeous Japanese Tea Garden in Golden Gate Park.

I was gratified to get a view into the Japanese Imperial rulership over the Western US in a way that capitalized on few or no stereotypes. One sees and feels the brutal nature of the Japanese occupiers, but also the complex politics between Japan and Germany (both superpowers in this universe) and the grace and gentleness of some aspects of Japanese culture. There are Japanese who brutally murder and there are Japanese who feel deep compassion to the point of aiding the rebellion. That is a helpful juxtaposition and I believe a true one when it comes to human dynamics during a time of war. Building an empire leads to big messes and horrible violence. It also drives human beings to act with sacrifice and heroism. THE MAN IN THE HIGH CASTLE does not shy away from the complexities of warfare and empire building and for that reason, it deepened my understanding of a complex historical time.

Grit, hope, despair and horrible evil are all captured in this story, but what emerges most prominently in narrative are deep truths about what is right, just and good. This story is one for our time. I encourage you to start watching today.

 

 

THE CALCULATING STARS, by Mary Robinette Kowal

A Short Review

A Lady Astronaut Novel

I highly recommend reading or listening to this novel. Below are 4 reasons why I loved it…

  1. Lots of dynamic female characters, told in first person by a female pilot/mathematician
  2. Well-written prose, making it easy to read and enjoy
  3. The characters are well drawn and realistic, despite the fact that they’re intellectual superstars
  4. It portrays a healthy marital relationship (for once!). Sometimes, you just want the husband to not be a jerk, and in this novel, that is absolutely the case. *Elma and her husband also enjoy a dynamic sex life, which is why I give the book a PG-13 rating. Nothing terribly graphic, but there are a few heated encounters between husband and wife.

THE CALCULATING STARS is a part of the Lady Astronaut Series, by Kowal, which includes a short story, The Lady Astronaut of Mars and another novel, The Fated Sky.

These stories emerge in an alternative history of Earth, focusing on the US Space program after a meteor plunges into the ocean off the coast of Maryland. The disaster strikes on March 3, 1952 and kills nearly all of the inhabitants of the Eastern Seaboard, including DC and most US government officials.

Kowal quickly frames the narrative from here. A meteorite of this magnitude will change the climate of the Earth forever. It is a matter of time (5-10 years) before the Earth becomes uninhabitable. Nations must work together to relocate to another planet and on this front, women have to be trained alongside men, don’t they? That is the question around which the book pivots. This is the 1950s and not only does racism rear its head in the space program, so does sexism.

The main character, Elma York narrates the story in first person, and I liked her as narrator. She is ambitious and brilliant, but flawed enough to give the story tension.

Elma is not only a renowned mathematician, she is also an experienced pilot, having flown for the WASPs in WWII. Her husband becomes the lead engineer of the new space program. Elma is recruited as one of the computers, seemingly an acceptable “role” for women in the new space venture (think Hidden Figures), but her real hope is to convince the NACA bosses that women are just as able to fly into space as men.

THE CALCULATING STARS won the 2019 Nebula for Best Novel, the 2019 Locus Award for Best Scifi Novel, the 2019 Hugo for Best Novel and the 2019 Sidewise Award for Alternate History.  

Click here to purchase THE CALCULATING STARS