The series, INTO THE DARK, is a Hulu concept, a horror anthology series in the vein of The Twilight Zone, though each production is as long as a feature film. In the show’s first season, Hulu released one episode per month, for a total of 12 episodes. All of the episodes were tied thematically to a holiday that falls within that month.
The 8th episode was released in May under the title: ALL THAT WE DESTROY. The story is inspired by Mother’s Day.
ALL THAT WE DESTROY is horror, but with a scifi twist. It is a tale in the vein of Ex Machina, the drama unfolding around a brilliant scientist who runs a lab in a remote location. It’s a story as old as Mary Shelley’s Frankenstein and a trope that will please both the science fiction nut and the horror fan. In other words, this HULU original does not disappoint in terms of revealing a monster or two…
I would rate this film R for violence and language. Trigger warning to those who might be disturbed by violence perpetrated against the vulnerable. This is a monster movie.
Short Review: Four Reasons To Watch INTO THE DARK
- Lots of edge-of-your-seat suspense and mystery.
- The characters surprise, yet for all their weirdness, they are relatable.
- Strong female leads, with themes around motherhood and life-creation.
- The story takes place in a desert hideaway where the sun shines brightly. I found it refreshing to see this setting for such a dark and troubling tale.
Point of View determines how a story like INTO THE DARK will unfold. In the case of this film, the POV primarily rests with the supposed monster, the creation. In the opening scene, the audience watches her wake up out of a tub of black sludge. The audience learns within the first 20 minutes of the film that this young woman is a clone. The clone is lovingly washed and dressed by the scientist, whose hands the audience sees, but does not meet until later. Instead, we meet the scientist’s son. His mother is the scientist and she is a woman fixated on solving the dilemma of her son. She’s doing this in the only way she knows how, by using her science in what is clearly an unethical way.
The twist in this story, as you might imagine, is that the clone may or may not be the true monster.
Ex Machina was on my mind during much of the viewing of INTO THE DARK
In the case of Ex Machina (which I loved, but still haven’t reviewed on this site), the point of view is mostly held by the visitor who enters the lab. Mystery about what the heck the scientist has created drives the plot, ramping up tension as the visitor discovers (therefore, we the audience discover) the horrors of the scientist’s experiments. This tension culminates as the visitor understands that in order to survive, he will need to escape from the lab before the monster overcomes him. This is where a story such as Ex Machina, science fiction in its vibe, follows the haunted house script. Think Poltergeist, Amityville Horror, The Shining. Survival equals escape. Will the hero make it out?
INTO THE DARK gives the audience a twist on this haunted house trope. The point of view starts with the clone, but moves to the scientist and to the son at various points in the film. The clone is innocent in her birth and clueless about the dangers that lurk. The audience understands those dangers and strongly empathizes with her, is rooting for her.
Part way into the film, a visitor enters the action. It’s a chance meeting, but reveals the vulnerability of the scientist, her son and the ghastly experiment she has been conducting. The finale brings all the characters together. I liked the ending. It was packed with symbolism, but not overdone. A true Mother’s Day tale.
I rewatched BLADE RUNNER last night in a friend’s home-theater with a group of folks in their 20s and 30s. For some, it was their first time viewing the film.
I consider myself one of the lucky ones to have seen the original BLADE RUNNER on the big screen during its first weekend release. I was a young highschooler at the time, a huge sci-fi fan and living in Burbank, California. I remember my older brother and I driving west over the Hollywood Hills, as we did often in that era, to make sure we were getting the biggest bang for our buck. Our theater of choice that night was The Egyptian Theater on Hollywood Boulevard.
It’s not easy to describe to a new generation of filmgoers how important this film was at that time. Most folks in the film industry, especially directors point to BLADE RUNNER as ground-breaking. Ridley Scott made BLADE RUNNER after finishing the film, ALIEN. He also made it after his brother had died of cancer. The dark setting of BLADE RUNNER reflects a dark state of mind. Don’t expect cheerfulness here.
