So, yes…our family is following the trend. We viewed the much talked about THE MANDALORIAN this past holiday vacation. If you count the fact that we (my husband and I and our two kids in their twenties) actually plunked ourselves down in theater seats and watched the new Skywalker film, our eyeballs were largely captivated by the Star Wars universe.
A big win for Disney because I’m guessing we weren’t the only family doing this.
THE MANDALORIAN is a PG-13 show. Don’t let cute child Yoda-like character charm you into thinking this is for little kids. Many of them will be terrified by the series, in part because the cute little character is often in danger.
There is also graphic violence in the series. The main character, Mando, is a bounty hunter in the spirit of Jango/Boba Fett.
First, The Short Review: Five Reasons to Watch THE MANDALORIAN
- Similar to Stranger Things, this series is turning out to be an international phenomena. If you don’t watch it, you’re bound to miss about 1 out of every 5 late-night tv jokes and tons of cultural references.
- The production is well done overall, including the special effects.
- Each of the 8 episodes are action packed and tension filled.
- Baby Yoda (this isn’t actually baby Yoda, but a child of the same species as Yoda) is adorable.
- The story helps to expand and fill out the Star Wars universe and that is kind of fun if you have enjoyed the previous stories.
The story and the main character evolve in this production. I was a little bothered by never being able to see the face/read the face of the hero, but the Star Wars film folks have genuinely figured out the best possible way to convey feeling even when a character is a robot or wears a helmet that covers the face. Speaking of helmets…one of the most delightful interactions took place between two storm troopers. At one point, they are alone and commenting on their superiors’ orders and interacting over a creature/prisoner in their possession. It’s funny and humanizing to hear their banter, though the two of them still seem bent on serving their evil overlords.
As is typical of our most beloved Star Wars tales, the protagonist adores his ship and seems to have a particularly affectionate relationship with it. Star Wars writers do a good job of making machines, like ships and droids take on personality. Droids are a sore subject with our hero. He mistrusts all of them and the story arc grapples with this view. The teaching character introduced in an early episode is called Kuiil. He not only assists Mando when our hero is in need, he represents the gentler and more peace-loving side of the universe. Where Mando can seem brutal and hard, his moral angle on the universe is expanded as the audience sees him interact with the child first and second with Kuiil.
As usual, Star Wars writers are good about villains and rogues, some of whom are weird looking aliens. Yes, there is even a bar scene right at the getgo in episode 1. In addition, the audience visits new planets, sees new creatures and encounters cultures not previously shown in any Star Wars film. This happened organically and it didn’t feel like overload to me. I appreciated the universe getting filled out in more details for the fans, all while telling a story that I cared about. Moreover, the new planets and creatures kept each episode action-packed and visually interesting.
Mando is a loner, but eventually the task of caring for the child becomes bigger than him. He needs allies and those allies are an interesting group as well, gritty and loyal to the cause. Mando’s willingness to team up with others, including a droid, reveals the character growth he has undergone.
This story takes place a few years after the Empire has fallen (post Return of the Jedi, 1983), but 25 years before the the rise of the First Order, the authoritarian regime that is firmly in control of the galaxy when Episode VII: The Force Awakens (2015) begins.
DisneyPlus Streaming Note:
If you want to watch THE MANDALORIAN, you might be able to access it illegally…these things I try not to know, but I realize it happens. If you want the legit way to watch, you’ll have to obtain DisneyPlus. Google search DisneyPlus deals and see what you can find. Our family found that our carrier, Verizon, gave the service free for a year because we have unlimited data. After one year, we pay $6.99 per month. This article in Business Insider will fill you in. We obviously took the deal.
Free is awesome, but will we re-up at the one year mark? We might, but it depends on the overall content value. Right now, our family subscribes to Netflix and now DisneyPlus. We are Amazon Prime Members and we use YouTube/Roku/Apple TV combo for lots of other content.We do not subscribe to HBO or Hulu or other subscribe options. I do try to watch Hulu shows when I fly Delta, which I do often, so I haven’t felt like I’ve missed that service. HBO would be nice, but there are only so many hours in a day and I still want to read! So…that’s it for us, for now.
