Periodically, a friend tells me that he or she knows someone who is writing or has written a novel. It happened last week. I’m sure it happens to all writers. Not that I’m the super expert on all things writing, but I’ve been in the writing world long enough to have an opinion.
So…I had the phone conversation with a young man (son of an old friend) yesterday. I decided to write him a follow up email with a few resources I have appreciated and it made sense to put it into a post…next time, I can just send the link. Actually…I wouldn’t do that, but it helps to have some of the information written down in one place.
For the new writer…Here’s my advice:
First, congratulate yourself that you just wrote a novel. That.Is.Amazing. Yay…Celebrate and then think like a critic..move on…try to figure out if this book is what you really want to publish and to the best of your ability, think about whether or not you’re addicted to writing. If you’re not, the road is too hard and very long (for most of us)…don’t keep going unless you know you really LOVE it.
Social Media. You might hate it, but every author has to be on social media. If you want to start somewhere, try Twitter.
On Twitter, connect with and start following folks from the #WritingCommunity. Other hashtags you could check out: #amwritingsciencefiction, #amwritingspeculativefiction, #amwriting, #amwritingfiction. While you’re there you’ll find links to various author websites. Some are way more amazing than mine, others are just a page with a photo and the book cover, with minimal links if any. Begin thinking about your author website. How do you want it to feel? What content, if any, do you want to regularly produce on it.
Find a Critique Group:
It’s great to have beta readers, but it’s even better to find a group of writers, like-minded souls who write and will be willing to read your stuff and give you feedback. I’ve started a number of groups over the years. What I have found is that the most important trait for those in the group is work ethic. If the people aren’t actually writing, then it’s probably not worth your time because A. they won’t submit anything to the group and B. They will be the weakest when it comes to critique. Find people who write and be willing to put in the work for them by being a thorough and honest critic. Work for them and they will work for you. (That’s ideal…always exceptions, but be careful about those exceptions).
Go to Cons (like Emerald City Comic Con or WisCon) and get to know people. You will meet fans and you will meet writers and small publishers. You will make connections and you will have fun. (Photo of Ariel is my daughter, who goes to Cons and always dresses up, mostly not in Disney costumes, but this was the best photo I could find today…plus, it’s bright and cute.)
Books on writing and why I like them:
If you buy one book, I would make it this one. I’ve taken McKee’s class twice (weekend course) and everyone from Pixar used to take it in the Bay Area (where I used to live). Screenwriters would fly up from LA to take it in case they had missed it in LA. I knew writers who would take it every other year during the time he was touring. He went all over the world teaching his course in the 90s and early 2000s. Why? I think he had/has a way of distilling what it takes to tell a great story. It’s less literary and more about structure, the architecture of good storytelling. I refer to this book all the time, also because this was the stuff I never learned in college. For whatever reason, my writing program de-emphasized story structure. Maybe they thought we were smart enough to pick it up, sniff it out and do it ourselves.
*Why don’t I have a photo of this book cover? I have loaned it out…which so many of us writers inevitably do and then regret. That book is gone from my shelves. I have no idea who has it now, so I will probably have to buy it again. DRAT! It’s not cheap!
Steering the Craft by Ursula K. le Guin
This is a short book, but really helpful. UK le Guin is a scifi/fantasy writer, so it’s wonderful to get practical advice from someone who knows the genres we are writing in. She may have the most concise and best definition of point of view and tense that I have read. I highly recommend it and it also comes with exercises.
le Guin has written a wonderful series, 5 fantasy books (long before Harry Potter) about a wizarding school, called
If you don’t want to buy all five, try out the first one.
UK le Guin is one of my heroes. Here is my review of her science fiction book, THE LEFT HAND OF DARKNESS, A Book Review
This book drives home the kinds of techniques that make characters eternal/memorable. It too is practical. The chapter on Protagonist Problems is spot on and one of the best things you can read as a young writer. He captures key mistakes many writers make when crafting a main character.
Revising Fiction, by David Madden
THE ANDROMEDA STRAIN, by Michael Crichton, was the first novel published by Crichton under his actual name. He had published previously under a variety of pen names. His reason for publishing under other names…he was a medical student at Harvard and was actually thinking he might practice medicine someday and didn’t want his patients to know that he was writing on the side. This must have been a “thing” in that era because it strikes me that wouldn’t phase anyone now.
However, Crichton soon after became a best-selling author and gave up the idea of practicing medicine.
