Streamable
WHY MANDALORIAN? No Spoiler Review of Season 1
So, yes…our family is following the trend. We viewed the much talked about THE MANDALORIAN this past holiday vacation. If you count the fact that we (my husband and I and our two kids in their twenties) actually plunked ourselves down in theater seats and watched the new Skywalker film, our eyeballs were largely captivated by the Star Wars universe.
A big win for Disney because I’m guessing we weren’t the only family doing this.
THE MANDALORIAN is a PG-13 show. Don’t let cute child Yoda-like character charm you into thinking this is for little kids. Many of them will be terrified by the series, in part because the cute little character is often in danger.
There is also graphic violence in the series. The main character, Mando, is a bounty hunter in the spirit of Jango/Boba Fett.
First, The Short Review: Five Reasons to Watch THE MANDALORIAN
- Similar to Stranger Things, this series is turning out to be an international phenomena. If you don’t watch it, you’re bound to miss about 1 out of every 5 late-night tv jokes and tons of cultural references.
- The production is well done overall, including the special effects.
- Each of the 8 episodes are action packed and tension filled.
- Baby Yoda (this isn’t actually baby Yoda, but a child of the same species as Yoda) is adorable.
- The story helps to expand and fill out the Star Wars universe and that is kind of fun if you have enjoyed the previous stories.
The Longer Review…
The story and the main character evolve in this production. I was a little bothered by never being able to see the face/read the face of the hero, but the Star Wars film folks have genuinely figured out the best possible way to convey feeling even when a character is a robot or wears a helmet that covers the face. Speaking of helmets…one of the most delightful interactions took place between two storm troopers. At one point, they are alone and commenting on their superiors’ orders and interacting over a creature/prisoner in their possession. It’s funny and humanizing to hear their banter, though the two of them still seem bent on serving their evil overlords.
As is typical of our most beloved Star Wars tales, the protagonist adores his ship and seems to have a particularly affectionate relationship with it. Star Wars writers do a good job of making machines, like ships and droids take on personality. Droids are a sore subject with our hero. He mistrusts all of them and the story arc grapples with this view. The teaching character introduced in an early episode is called Kuiil. He not only assists Mando when our hero is in need, he represents the gentler and more peace-loving side of the universe. Where Mando can seem brutal and hard, his moral angle on the universe is expanded as the audience sees him interact with the child first and second with Kuiil.
As usual, Star Wars writers are good about villains and rogues, some of whom are weird looking aliens. Yes, there is even a bar scene right at the getgo in episode 1. In addition, the audience visits new planets, sees new creatures and encounters cultures not previously shown in any Star Wars film. This happened organically and it didn’t feel like overload to me. I appreciated the universe getting filled out in more details for the fans, all while telling a story that I cared about. Moreover, the new planets and creatures kept each episode action-packed and visually interesting.
Mando is a loner, but eventually the task of caring for the child becomes bigger than him. He needs allies and those allies are an interesting group as well, gritty and loyal to the cause. Mando’s willingness to team up with others, including a droid, reveals the character growth he has undergone.
Timeline Note:
This story takes place a few years after the Empire has fallen (post Return of the Jedi, 1983), but 25 years before the the rise of the First Order, the authoritarian regime that is firmly in control of the galaxy when Episode VII: The Force Awakens (2015) begins.
DisneyPlus Streaming Note:
If you want to watch THE MANDALORIAN, you might be able to access it illegally…these things I try not to know, but I realize it happens. If you want the legit way to watch, you’ll have to obtain DisneyPlus. Google search DisneyPlus deals and see what you can find. Our family found that our carrier, Verizon, gave the service free for a year because we have unlimited data. After one year, we pay $6.99 per month. This article in Business Insider will fill you in. We obviously took the deal.
Free is awesome, but will we re-up at the one year mark? We might, but it depends on the overall content value. Right now, our family subscribes to Netflix and now DisneyPlus. We are Amazon Prime Members and we use YouTube/Roku/Apple TV combo for lots of other content.We do not subscribe to HBO or Hulu or other subscribe options. I do try to watch Hulu shows when I fly Delta, which I do often, so I haven’t felt like I’ve missed that service. HBO would be nice, but there are only so many hours in a day and I still want to read! So…that’s it for us, for now.
DARK: Don’t Miss this German-made Television Series, A No Spoiler Review
Baran bo Odar and Jantje Friese, co-creators of DARK, sold their masterful production to Netflix sometime in 2016-17. It began streaming in December 1, 2017. Rated PG-13 (a couple of sex scenes more than graphic violence). This series is dubbed in English. It’s done well, you’ll likely not notice after watching for a few minutes.
Here are 5 reasons to check out DARK…
- DARK is part mystery, part scifi and part thriller…in a similar way that Stranger Things draws in the viewer, so does this tale.
- Yet…DARK is smarter than Stranger Things. Throw in human angst, religion, time travel, Goethe and Nietzche and you’ve got a jumble of ideas that provoke.
- Perfect for binge-watching over Christmas vacay.
- The casting was done well and there are a number of brilliant performances, including those of the child actors.
- If you like a good soundtrack, this one is pitch perfect, utterly creepy and poignant.
Longer Review:
Black holes are considered to be the hellmouths of the universe. Those who fall inside disappear. Forever. But where to? What lies behind a black hole? Along with things, do space and time also vanish there? Or would space and time be tied together and be part of an endless cycle? What if everything that came from the past were influenced by the future?
H.G. Tannhaus

Winden is the fictional German town where a tunnel under a nuclear power plant holds mystery. The story opens with the suicide of one of the town’s people in current time and unravels from there. Tidbits of the mystery are revealed. Various families and their histories who live in Winden are revealed. Within a few episodes, the audience begins to see the tangled mess. Not only are these folks relationally connected, they are connected by a society of time travelers. By the end of the first season, fate, individual choice and the agency of those who understand the dynamics around time travel, will continue to hinder or help Winden restore some semblance of order to their community.
The first season was much acclaimed and the second did not disappoint. A third season is under production as I write. I can’t speak highly enough of DARK, the story, the performances, the music and visuals. There is much artistry in this production and it is a welcome reality for story consumers to see another brilliant tale come from a place beyond Hollywoodland.
Congrats to these producers and I look forward to viewing and reviewing season 3.