Baran bo Odar and Jantje Friese, co-creators of DARK, sold their masterful production to Netflix sometime in 2016-17. It began streaming in December 1, 2017. Rated PG-13 (a couple of sex scenes more than graphic violence). This series is dubbed in English. It’s done well, you’ll likely not notice after watching for a few minutes.
Here are 5 reasons to check out DARK…
- DARK is part mystery, part scifi and part thriller…in a similar way that Stranger Things draws in the viewer, so does this tale.
- Yet…DARK is smarter than Stranger Things. Throw in human angst, religion, time travel, Goethe and Nietzche and you’ve got a jumble of ideas that provoke any viewer.
- Perfect for binge-watching over Christmas vacay.
- The casting was done well and there a number of brilliant performances, including those of the child actors.
- If you like a good soundtrack, this one is pitch perfect, utterly creepy and poignant.
Black holes are considered to be the hellmouths of the universe. Those who fall inside disappear. Forever. But where to? What lies behind a black hole? Along with things, do space and time also vanish there? Or would space and time be tied together and be part of an endless cycle? What if everything that came from the past were influenced by the future?
There are a number of reasons why DARK has been compared to Stranger Things. The main one is that it features a small town where an unnatural mystery is unfolding within its boundaries. Other ways in which it feels familiar: A couple of the main characters are policemen and youth are important to the story. DARK is “dark” and may not have the charm of the funny and sweet tween friendships at the heart of Stranger Things, but the narrative takes on the isolation and claustrophobia of small town life. It features a number of disaffected teens and adults, not often friendly toward one another, all living in Winden.
Winden is the fictional German town where a tunnel under a nuclear power plant holds mystery. The story opens with the suicide of one of the town’s people in current time and unravels from there. Tidbits of the mystery are revealed. Various families and their histories who live in Winden are revealed. Within a few episodes, the audience begins to see the tangled mess. Not only are these folks relationally connected, they are connected by a society of time travelers, who go by the name Sic Mundus, meaning “thus the world was created”. By the end of the first season, the audience understands that fate, individual choice and the agency of those who understand the dynamics around time travel, will continue to hinder or help Winden restore some semblance of order to their community.
The first season was much acclaimed and the second (I have not watched yet) apparently did not disappoint. A third season is under production as I write. I can’t speak highly enough of DARK, the story, the performances, the music and visuals. There is much artistry in this production and it is a welcome reality for story consumers to see another brilliant tale come from a place beyond Hollywoodland.
Congrats to these filmmakers and I look forward to viewing and reviewing season 2 in the coming weeks.
Another Delta plane flight, another dive into Hulu’s offerings. I haven’t yet paid for Hulu’s streaming service. Maybe I will. I’ve been impressed with their original productions. What I viewed today, my second INTO THE DARK* episode, this one celebrating New Year’s Day: NEW YEAR, NEW YOU. This film is 84 minutes long, rated R for adult themes and violence, though the gore was not over-the-top. INTO THE DARK was co-written by director, Sophia Takal and Adam Gaines.
MY SHORT REVIEW: 5 Reasons I Recommend
- Compact story, tension ratcheting up with every scene.
- All-female cast of characters, all solid performances
- Surprising turns in the story
- Well done production, including a creepy soundtrack
- Director, Sophia Takal is a talent worth watching and following
NEW YEAR, NEW YOU is Mean Girls on steroids. Those viewing INTO THE DARK know the genre, so it’s not a giveaway to say that the story opens with flashes a tragedy, the body of a young woman with cuts across her face, floating face up in a swimming pool. It’s a quick and foggy flash and not explained initially. In the next scene the audience attaches to the main character, a young woman named Alexis. Alexis is the nanny for a teen girl. Together they are watching a video of an Instagram/YouTube star: Danielle. Danielle’s screen presence feels part shopping channel, part self-help guru, part inspirational speaker. Based on the enthusiastic fawning of the teen, the audience understands Danielle to be one of those personalities able to drive her fans to buy products (including a line of her own overpriced juices) that promise to deliver the screen-projected happiness she exudes.