I read this novel because of a recommendation by a friend during Covid19…
Do I recommend this novel? No, I don’t and here are 5 reasons why:
- The novel puts forward an interesting premise, but not fully baked (I am pretty sure this novel would never get published today)
- Bland main characters. It’s hard to keep them straight, they all seem like the same guy (except they attended different Ivy League schools and have slightly different occupations)
- So-so tension, but nothing like one of his better books, Jurassic Park, for example
- Characters are all white dudes in lab coats and even the non lab-coat characters are all white dudes. *note…when THE ANDROMEDA STRAIN was turned into a film in 1971, the screenwriter changed one of the dudes to a female…even in the 70s the character line-up was thought to be way too monochromatic.
- Too much data and exposition and not enough heart. I felt nothing for all the people (except for the infant…who seems to be completely neglected)
So…this novel became a best-seller and gave rise to a film that bears the same title. Both were hits/made a lot of money. In fact, this book catapulted Crichton’s career. I can only surmise that there was a great hunger for techno-thrillers at the time and that Crichton scratched an itch that had be itching for a long time.
The funny thing is, immediately following this read, I’m consuming Philip K. Dick’s, DO ANDROIDS DREAM OF ELECTRIC SHEEP and I am so wowed by the writing and how different it is from Crichton’s. Dick knew how to flesh out a character. Crichton did not, at least he didn’t yet. He got much better at it in subsequent novels, many of which I have enjoyed.
So, let me just nit-pick a little…
If I was ever to teach a writing class on the development of a writer…I might choose Crichton and force my class to read this book and then give them the pleasure of Jurassic Park as examples of how one gets better at the craft. THE ANDROMEDA STRAIN almost feels like a “freshman novel”, that novel written by an aspiring author who has one great idea, but can’t quite figure out how to tell the story.
In that class, I would also ask the students to read DO ANDROIDS DREAM OF ELECTRIC SHEEP, by Philip K. Dick, written in the same era.
There is a reason that BLADE RUNNER, a brilliant film and subsequent franchise, emerged out of Dick’s novel, published in 1968, one year before THE ANDROMEDA STRAIN.
The character of Rick Deckard is brilliantly written, fleshed out. The reader feels his pain, his angst, his story as he/she reads. Not only that, the secondary characters are complex, mysterious and full of emotion even when Dick writes about androids. His androids seem more human than Crichton’s actual human characters.
I do believe that Crichton saw his errors and improved immensely, but it will be a mystery to me for a long time that this book, THE ANDROMEDA STRAIN, was published and was sold and was read by so many, including me!
If for some reason you want to buy this book, click here.
To watch the film via Amazon Prime, click here.
This morning, I finished reading the classic science fiction novel, A CANTICLE FOR LEIBOWITZ. I rate this novel PG for violence.
First, the short review…
To purchase the novel, click A CANTICLE FOR LEIBOWITZ.
5 Reasons I Recommend A CANTICLE FOR LEIBOWITZ
- If you are a science fiction fan and want to be fluent in the genre’s history, Leibowitz is on many lists of must read sci-fi.
- The novel’s world is depicted plainly and purposefully, capturing the tragedy of a post nuclear holocaust world without sentimentality. The prose is often lovely and the story becomes more and more gripping as it unfolds.
- Especially for the philosopher and the theologian, A CANTICLE FOR LEIBOWITZ puts forward some of the most profound ideas around human evil and our propensity for self-destruction.
- Even if you’re not a philosopher, the characters and ideas come together in a way that does not allow the reader to ignore our society’s seeming dance toward self-destruction.
- In a similar vein as On The Beach, by Nevil Shute, A CANTICLE FOR LEIBOWITZ is a story that has the capacity to change our minds about nuclear arms and warfare.
A CANTICLE FOR LEIBOWITZ was originally published in three parts.
Fiat Homo…Let there be man
Fiat Lux…Let there be light
Fiat Voluntas Tua…Let thy will be done
The first two section titles refer to the Biblical account of creation, when God spoke the earth and humankind into being. The third section’s title refers to the Christian New Testament. Not that the idea lacks foundation in the Hebrew Bible, but the phrase itself is taken from The Lord’s Prayer and Jesus’ prayer in Gethsemane before his death. “And he went forward a little, and fell on his face, and prayed, saying, My Father, if it be possible, let this cup pass away from me: nevertheless, not as I will, but as thou wilt.”