YET…you don’t have to be a filmmaker to appreciate BLADE RUNNER.
Here are 10 Reasons Every Sci-Fi Fan Ought to Watch BLADE RUNNER
Oh, and watch the FINAL CUT. 2007 version. There are seven versions of this film. Kind of crazy, I know.
- Cult classics happen for a reason. Following its meh release in 1982, a slow-building respect, awe and cult following emerged.
- BLADE RUNNER influenced the next generation of filmmakers, especially dystopian and sci-fi writers/directors.
- This is a brilliant screenplay (especially once R.Scott took out the clunky voice-over narration), though there are many fans of that version of the film.
- Take pleasure in watching a young Harrison Ford perfectly embody the main character, Richard Deckard.
- You like The Man in the High Castle? Philip K. Dick wrote that novel. BLADE RUNNER is an adaptation of his weird classic, Do Androids Dream of Electric Sheep?
- You’re a Battlestar Galactica fan? Here is a chance to see Edward James Olmos (Captain Adama) in a role you would not expect.
- Complicated villain. Rutger Hauer…what a performance!
- The sequel is excellent and makes a lot more sense if you watch the original first.
- This is not a movie for the weak, nor is it for the mindless. You will have to think and process the experience after viewing.
- Because of number 9, it’s a great film to see with a group of friends. At the very least, the post-film discussion won’t be boring.
If you want to totally nerd out on BLADE RUNNER, I recommend this very long and thorough article in Cinephilia & Beyond
My husband and I are watching Battle Star Galactica (BSG) for the second time in our married lives. The first time we watched, our kids were always in bed. It was just-for-parents entertainment…Our daughter was a middle schooler, our son, a couple of years behind her. They’re both out of college now. So it was a while ago.
BSG was created for the SyFy channel by Glen A. Larson and Ronald D. Moore.
There is much pleasure in the re-watching for me. Last night, we viewed The Hand of God, episode 10, one of many amazing episodes in that first season. Our re-watch has me reflecting on what makes BSG so good?
- The writing is absolutely spot on. No-nonsense story-telling that provides the audience with a solid long-term arc of purpose and meaning: humanity, betrayed by A.I. known as Cylons, must leave their home and find another habitable planet. An epic journey in a space ship. Grafted onto the journey narrative are countless subplots that will draw in scifi and non scifi fans. How do the writers do this? That leads me to my second point…
- This story is inhabited by heroic, but flawed characters most of us can relate to.
- The production value is superb. Even in the 2019s, the set, special effects and costumes create a believable fictional world.
- The actors embody their characters well, extra dramatic heft carried by the Commander of the fleet, William Adama and President of the survivors, Laura Roslin (played by Edward James Olmos and Mary McDonnel respectively).
- The themes around protecting a way of life, more specifically, a democratic society in the midst of battle, are extremely poignant in our current political environment.
- Ethnically diverse cast of characters and women in key leadership roles.
If this will be your first time viewing the series, or if you’re re-watching like me, consider this podcast aptly named Galacticast to augment the full depth of each episode. It’s a fun and easy way to be extra nerdy about BSG. Click below for the link up.
As an aside, I find myself wishing The Expanse would produce an episode by episode podcast…Sometimes, I feel like I’m not quite getting it. Maybe in the re-watch, I will.
To watch the entire series, click here.
The 6th and final post of a 6-day reading fest. I’m excited to recommend this series…all 6 volumes. I would rate DESCENDER as PG-13. This comic series is pretty mild compared to some of the stuff your kids are exposed to. Parents might want to view volume 4 to get a sense (regarding the one sex scene). Overall, the language was extremely tame. The violence was not graphic…not as graphic as many other comic series.
Also…FYI…don’t piss off you machines, those very helpful robots that make your life easier.