Alexis is disgusted by Danielle’s image and message. The audience sees this in her face, her attitude, her posture. Alexis is one angry woman. She bears a scar along her jawline, also not explained. Alexis notices it often, touches it, focuses on it as she looks at her face in a mirror at least twice. The audience grows in understanding that Alexis’ old friend and now superstar, Danielle, might have something to do with Alexis’ scar.
In the second set of scenes, Alexis is preparing her house for a New Year’s Eve party, but there is little joy in her preparation.
Point of view shifts briefly to the interior of a car. Two other women, Kayla and Chloe, are driving in a rainstorm on their way to Alexis’ party. Danielle comes up in their dialogue, both her fame and how much money she has been making. Kayla and Chloe wind up with a flat tire a few blocks from Alexis’ home and walk in the rain the remainder of the way.
The two of them are warmly welcomed by Alexis. Danielle, has been invited to the party as well, though these women haven’t seen her in a while and are uncertain whether or not she will come. Danielle finally shows up, a much anticipated moment for the audience. She is alone.
Kayla and Chloe seem excited to see Danielle. Alexis tries to act happy, but she’s not a great faker. The friends proceed to drink and celebrate their evening. Danielle pushes her agenda, wanting to shoot various videos of her friends to promote herself/her lifestyle. Her controlling and shallow presence draws out the worst in Alexis, literally and figuratively. The climax takes place as the women countdown to midnight, at which point all hell breaks loose.
I didn’t come close to predicting all the twists and turns of NEW YEAR, NEW YOU, but it was a pleasure to feel on edge from beginning to end, which is why I consume such tales.
*INTO THE DARK…The series, INTO THE DARK, is a Hulu concept, a horror anthology series in the vein of The Twilight Zone, though each production is as long as a feature film. In the anthology’s first season, Hulu released one episode per month, starting with Halloween and for a total of 12 episodes. All of the episodes were tied thematically to a holiday that falls within that month. NEW YEAR, NEW YOU is the 4th episode in the anthology. It is tied to New Year’s Day.
The series, INTO THE DARK, is a Hulu concept, a horror anthology series in the vein of The Twilight Zone, though each production is as long as a feature film. In the show’s first season, Hulu released one episode per month, for a total of 12 episodes. All of the episodes were tied thematically to a holiday that falls within that month.
The 8th episode was released in May under the title: ALL THAT WE DESTROY. The story is inspired by Mother’s Day.
ALL THAT WE DESTROY is horror, but with a scifi twist. It is a tale in the vein of Ex Machina, the drama unfolding around a brilliant scientist who runs a lab in a remote location. It’s a story as old as Mary Shelley’s Frankenstein and a trope that will please both the science fiction nut and the horror fan. In other words, this HULU original does not disappoint in terms of revealing a monster or two…
I would rate this film R for violence and language. Trigger warning to those who might be disturbed by violence perpetrated against the vulnerable. This is a monster movie.
Short Review: Four Reasons To Watch INTO THE DARK
- Lots of edge-of-your-seat suspense and mystery.
- The characters surprise, yet for all their weirdness, they are relatable.
- Strong female leads, with themes around motherhood and life-creation.
- The story takes place in a desert hideaway where the sun shines brightly. I found it refreshing to see this setting for such a dark and troubling tale.
Point of View determines how a story like INTO THE DARK will unfold. In the case of this film, the POV primarily rests with the supposed monster, the creation. In the opening scene, the audience watches her wake up out of a tub of black sludge. The audience learns within the first 20 minutes of the film that this young woman is a clone. The clone is lovingly washed and dressed by the scientist, whose hands the audience sees, but does not meet until later. Instead, we meet the scientist’s son. His mother is the scientist and she is a woman fixated on solving the dilemma of her son. She’s doing this in the only way she knows how, by using her science in what is clearly an unethical way.
The twist in this story, as you might imagine, is that the clone may or may not be the true monster.
Ex Machina was on my mind during much of the viewing of INTO THE DARK
In the case of Ex Machina (which I loved, but still haven’t reviewed on this site), the point of view is mostly held by the visitor who enters the lab. Mystery about what the heck the scientist has created drives the plot, ramping up tension as the visitor discovers (therefore, we the audience discover) the horrors of the scientist’s experiments. This tension culminates as the visitor understands that in order to survive, he will need to escape from the lab before the monster overcomes him. This is where a story such as Ex Machina, science fiction in its vibe, follows the haunted house script. Think Poltergeist, Amityville Horror, The Shining. Survival equals escape. Will the hero make it out?