A fair amount of Latin is spoken in this novel and I did not understand all of it, but most phrases are translated within the story or the context makes the meaning clear. All of the main characters and narrators are associated with a religious order, the monks of The Leibowitzian Order, that was established following what the novel calls The Flame Deluge.
The monks, much like Irish monks during the Dark Ages, copy, preserve and make available ancient knowledge to those who will have it. For the most part, the barbarians who dwell around the monastic fortress, whose setting is the old American West, hate this knowledge and see it as the reason destruction came to the planet.
An excerpt from the novel:
“After the bombs and the Fallout came the plagues and the madness. Then, in the bloodletting known as the Age of Simplification, the people – those few who remained – rose up against their teachers, their scientists and their rulers, those they held responsible for turning the world into a barren desert…”
A CANTICLE FOR LEIBOWITZ, published in 1959, channels the zeitgeist of an era when people were genuinely terrified of and preparing for nuclear war. For many readers, especially, younger readers, that period of history can feel like a long time ago in a galaxy far far away…but given Covid19, the economic shock that has hit the globe through the shutdown as well as the rise of a belligerent Communist China and a perpetually divided United States, war and/or chaotic one-upsmanship between two superpowers seems less far distant than it has since 1989, when the Soviet Empire collapsed. If World War III were to happen today, what would be the fallout?
Many of the questions posed by Miller in A CANTICLE FOR LEIBOWITZ, are relevant today. There is wisdom and a degree of sobriety that can be gained by our society paying closer attention to stories like this one.
My 8th post on this particular Amazon Prime series. I reviewed chapter by chapter (episodes are called chapters). For a review of the pilot, click Chapter 1.
Today I viewed the finale.
Question that arose…Will DARK/WEB will have a second season? Will there be enough interest? I have no way of knowing. What I can say is this…
There is a kind of resolution that takes place in this final chapter.
- Molly is found
- The mystery of what she was up to and why she was drawing her friends toward her hiding place is solved
- There are a couple of big reveals…one of which doesn’t pack the emotional punch that it should
- A perhaps too tidy wrap-up
- More horror story tropes…like a corpse, a cabin in the woods, a stormy night without power
The ending to this series felt overly ambitious and contrived…a lot of explaining right at the end to tie up all of the loose ends. Sometimes the characters acted in a way that didn’t make sense to me, didn’t see human, but served the overall plot. I always get frustrated when this is the case. There is a campy nature to the series, maybe this is part of the fun…perhaps another horror trope? However, it also takes itself VERY seriously at times, so I was trying to take it seriously too and sometimes the camp did not match the tone of true evil that was being portrayed.
However, I will give the series lots of chops for these elements:
- An ambitious vision in its attempt to unveil evil in our society
- A diverse cast of characters, (diverse in ethnicity and sexual orientation)
- A female POC director. I loved the direction overall…I wasn’t wild about the all the writing, but hey…I am a writer and am always more picky about the writing than the directing.
Overall, I recommend DARK/WEB if you have the stomach to watch horror/scifi.
7th and Penultimate Chapter. My 7th review in 7 days.
This review will contain spoilers for earlier episodes and minor spoilers for this episode (episodes are called Chapters), so be warned. Go back to menu or click PILOT if you want to read an introduction to the series.
I’ll say a little about the structure of the series at this point.
- Short stories, written by Molly are clues that will help her friends find her. All of the stories are dramatized on screen. This image, for example, is from one of the Molly’s stories called Viral. Nearly every chapter features one of Molly’s stories. About 15 minutes of screentime in Chapter 7 puts the audience in the world of Viral.
- All of Molly’s stories are dark, some are pure horror and very gruesome. I almost stopped watching this series after Chapter 2 because of it. Kim Rider, who has read all or most of Molly’s stories as they were online dating, says that Molly uses stories to work out the darkness in her own life.
- There are a variety of interesting filming techniques in DARK/WEB. I’ll highlight one. Notice the image posted above with words across the character’s face. These are words of a screenplay being typed by this particular film student, as she sits at her computer. She is the main character in Viral. This view through the computer into the scene has been used throughout the series and gives that creepy feeling that someone is watching from inside or beyond our screens. The audience sees what is taking place, but the characters don’t and we don’t know who is watching…that is unnerving and puts the audience on edge, exactly what the story creators want.
- Viral is a story about cyberbullying. The audience understands that unfortunately, cyberbullying takes place in real life. This story may be fictional, but it hits close enough to home to bring about reflections of human cruelty and evil, evil that exists in seemingly normal, everyday people. Looking at cyberbullying headon is horrific and not everyone’s cup of tea. As I indicated above, I almost stopped watching after chapter 2. Viral was also hard to watch.
