Five Female Science Fiction Authors You Need to Read ASAP

I write this post in honor of International Women’s Day and I hope it might spur you to pick up a novel or download an audiobook that you might not have read without a little urging. You won’t be disappointed!

With that said, here’s the list:

  1. Octavia Butler
  2. Ursula K. Le Guin
  3. Margaret Atwood
  4. N.K. Jemisin
  5. Julian May

Octavia Butler

Octavia Butler, author of KINDRED, passed away in 2006.  She was one of a handful of women to win multiple Nebula and Hugo Awards, as well as the Arthur C. Clarke Award. If you’re starting out and want a great taste of Butler’s writing, order or pickup BLOOD CHILD AND OTHER STORIES The novelette, BLOOD CHILD, won both the Nebula and the Hugo. If you’re a fan of graphic novels, try this version of KINDRED: GRAPHIC NOVEL






Ursula K. Le Guin

Ursula K. Le Guin, author of THE LEFT HAND OF DARKNESS passed away last year. Many love her for her fantasy, but she is perhaps chief among our mothers in the pantheon of many fathers who have written the most important science fiction in the last 40 years. She was the first woman to win a Nebula award and a Hugo, for THE LEFT HAND OF DARKNESS. My review of the novel is here. Much adored by her fans is the THE EARTHSEA CYCLE  novels that were intentionally targeted at the young adult audience (Le Guin was encouraged by her publisher to do so.)





Margaret Atwood

Margaret Atwood, author of THE HANDMAID’S TALE, for which she won a Nebula award, The Arthur C. Clarke Award and the Booker Prize, has a contemporary fan base since her novel was adapted to television by HBO. That novel is worthy of your attention, but so are many of her others, like ORYX AND CRAKE, the first in the The MaddAddam Trilogy.




N.K. Jemisin

N.K. Jemisin is blowing the socks off the scifi community with her brilliant story-telling and characters that breathe prophetic.  The Broken Earth Trilogy belongs on every scifi fan’s shelf. She is the first author in the history of the Nebula to win three awards in three consecutive years. For a dip into her writing, try some of her short stories, many of which are award-winning and/or brilliant in their own right. This collection is what you need. HOW LONG ‘TIL BLACK FUTURE MONTH: STORIES




Julian May

Julian May passed away last year and will be the most obscure recommendation I make. I do so because I recently discovered her and feel her scifi to be completely wonderful, different and imaginative in a way I had not expected. She’s written a series called The Saga of Pliocene Exile which is a riveting tale with fantastic and memorable characters. I reviewed THE MANY COLORED LAND in the Fall. You can read the review here.




Women bring a unique voice to the science fiction landscape and they have mostly been welcomed by those who love the genre. They are still out-numbered on the shelves of your local bookstore and it’s good to be reminded of the best.

Who are your favorite female authors within the genre? I’d love to hear who you love.


The Many Colored Land, Book Review

Short Book Review with No Spoilers… 

Julian May’s THE MANY COLORED LAND is an exceptional adventure that takes place in Pliocene Europe, think Tolkien meets Jules Verne. This is the first story in a trilogy, involving time travel and aliens. The world created by May is so imaginative, while being true to fossil record and prehistoric science. It’s like taking a course in geology, mammalian evolution and ancient flora all in one.

Three Reasons to Read this Great Book

  1. Superior world building and vibrant descriptive passages that will delight most scifi lovers.
  2. A humanoid alien race with a distinctive culture, a compelling ally or enemy?
  3. A complicated conflict between humans and aliens that drives the narrative
  4. A female author with mad writing skills. Julian May was unknown to many of my scifi-reading friends until a woman in my scifi book group introduced us to THE MANY COLORED LAND.

To buy this book, click here.

The Longer Review…With a Few Spoilers

The novel opens with a prologue, three essential scenes that set the adventure in motion. I needed to go back and re-read the first two to realize their relevance because there’s no context at that point for the reader to get them. Therefore, I promptly forget them. (Maybe in my younger years I would have recalled them at the right moment, much later in the story…or maybe not!)

The third scene remains memorable. It introduces the reader to a time travel machine and the human scientist who created it. A broader picture of current human existence becomes evident in this scene as scientists from many planets and many species gather to see the machine in operation. Earth’s children have become a part of a larger galactic cooperative, called the Galactic Milieu. The time machine is tested and its limitations are explained. The machine can only send beings back in history, only into Pliocene Europe. No messages can be sent back the other way, none of the beings who travel back in time will be able to return.

The scientist dies, his wife, Madame Guderian, contemplates what to do with the time machine. She begins to hear from various members of her species. Many feel a desire to leave their current situations. They want adventure or purity, something other than what they are experiencing. Many are lost souls, but others desire a simpler existence. She begins sending groups of people back to the Pliocene as a money-making scheme. There are rules, of course, to avoid messing up human evolution, so all females are sterilized before departing. The assumption is that the great ice age and the inability to procreate will bring an ultimate end to whatever societies form in this prehistoric exile. There are also limits to the kind of technology they bring.

The story proceeds to describe a number of human individuals currently living in the Galactic Milieu, all of whom find themselves dissatisfied with their lives in various ways and make the decision to go back in time. Each person has about a chapter of backstory before they come together. They are the characters the reader follows into the Pliocene, landing in the past about 1/4 of the way into the novel.

What follows is an experience in pre-history Europa, with a few good twists. This is scifi, yet fantasy-like, in that the world of the past is a place not unlike medieval Europe, given the absence of technology and another twist…aliens…who have crash-landed on Pliocene Earth. I really cannot say more without giving too much away.

However, here is a  taste of May’s lovely writing, a descriptive passage of the Pliocene Black Forest

“The understorey of this evergreen expanse received very little sun. Its plants–only saprophytes nourished by the detritus of the great trees. Some of the things that battened on decomposition were degenerate flowering plants, pale stalks with nodding ghostly blooms of livid white, maroon, or speckled yellow; but paramount among the eaters of the dead were the myxomycetes and the fungi. To the five humans traveling through the Pliocene Black Forest it seemed that these, and not the towering conifers, were the dominant form of life.

They were quivering sheets of orange or white or dusty translucent jelly that crept slowly over the duff of needles and decaying wood like giant amebae. There were bracket fungi–from delicate pink ones resembling baby ears to stiff jumbos that jutted from the trunks like stair treads and were capable of bearing a man’s weight. There were spongy masses of mottled black and white that enveloped several square meters of forest floor as though veiling some unspeakable atrocity. There were airy filaments, pale blue and ivory and scarlet, that hung from rotting limbs like tattered lacework. The forest harbored puffball globes two and a half meters in diameter, and others as small as pearls from a broken string. One variety of fungus cloaked decaying shapes in brittle husks resembling colored popcorn. There were obscene things resembling cancerous organs; graceful ranks of upright fans; counterfeit slabs of raw meat; handsome polished shapes like ebony stars; oozing diseased purple phalluses; faerie parasols blown inside out; furry sausages; and mushrooms and toadstools in varieties the seemed to be without number. At night, they were phosphorescent.”

Another aspect of this novel that I want to write about another time (because this post is getting exceedingly long!) is the way May turns Tolkien ideals on their head. Elves, Humans, Goblins and Orcs? Who are the good guys and who are the bad guys? May’s novel upends the notions set forth in the Tolkien universe and I appreciate how she does it. Julian May died about one year ago, October 17, 2017. I think it’s time to bring this book back into the scifi mainstream and celebrate her for being an imaginative storyteller.