INTO THE DARK gives the audience a twist on this haunted house trope. The point of view starts with the clone, but moves to the scientist and to the son at various points in the film. The clone is innocent in her birth and clueless about the dangers that lurk. The audience understands those dangers and strongly empathizes with her, is rooting for her.
Part way into the film, a visitor enters the action. It’s a chance meeting, but reveals the vulnerability of the scientist, her son and the ghastly experiment she has been conducting. The finale brings all the characters together. I liked the ending. It was packed with symbolism, but not overdone. A true Mother’s Day tale.
So…I’m on an airplane and thinking it’s my chance to watch something new. Yay! I turn on my personal tele, flip through the film and television options. I see a TV series called ALMOST HUMAN. It looks scifi enough and I see JJ Abrams’ name attached to it. I decide to try an episode. I imagine I am watching something new, but apparently, I’m not.
ALMOST HUMAN aired in the late 2012 and early 2013s (in the media world. 7 years is a lifetime). JJ Abrams, Bryan Burk and JH Wyman produced this series.
The premise of ALMOST HUMAN is not so original. It’s basically a cop drama. The unique aspect to this story is his AI partner. Dorian is a humanoid AI, often referred to as a “synthetic” in the series. John Kennex, the main character, is a cop who frequently bends/breaks the rules. Typical cop drama trope. He also carries a lot of emotional baggage. Also typical. Some of that baggage is introduced in the first episode. What is unique about this cop drama is that his partner Dorian is an AI programmed to be empathetic and does not hesitate to tell Kennex when he sees him making poor choices. Those moments are both poignant and funny. Watching their unlikely friendship develop makes for an interesting story. In a way, both are helping the other to become better humans.
ALMOST HUMAN was cancelled at the end of the first season. Thirteen episodes is all that is available to the viewing audience. However the four episodes I watched were entertaining and would interest most scifi fans, especially if your second love after scifi is cop shows. In case that doesn’t sound gripping enough, here are three more reasons you might want to check it out…
- The series puts forward a robocop-type world. In this well-drawn urban landscape of Earth’s future, human cops team up with Artificial Intelligence cops. That’s a nice twist on the typical cop drama.
- The series explores a lot of possible future tech for law enforcement like instantaneous DNA identification. Some of how the cops do their work and the ways the criminals try to outsmart or subvert the new tech is fascinating.
- There is a satisfying “solving of the crime” in each episode, like many typical cop dramas.
While I do recommend this series, it will cost you money. Amazon Prime and YouTube dangle the fruit of the one season in front of us…for $20. Each episode is $1.99, so if you’re doubtful, rent one or two episodes and see if you like it…or fly Delta sometime in the next few months. I liked episodes 2 and 3 more than the first, so try to watch more than the pilot.
It’s August, which means we’re almost done with summer, but it is not too late to steer your teen away from screens and toward reading. I have a soft heart for parents of teens. I have two kids and know well the battle parents wage relentlessly to engage their teens with anything other than their devices. (Truth…we parents have an addiction as well…which is why tackling this issue is so tricky!).
But why even fight? Why fight the powerful riptide that sucks our kids into the digital universe?
I interviewed reading specialist, Dr. Marnie Ginsberg, who focuses on training teachers of early readers and has two teenagers of her own. Even she is familiar with the struggle! This is what she says about teen reading…
“Good teen readers read hundreds of hours more each year than average readers. As a result of this reading practice, they keep developing their reading achievement. And reading achievement is strongly correlated with so many positive outcomes for teens and their future selves that one can hardly count them all…”
Dr. Ginsberg’s list included these: “Higher reading achievement leads to…
- better school achievement–in all subject areas, including math
- stronger oral and written language knowledge and skills
- better job prospects
- higher wage earnings
- better health; and even better life expectancy!
- Besides these long-term benefits, time spent reading helps in immediate ways, too, such as mood regulation and stress reduction.”