The story creators of DARK/WEB have given their series this title for a reason. It is documented that the secret and more anonymous world of the dark web exists and exhibits the worst side of humanity. If you are squeamish or needing something more uplifting as entertainment, please be warned. We all know that there are many good people in our world (and that even the “evil” people have potential for redemption…at least I believe that) and most of us hope that the good will ultimately triumph over evil by the tale’s end. We will see…
6th post in 6 days…
Major backstory episode for the larger story arc, which I appreciated. It was the right time to give the audience more reveals. This review will have spoilers of the previous Chapters. For an introduction to the series and no spoilers, click the Pilot.
Pictured is Zach Sullivan before he has his mental break. In chapter 4, he is visited by Ethan in the mental hospital, so the audience meets him well after this scene with Molly. One suspects something bad went down at the job because in the hospital, he freaks out when a phone is brought near him. He and Molly were colleagues at Citadel, the computer/systems security company. Somehow, all roads are leading to Citadel…or are they?
Molly and Zach rely on one another for help with coding (actually…Molly may be the smarter of the two, though Zach has been at the company longer). As they lunch together at work, Zach and another coder tell Molly about Citadel’s secret project called MIHR. Zach is applying for a new job in the company and is hoping he will make the MIHR team.
Zach does get promoted and he does write code related to MIHR. He also stops having friendly lunches with Molly and appears exhausted and unkempt. Eventually, when Zach needs her help in solving another coding issue, she and we encounter MIHR.
This chapter is not gruesome and gives the audience a chance to know Molly better, the character at the center of the mystery.
THE CALCULATING STARS, by Mary Robinette Kowal
A Short Review
I highly recommend reading or listening to this novel. Below are 4 reasons why I loved it…
- Lots of dynamic female characters, told in first person by a female pilot/mathematician
- Well-written prose, making it easy to read and enjoy
- The characters are well drawn and realistic, despite the fact that they’re intellectual superstars
- It portrays a healthy marital relationship (for once!). Sometimes, you just want the husband to not be a jerk, and in this novel, that is absolutely the case. *Elma and her husband also enjoy a dynamic sex life, which is why I give the book a PG-13 rating. Nothing terribly graphic, but there are a few heated encounters between husband and wife.
THE CALCULATING STARS is a part of the Lady Astronaut Series, by Kowal, which includes a short story, The Lady Astronaut of Mars and another novel, The Fated Sky.
These stories emerge in an alternative history of Earth, focusing on the US Space program after a meteor plunges into the ocean off the coast of Maryland. The disaster strikes on March 3, 1952 and kills nearly all of the inhabitants of the Eastern Seaboard, including DC and most US government officials.
Kowal quickly frames the narrative from here. A meteorite of this magnitude will change the climate of the Earth forever. It is a matter of time (5-10 years) before the Earth becomes uninhabitable. Nations must work together to relocate to another planet and on this front, women have to be trained alongside men, don’t they? That is the question around which the book pivots. This is the 1950s and not only does racism rear its head in the space program, so does sexism.
The main character, Elma York narrates the story in first person, and I liked her as narrator. She is ambitious and brilliant, but flawed enough to give the story tension.
Elma is not only a renowned mathematician, she is also an experienced pilot, having flown for the WASPs in WWII. Her husband becomes the lead engineer of the new space program. Elma is recruited as one of the computers, seemingly an acceptable “role” for women in the new space venture (think Hidden Figures), but her real hope is to convince the NACA bosses that women are just as able to fly into space as men.
THE CALCULATING STARS won the 2019 Nebula for Best Novel, the 2019 Locus Award for Best Scifi Novel, the 2019 Hugo for Best Novel and the 2019 Sidewise Award for Alternate History.
Click here to purchase THE CALCULATING STARS
I love science fiction, dreaming about the future, imagining what our life in outer space might look like someday, but my passion for the genre has as much to do with the past as it does with the future. Science fiction shows us the future but also has the ability to teach us about our past and often does so without the baggage of politics and biases. The stories below are launch pads. Their portrayals of history through story are not by any means comprehensive, but rather snapshots into the lives of people encountering challenges that may be imagined by the author, but mirror history.
Here are a handful of scifi stories that bring the reader face to face with the past:
- Superman Smashes the Klan
- The Man in the High Castle
- An Excess Male
History Lesson #1. SUPERMAN SMASHES THE KLAN. Launch a discussion about the Ku Klux Klan (it’s inception and impact on US race relations).
