OKJA, directed by Bong Joon-ho, written by Joon-ho and Jon Ronson (from a story by Joon-ho) is yet another example of Korean film genius. This film is set in a speculative future (despite the film’s timestamp of 2007)…the scifi aspects of the story have to do with genetics. First, the short review.
6 Reasons OKJA Will Delight
- Streamable for free on Netflix, family friendly (I would rate it PG-13 for violence)
- Although there are Korean characters who only speak Korean (therefore, yes, you’ll have to read subtitles), much of this film is either visual narrative or the characters speak English
- Funny and Heart-warming (the creature created for this film is cute and compelling)
- Thoughtful perspective on the food industrial complex
- With the child protagonist on a grand chase/adventure and with compassion at its core, this story feels like Studio Ghibli in all the best ways
Lately, when I look for something interesting and fun to watch, I gravitate toward Korean filmmakers. Why? They are some of the best storytellers around and Netflix is committed to working with them/putting their work out to the broadest audience. Moreover, Korean filmmakers don’t seem fixated on US/European political issues, which bore me these days. OKJA does touch on the industrial food complex…a global reality that is political. In particular, OKJA explores how meat is produced and processed for broad human consumption. But don’t let that stop you from watching this interesting and entertaining film. I think the questions that arise from the film are worth thinking about for every person on Earth, whether a vegetarian, vegan, or an omnivore. Kids watching this will also feel the implications of our “appetites”. It’s not a bad thing to help our youth understand that meat actually comes from creatures who live on this Earth with and among us. That’s a worthy conversation to have with our future leaders who will likely make choices for all of us about how we are to care for planet and creatures.
With an all-star cast, both Korean and US born actors inhabit this film. Stars like Tilda Swinton, Steven Yuen (The Walking Dead, Minari, Nope), Paul Dano (Little Miss Sunshine, The Batman, The Fabelmans), Yoon Je-moon (The Man Nextdoor), and Jake Gyllenhaal (Nightcrawler, Donny Darko) inhabit this universe. The protagonist, Korean actress Ahn Seo-hyun, is fantastic as the stoic caretaker of OKJA. She is the studio Ghibli-styled determined child who will not give up on her friend. This story is as much about loyalty and friendship as it is about food politics. I loved OKJA and I hope your family does too.
Hello audience of All Sci Fi! Welcome to the second guest post. My name is Abby Jensen and I am Susi Pritchett Jensen’s daughter. She raised me with a strong love of good stories and science fiction. I also am lucky enough to be one of the first test readers for many of her stories and her novel. I have been helping my mom set up this site for the past year and am very excited to write my first content for it!
No Spoilers Review:
We have a longstanding tradition in our family of seeing a movie on my mom’s birthday because it’s so close to Christmas. This year she chose SPIDER-MAN: INTO THE SPIDER-VERSE. My brother and I had already seen it once, but it is definitely the kind of film you can go back to and enjoy more every time.
SPIDER-MAN: INTO THE SPIDER-VERSE is an action-packed, hilarious, and heartwarming story of family told from the perspective of Miles Morales, a Black/Latino middle school boy. Miles faces the standard coming-of-age problems of a mixed-race kid from gentrifying Brooklyn, along with a plethora of classic Spider-Man villains to save not just his universe, but the entire multiverse from collapse. It’s also rated PG and is accessible to kids as young as 7 or 8 (younger if they’re precocious.)
The writers deftly deal with multiple Spiderman comic universes, keeping them accurate, in-character, and interesting for both kids and adults. If you are a nerdy parent looking to introduce your kids to comic books, this film could be an excellent inroad. And even if you aren’t familiar with Marvel Comics, Spiderman, and especially Miles Morales as Spiderman, is incredibly relatable for people of all ages. After all, anyone can wear the mask, which Miles and the Spider gang (from the other universes) discover together. All they need is a persistent willingness to get back up after every hit.
What impressed me more than the well-handled story, was the unique animation style. As a designer, I was dazzled by the ways the visuals connected to narrative elements in the film. High quality 3D computer animation has been around for long enough that it finally seems like studios are willing to experiment with the medium. For SPIDER-MAN: INTO THE SPIDER-VERSE, Sony uses animation to its full potential, creating a colorful comic-like universe for Miles. The textures and chaotic 3D effects connected with the disruptions of the multiverse evoke the unknowns of multiple dimensions in a way that is familiar enough that even kids will appreciate it.
3 Reasons You and Your Kids Should See SPIDER-MAN: INTO THE SPIDER-VERSE
- The message is inclusive and accessible to kids as young as 7 and as old as me (a 23-year-old kid.)
- The animation is beautiful and artistically adventurous, both of which add to the story.
- Miles Morales, a black/latino middle-school kid, brings one of the most relatable superheroes ever created to 21st century gen-z relevance.
I recently watched ARRIVAL for a second time through Amazon Prime. In my first viewing, I was in a theater and I loved it. This second go-around, I was not disappointed. I watched with a group of my cousins who are all film/scifi nuts. The viewing was free for Prime members.
ARRIVAL is rated PG 13…it’s somewhat creepy and suspenseful, but a middle school child or a sensitive viewer could probably handle the production. I’m not sure why it did not receive the PG rating. It unfolds without graphic violence and there is no explicit sexual content. One might call ARRIVAL a quiet film, but the subject matter takes it from the quiet realm into the epic and deeply thoughtful.
ARRIVAL was released in theaters to much acclaim in 2016. The film is based on a short story by Ted Chiang. Eric Heisserer wrote the screenplay. I hope to read and review Chiang’s short story in a future post.
The film unfolds with slow intensity primarily around one character, Louise Banks, played wonderfully by Amy Adams. Banks is a linguist recruited by the US government to learn the language spoken by aliens who have alighted in giant oblong space ships in twelve locations around the globe.
The story is a linguist’s dream and as a science fiction fan, I recall a number of novels that view first contact in light of language and communication. China Miéville’s Embassy Town is a good example. In a story such as this, violence is often threatened, but not center stage. Mysteries and the push to understand the other dominate the narrative.
Five quotes from the screenplay to pique your interest:
- “If this is some sort of peaceful first contact, why send twelve? Why not just send one?”
- “Language is the first weapon drawn in a conflict…”
- “Are they scientists or tourists? If they’re scientist, they don’t seem to ask a lot of questions…”
- “If you could see your life from start to finish, would you change things?”
- “Meeting you…was more important that seeing the stars…”
Five reasons to watch this film.
- It’s free if you’re an Amazon Prime member.
- If your family is into science fiction, ARRIVAL is a crowd pleaser which you can show to your kids with a clear conscience.
- Lots to ponder about language and linguistics, language and meaning, the puzzle and the importance of communication.
- Female hero with lots of brains and only a few characters to keep track of.
- Potentially leads to fruitful discussion about love, suffering, beauty, grace, even religion.
To buy this DVD, click here.