Yet, Dr. Ginsberg said that most teens today are not reading enough to enjoy these varied benefits of high reading achievement. Multimedia usage instead, soaks up most of the typical teen’s day–upwards of 8 hours a day.
If you are an educator and want to learn more about how to better teach young readers the skills that will help them succeed at reading, check out her website. ReadingSimplified
Discovering Great Stories Your Teens Will Love…
The challenge for parents and teachers is to help the teens in their life discover great stories. Our kids still love stories, but they tend to take them in via the screen. Stranger Things, the Netflix hit is my case and point. That series has become a must see event for most of our teenagers. It seems to be as important as any of the Avengers blockbusters. All that to say, stories still matter to our kids. Let this be your best ammunition as a parent. If you work hard at finding good stories in the books you are putting in front of their faces, your kids have a much better chance of sitting down and reading.
There are many compelling stories waiting to be uncovered by you/your teen, but how do you find them? Try going to Goodreads (book review site) or googling something like The Top 10 New Novels for Teens. Also, follow the lead of your teen who might have a favorite author or genre. I would advise heading to a library over a bookstore when looking for the right story because librarians are golden.
A great librarian is like a matchmaker. Librarians read enough to know the answer to a question like this…What is the best Middle Grade book with a female protagonist who isn’t an orphan that is under 300 pages. A great librarian will be able to give your teen one or two books that fit that description.
However, if you’re in a hurry and a little stuck, check out reviews on my website (not all are teen appropriate), but here are a few I would put forward that are teen appropriate.
All these books except for AMERICAN BORN CHINESE are speculative fiction or sci-fi.
- FEED, by MT Anderson. To buy the audiobook, click here.
- THE HOUSE OF THE SCORPION, by Nancy Farmer. To buy this audiobook, click here.
- DOGSBODY, By Dianna Wynne Jones. Click here to buy.
- DESCENDER SERIES (graphic novel series), by Jeff Lemire and Dustin Nguyen (See below for links to purchase)
- AMERICAN BORN CHINESE (graphic novel), by Gene Luen Yang. Click here to purchase.
In addition to finding the right stories. Here are a few strategies that will encourage teen reading
- Take a road trip where screens are forbidden in the car and listen to an audiobook that everyone has agreed on. Bonus…if you pick the first book in a series (and there are many of those out there), your teen might pick up the subsequent books on his/her own.
- Make it a summer tradition (or an all-year tradition) to read aloud together as a family before bed each night. I know a few families that practice this habit and their kids cherish the time. Think of it in a similar category as watching television together…
- Don’t despise the graphic novel. There are sophisticated stories, characters and lengthy dialogue to be had in the modern graphic novel.
- Go on a phone-free, screen-free vacation where every member of the family gets to take his/her own book of choice This NY Times article gives tips on how to best unplug in case one phone must come along.
The Hive Brain Alien (Spoilers Galore)
Writing non-humanoid aliens who don’t speak a human language is no easy task. This post is preceded by three others. If you want the earlier insights, link to to Part 1, Part 2, and Part 3. It occurs to me that I ought to define dynamic. That word is in all four titles.
In terms of a dynamic literary character, I mean a character who is neither pure good, nor pure evil…a character that can change its/his/her mind, can act morally or immorally, and can find its way into the audience’s heart.
This post will be a study of ALIEN, BATTLE STAR GALACTICA, ANNIHILATION and ENDER’S GAME.
Hive brain aliens (or A.I. in the case of Battle Star Galactica) differ so much from human beings, in part because their societies resemble what would be perceived by humans, as dictatorships or slave states. Hive communities, though a perfectly reasonable way of life for many of Earth’s tiny creatures, when translated into human terms, feel unpalatable. All hive individuals think alike. All live for the queen. All work for her good and the good of the community, often at the expense of the individual. So, how does an author drum up empathy for these characters? In the case of Ridley Scott with his Alien creature…almost none. The exception would be in Alien Resurrection, the third film in the franchise, when the newborn hybrid alien is killed by its own mother, Ripley. The audience knows this is necessary, but still…it hurts to see that cute (not cute) little spawn (not little) sucked out of the spaceship.
So, these aliens in the Alien franchise are not sapient. They do not make tools and have no technological civilization of any kind.