In this three-issue Superman Comic, Gene Luen Yang gives historic tidbits at the end of each issue. You can read my review of the series here.
In issue 1,Yang highlights the 13th amendment to the constitution (abolition of slavery) and the 1882 Chinese Exclusion Act
Following issue 2, Yang discusses the Jewish immigrants who created Superman.
Following issue 3, Yang discusses the challenges of his own parents, both of whom were immigrants from Taiwan
History Lesson #2. Watch or read, THE MAN IN THE HIGH CASTLE (book by Philip K. Dick. The Amazon Prime TV series was produced by Dick’s daughter, Isa Dick Hackett). Discuss and learn about World War II.
This series is a great way to understand the Axis powers and that tentative alliance that almost took over the globe. You’ll find yourself or your student understanding the world that was inhabited by those who lived under occupation during that war. The French, The Koreans, and many others were forced to survive under Nazi or Japanese rule. Some made compromises, others rebelled. Can you imagine who you would have become to survive an occupation? That question is a great way for students to enter into and understand history.
History Lesson #3. Watch COLONY on Netflix to begin to grapple with the reality of living under occupation.
In the case of COLONY, the true enemy is an alien race that has invaded Earth, but some of the darkest villains are the human beings who have allied themselves with this conquering force.
Living under occupation, whether under the Greeks, Romans, The Islamic Caliphate, the Brits, the USSR, it requires turncoats, or those who will help to subdue the masses for the sake of the little bits of power and privilege that are doled out by the occupying power. The tv series COLONY does an amazing job of capturing this reality. A longer review can be found here.
History Lesson #4. Read AN EXCESS MALE, by Maggie Shen Chen, to begin to understand 20th century Chinese history.
Although this book imagines a future China, this story highlights what is perhaps the most disastrous public policy mandate of all time, THE ONE CHILD POLICY. For my review of this novel, click here. To read my guide for educators, click here.
History Lesson #5. KINDRED, by Octavia Butler. Read this book (fictional) and one of the other historic slave narratives like, MY LIFE AS A SLAVE, by Frederick Douglass. Discuss the ways slavery dehumanizes all those who participate in its reality.
KINDRED, by the late and great Octavia Butler, gives the reader a taste of the slave-inhabited South of yore. The brutality is evident and palpable. Lessons are brought so close…it’s hard to read this book, yet it is valuable for those trying to understand slavery in 18th and 19th century US. Here is my longer review of Kindred
Read All Three Issues of SUPERMAN SMASHES THE KLAN You Won’t Be Sorry
- Comic book action and a great story
- Relatable kid characters who make poor or good choices and learn from them
- Even Superman grows and changes
- History lesson combined with Gene Luen Yang memoir tidbits in the final pages of each issue are perfect for spurring deeper conversations about racism in the US
- I can’t get enough of Gurihiru’s lovely art
It’s a sad season for many of us on planet Earth who are living under the threat of COVID19 spread. Schools have been shuttered, so many activities cancelled and parents are left trying to figure out how to keep their kids off screens and at least somewhat engaged in their education. Great books, ones your kids will be motivated to read without any of your coaxing, are the home-school parent’s best friend.
On my website, you can use the menu bar for educators to see what science fiction books might appeal to your student. It’s not an exhaustive list, but there are more than a few gems you’ll want to check out. When I review a book, I give the story a movie type rating…G, PG, PG-13, etc.
If you want to read a review of issue 1 of this series, click SUPERMAN SMASHES THE KLAN, A No Spoiler Review
If you want to read a review of issue 2, click here
In the case of issue 3, I have no reservations in recommending this book to all kids and adults, though you might give it a PG rating for the serious topic it tackles, racism and violence.
The story (as portrayed in all three issues) is accessible to a child. He/she might need to be old enough to engage in a basic conversation about race, justice and belonging, but my experience in having two kids who attended public schools in California, they were ripe for the beginning of that conversation by kindergarten. I would recommend you don’t shield your young ones from starting this conversation early.
In this third issue of SUPERMAN SMASHES THE KLAN, the story climaxes with a confrontation between Superman and the Klan of the Fiery Cross. Superman has befriended the Lees, an Asian American family that has moved out of Chinatown and into the suburbs. They are the focus of the Klan’s animosity and Superman is defending them against the Klan’s violence. Author, Gene Luen Yang does not pull punches. There is a real portrayal of race hatred in this comic series, but that is what makes this story all the more powerful…it delivers truth.
Roberta, the young sister in the Lee family plays a crucial role in helping Superman beat back injustice. She will appeal to both girls and boys with her quirks (in the opening sequence of the first issue, she gets car sick and has to throw up while her family is driving out of Chinatown) and her bravery (she confronts evil and injustice head on, even though she can’t always defend herself). In this issue, Lois Lane takes Roberta under her wing and encourages her to research a mystery for the Daily Planet as a cub reporter. Roberta is a wonderful hero.
Given the talented writer that he is, Yang draws out a number of characters on both sides of the conflict who have depth. The bad guys are more than just foils. Likewise, the good guys are not always perfect. Even Superman is grappling with flashbacks around his own childhood, trying to make sense of his alien nature. It’s one of a number of great storylines that will please the Superman fanatic and add much to the themes that emerge in SUPERMAN SMASHES THE KLAN.
A bonus delight in all the issues are the final pages where Gene Luen Yang puts forward a bit more history of his own immigrant story and that of the Klan…In a vulnerable and testimonial way, he reflects on both the challenges and the beauty of our mixed cultural nation.
SUPERMAN SMASHES THE KLAN is a story in three issues. One issue every other month released since October. This is something comic book readers understand. You buy one issue, read about your favorite hero and wait in anticipation for the next issue to come out. Comic book adventures are serial-styled stories. Each comic book usually contains one story arc and always ends with a cliffhanger. That is one reason why readers buy the next issue. There is delight in this way of consuming a story, but it requires more patience than most of us are used to.
In case that style does not appeal to you or your child, buy all three. All three SUPERMAN SMASHES THE KLAN issues contained in one book, a story that will grab your child and keep him or her reading. The three will be released together on May 12. To preorder the story in one paperback instead of 3 separate issues, click here.
My advice in case you plan to discuss race with your child, make sure you read the story too. The education that will come out of the reading will benefit parent and child.
To buy SUPERMAN SMASHES THE KLAN, ISSUE 3, click here.
To buy the previous issues, click
SUPERMAN SMASHES THE KLAN Part 2 hit comic book stores in December. It’s over a month old and I have been delinquent in reviewing it, until today. This story is appropriate for just about all readers. Rated PG.
For a review of Part 1, see this no spoiler review
Warning: This review will have spoilers if you have not read the first installment.
Inspired by the 1940s radio series Clan of the Fiery Cross, Gene Yang picks up the cliff-hanger from part 1. In part 1, Tommy Lee, a Chinese-American boy has been abducted by a white supremacist group, Klan of the Fiery Kross.
The aim of the Klan is to tar and feather Tommy, therefore teaching his parents a lesson. They resent the Lees moving out of Chinatown and into their white neighborhood. The Lee family has made this move because Dr. Lee, Tommy’s father, has been offered a job in a nearby lab.
All the storylines ratchet up a notch in Part 2.
- Superman backstory: Superman continues to have flashbacks of his parents, aliens who look very different than humans. He is grappling with his own “alien” identity. His journey parallels the journey of the immigrants and their children in the story
- A little bit of romance: Yes, it’s a bit comedic and fun to see the budding affection between Superman and Lois and a little flare between Jimmy and Roberta, the main character in the story, the Lee’s spunky daughter.
- A community undergoing change: Yang captures an aspect of American life that rings true…especially, second generation immigrants moving out of the inner cities, out of enclaves and integrating into white America, changes that have historically led to tension. As in Part 1, Yang treats the “bad guys” fairly, always grappling with their feelings and their perspective. Not excusing their views or actions, but giving all his characters humanity.
- Another history lesson/bio on race relations in the US: At the end of the comic, a memoir section called Superman and Me describes Gene Yang’s childhood relationship with Superman and other comic heroes. Underneath Yang’s love affair with comics is the power of story and how they provided a sense of identity and empowerment for the author. In case you’re enamored by the history lesson, consider Yang’s early graphic novel masterpiece, American Born Chinese Definitely worth owning and passing around to friends, especially young teens.
Overall, this is a great middle to the story. I look forward to reading the finale, Part 3 when it is released on February 19, 2020.
A note on the art: The art in the series, created by Gurihiru, is colorful, capturing a blend of retro and anime. It seems apropos that this Japanese female duo would create the artwork for a comic grappling with some of the first Asian-American characters portrayed in a sympathetic way in the American Comics Universe.
To buy Part 1, click here
To buy Part 2, click here