They are predators, with one goal…survival. Not only will they eliminate other lifeforms that may pose a threat to them, they will impregnate those who remain and use them to feed their young. Yeah…not a pretty picture, but still, that moment when Ripley turns her back on her offspring…it tugs our heart for a brief moment.
My husband and I have been re-watching Battle Star Galactica (which, by the way is fantastic; the writing, the acting and the overall production hold up to any tv series produced ever after). In BSG, the Cylons are the worker bees of a hive mind (an A.I. computer searching for meaning). The Cylons have destroyed human civilization and are chasing down the remnant who are fleeing in space vessels across galaxies to find a place where they will be able to survive/start over. The Cylons are called “toasters” by the humans who shoot them dead (otherwise, they will likely die by the hands/guns of those Cylons). The Cylons are non-human with little or no individuality…until, the computer brain figures out how to create machines that are VERY human-like. Those Cylons infiltrate the human remnant and take on unique personalities. One even falls in love and is impregnated by a human. So…it all becomes complicated. Including, the episode we just watched which chronicles a Cylon called Scar. The episode is the 15th of the second season and is titled, Scar. It is free for for Amazon Prime members as is the entire series.
This particular Cylon is not only named by the human fleet (naming a hive member changes the way the audience sees this character), it is feared by them. The fleet’s fear of Scar also puts it in a unique category. No longer is Scar a worker bee.
Scar has been able to kill more human viper pilots by learning. The implication put forward by one of the human-like Cylons (the pregnant one) is that each time Scar has been destroyed, its failure in battle remains in its brain. As that brain is downloaded into the new Cylon body, a new pilot is born, only it does not forget. Scar is able to access the lessons of its battle failures and grow more adept at fighting human pilots. In a previous episode of BSG, the human fleet has destroyed the Cylon “resurrection ship”. Therefore, this battle with Scar is to the death. Scar will not be coming back in a new body if it is destroyed this time.
In BSG, the writers want the audience to grapple with a morphing understanding of the Cylons. Cylons start out all evil, but don’t stay that way. Various human-like Cylons enter into human community and help it, many step in with critiques of human society, acting almost like prophets. The Cylons are monotheists, who believe there is a purpose to their existence. The human remnant is polytheistic, worshipping the gods of the Greek Pantheon. Wonderful fodder for philosophical ponderings within BSG.. Through the many episodes of BSG, the audience begins to feel more compassion for the Cylons. The entire series is worth watching if you are a writer who cares about humanizing characters that fall into the category of enemy or other.
In ANNIHILATION, the enemy is mysterious, hive-like in that it reacts en masse and not as individuals…In fact, it can’t be categorized as a hive-brain alien exactly. There is little clarity that the anomaly in Area X is actually an alien takeover. What emerges is the notion (at least in the novel) that the changes taking place in Area X are inevitable and may be good for Earth. The anomaly, however, is impersonal. The alien impact, or whatever it is, is spreading and seems to have no consciousness in the way we think of consciousness, but is more like a fungus or a virus. It has power to change its environment, but any actual “brain” that would become a military target, allowing our government to remove the anomaly is unclear. Lots of mystery, but the writer, Vandermeer, makes it work, especially in ANNIHILATION, the first novel of the Southern Reach Trilogy.
Area X is frightening because it consumes and/or changes all who encounter it. As a writer, ANNIHILATION is worth studying for the utter strangeness of the alien anomaly. There is no verbal communication with it, only physical and psychological encounter. The biologist character in the novel (Lina, in the film) helps the audience see the mystery as beauty. However, the ambiguity remains and is never truly resolved. It’s good to see an alien like this. The presence of it pushes the human characters to their limits and reveals aspects of our humanity that are important to recognize. Really great sci-fi ought to do this.
Lastly, ENDER’S GAME. The Formics are the enemies, (the Buggers) that Ender eventually destroys. The novel is about how he is trained to perform this act. Ender commits xenocide without knowing it. It’s worth reading or re-reading ENDER’S GAME to watch how Orson Scott Card pulls this off. The Formics are all evil until very close to the end of the novel. The turn takes place when the innocent, but talented Ender realizes how he has been manipulated and how his power has been used to “save Earth”, but while doing so, he has destroyed another species. His grief is immense. Ender will bear this guilt into subsequent novels. The audience, once it realizes that the Formics have been destroyed, enters into Ender’s regret. A young boy’s conscience has been scarred. The novel then portrays the Bugger queen communicating with Ender, giving hope to him that there might be a path to redemption. The audience wants this for Ender. The queen reveals that the Formics had initially assumed humans were a non-sentient race because they lacked a hive mind. She/they realized their mistake too late. In other words, the war was a BIG misunderstanding. The queen requests that Ender take a dormant egg that has not been destroyed to a new planet where this species can thrive anew and Ender agrees. Suddenly, the audience is rooting for the Formics.
That is a turn around worth studying! The audience goes from hating Formics and seeing them as a monolith, to empathizing with them and hoping for their rebirth.
Make sure you pick this novel up next time you’re at the bookstore or you can order it here.
My husband and I are watching Battle Star Galactica (BSG) for the second time in our married lives. The first time we watched, our kids were always in bed. It was just-for-parents entertainment…Our daughter was a middle schooler, our son, a couple of years behind her. They’re both out of college now. So it was a while ago.
BSG was created for the SyFy channel by Glen A. Larson and Ronald D. Moore.
There is much pleasure in the re-watching for me. Last night, we viewed The Hand of God, episode 10, one of many amazing episodes in that first season. Our re-watch has me reflecting on what makes BSG so good?
- The writing is absolutely spot on. No-nonsense story-telling that provides the audience with a solid long-term arc of purpose and meaning: humanity, betrayed by A.I. known as Cylons, must leave their home and find another habitable planet. An epic journey in a space ship. Grafted onto the journey narrative are countless subplots that will draw in scifi and non scifi fans. How do the writers do this? That leads me to my second point…
- This story is inhabited by heroic, but flawed characters most of us can relate to.
- The production value is superb. Even in the 2019s, the set, special effects and costumes create a believable fictional world.
- The actors embody their characters well, extra dramatic heft carried by the Commander of the fleet, William Adama and President of the survivors, Laura Roslin (played by Edward James Olmos and Mary McDonnel respectively).
- The themes around protecting a way of life, more specifically, a democratic society in the midst of battle, are extremely poignant in our current political environment.
- Ethnically diverse cast of characters and women in key leadership roles.
If this will be your first time viewing the series, or if you’re re-watching like me, consider this podcast aptly named Galacticast to augment the full depth of each episode. It’s a fun and easy way to be extra nerdy about BSG. Click below for the link up.
As an aside, I find myself wishing The Expanse would produce an episode by episode podcast…Sometimes, I feel like I’m not quite getting it. Maybe in the re-watch, I will.
To watch the entire series, click here.
I write this post in honor of International Women’s Day and I hope it might spur you to pick up a novel or download an audiobook that you might not have read without a little urging. You won’t be disappointed!
With that said, here’s the list:
- Octavia Butler
- Ursula K. Le Guin
- Margaret Atwood
- N.K. Jemisin
- Julian May
Octavia Butler, author of KINDRED, passed away in 2006. She was one of a handful of women to win multiple Nebula and Hugo Awards, as well as the Arthur C. Clarke Award. If you’re starting out and want a great taste of Butler’s writing, order or pickup BLOOD CHILD AND OTHER STORIES The novelette, BLOOD CHILD, won both the Nebula and the Hugo. If you’re a fan of graphic novels, try this version of KINDRED: GRAPHIC NOVEL
Ursula K. Le Guin, author of THE LEFT HAND OF DARKNESS passed away last year. Many love her for her fantasy, but she is perhaps chief among our mothers in the pantheon of many fathers who have written the most important science fiction in the last 40 years. She was the first woman to win a Nebula award and a Hugo, for THE LEFT HAND OF DARKNESS. My review of the novel is here. Much adored by her fans is the THE EARTHSEA CYCLE novels that were intentionally targeted at the young adult audience (Le Guin was encouraged by her publisher to do so.)
Margaret Atwood, author of THE HANDMAID’S TALE, for which she won a Nebula award, The Arthur C. Clarke Award and the Booker Prize, has a contemporary fan base since her novel was adapted to television by HBO. That novel is worthy of your attention, but so are many of her others, like ORYX AND CRAKE, the first in the The MaddAddam Trilogy.
N.K. Jemisin is blowing the socks off the scifi community with her brilliant story-telling and characters that breathe prophetic. The Broken Earth Trilogy belongs on every scifi fan’s shelf. She is the first author in the history of the Nebula to win three awards in three consecutive years. For a dip into her writing, try some of her short stories, many of which are award-winning and/or brilliant in their own right. This collection is what you need. HOW LONG ‘TIL BLACK FUTURE MONTH: STORIES
Julian May passed away last year and will be the most obscure recommendation I make. I do so because I recently discovered her and feel her scifi to be completely wonderful, different and imaginative in a way I had not expected. She’s written a series called The Saga of Pliocene Exile which is a riveting tale with fantastic and memorable characters. I reviewed THE MANY COLORED LAND in the Fall. You can read the review here.
Women bring a unique voice to the science fiction landscape and they have mostly been welcomed by those who love the genre. They are still out-numbered on the shelves of your local bookstore and it’s good to be reminded of the best.
Who are your favorite female authors within the genre? I’d love to hear who you love.
High praise for COLONY, Season 2. In case you have not seen the first season, this review will contain a few spoilers for those first episodes, but none for season 2. You can read my review of Colony, Season 1 here
There is a third season of this show that will come to Netflix sometime this year (a few fan blogs predict as early as April 2019), having already aired on USA Network. Beware of going onto the USA Network site. You might stumble upon a few spoilers. USA Network features a number of still shots from season 3 in their promotion of COLONY.
The main reasons I recommend watching Season 2 is for the superb story and the characters. The writing is spot-on, a continuation of Season 1. Let me elaborate…
- The characters, whom the viewer has come to admire, love and/or mistrust in Season 1, develop and continue to feel real and relatable
- The mystery of the invasion is explained a bit more, but the story still holds plenty of tension
- The narrative continues to raise important moral questions around living under occupation…The moral conflict goes deep and is unique for each character. The show highlights this well.
I loved all of season 2, but found the early episodes incredibly fun to watch because they are a goldmine of backstory.
Season 1 of COLONY drops the viewer into an already occupied, alien-invaded planet. The viewer attaches to the characters first and then begins watching for clues to explain what is taking place. Even the characters living through the ordeal don’t know much. Some mysteries are explained, but many remain.
What is wonderful about season 2…Three key backstory events are provided.
- First contact with the aliens
- What took place on the actual day of the invasion
- How the invading aliens strategized with an early group of collaborating humans
Episode 1 of season 2 begins with another day in the life of the Bowman family, but in this case, it is the day of the invasion, hours before the wall comes down, isolating the LA Bloc from the rest of Southern California. (During season 1, the audience slowly learns that similar events have taken place in cities across the globe)
Packed into this episode is a window into how Snyder was chosen to rule over the masses.
Two men in suits, collaborators who know that the invasion is imminent, recruit him. They recruit him because he has embezzled from an educational institute for which he works. They recruit him not in spite of, but because his integrity is compromised.
“Even great men make two or three mistakes in their lives,” Snyder says, when confronted.
The men in suits answer: “It’s the choices you make today that will determine your future. All you have to do is say yes.”
Snyder says yes to this Faustian bargain. We already know he is an important character. The audience has followed his career, his successes and failures and the ways he has and continues to intersect with the Bowmans. His presence is constantly a tension, but always interesting.
Episode 2 is delightful as it gives a few interesting point of view shifts via some clever cinematography
- A view of what the Raptor’s see, those are the robotic drones (if they are truly robotic) that rule the skies on occupied Earth.
- A view of what lies outside the LA Bloc, including Santa Monica, but also beyond, outside of the Urban landscape
- A peek into the alien mindset and culture…I can’t say more without a spoiler
I’m looking forward to season 3, which might come to Netflix as early as April, but sad because USA Network has confirmed its end. Three seasons of COLONY and no more. That’s the bad news…the good new is…
Season 3 of COLONY is being touted as outstanding and possibly better than both the first and second. I look forward to watching it and following my binge watching, I’ll be sure to post a review here.