Today, I want to acknowledge my dishwasher, for all the hard work and quality service it does every other day or so…also, my robot vacuum machine. Also…the electric toothbrush, and much much more. Thanks to you, machines…I have more time to read amazing comics/stories like DESCENDER, THE MACHINE WAR.
Really, though, I have continued praise for the story. You can view my previous reviews on allscifi I’ve written a review for each volume. As a novel-writer, I am intrigued by the strengths and weaknesses of the comics genre. The visuals in this epic are so gorgeous and add so much to the understanding and the feeling the story. However, I did find myself missing lovely passages of linguistic poetry and the interior monologue that takes place in some novels and short stories.
THE MACHINE WAR does close with a longer interior monologue. A character the reader has not yet met, but one who makes sense in the story overall, she begins to narrate the post-story of DESCENDER, the pre-story of the coming series. This is the bridge character who will take center stage in the sequel to DESCENDER. The next series will be called ASCENDER.
Final word on the review. If you love comics…you will absolutely LOVE this series. The art and the writing are top notch. Furthermore, if you’re a scifi fan…you ought to read this tome. The narrative adds so much to our morality around how we understand ourselves, our machines, our planet and those who work in the shadows to make our lives easier. Let us no forget that real work has to be done by someone. More and more of that is done by machines…but much of it is still done by humans, people who we can easily marginalize and treat as less than human. This is important for all of us to remember. The best scifi stories teach us to be better humans. DESCENDER does exactly that.
Click here to buy this final in the series: DESCENDER, Volume 6 The Machine War
Click here to buy the first installment of the sequel to the DESCENCER, series ASCENDER, Vol. 1, The Haunted Galaxy
Six reviews in 6 days. Today marks the 5th day and review of volume 5 of DESCENDER. No spoilers for this volume, but beware of spoilers if you haven’t already read the first 4 volumes. You can see my first review of volume 1 here in case you stumbled upon this review as a first exposure to my website.
In RISE OF THE ROBOTS, Lemire delivers a number of answers to mysteries within the story world…not all of them, but enough to open up the possibility of some sort of redemptive ending to the saga. By the way, I don’t know the ending, so this is not a spoiler. I’m reading volume 6, the finale of DESCENDER tomorrow. In this volume, the planet Mata, an aquatic world, takes center stage. Mata itself is a mysterious place. It is less known by the UGC and there are early allusions in the first volumes of DESCENDER to the ruins of a great city in the water’s depths. Water is often a symbol in literature, so I look forward to seeing how Lemire works that thematic angle. You’ll also notice that the cover of this volume is a robot in a hazy blue environment…I’m interpreting that blue as an underwater world.
The unique (in the volumes so far) and fun surprise in volume 5 is a double page fold out. Lemire and Nguyen chose to dramatize the culmination of the RISE OF THE ROBOTS as it takes place across the UGC through the art. You’ll notice as you turn toward the final pages of volume 5 that a couple feel thicker than the rest. Be careful when you fold them out, so they don’t tear. This is the third reading of our copies of DESCENDER and so far, we’ve only had one issue with the binding (loose pages). I want these beauties to last a long time, so I am reading them carefully. I also love loaning out great books and I’m sure I will loan these out in the future, but I’ll ask my reader friends to read them gently.
Tomorrow, the final review of DESCENDER.
Click here to buy your copy of DESCENDER, Volume 5 Rise of the Robots
Day 4 and the 4th review. I’m tired as I write this because I had a full day and hosted 10 people at my house for a dinner party. They’re all gone now and the dishes are washed or are in the robot machine that cleans them (thank you, Kitchen Aid!)
So, here it goes…The DESCENDER saga continues, a ramping up of tensions across the Megacosm.
Slight spoilers if you haven’t read 1-3 yet. This volume confirms the PG-13 rating. There is a sexual encounter, not explicit, but emotionally portrayed/drawn by the artist. It’s not graphic in that there are no x-rated body parts on display, but still…it’s a sex scene. Some parents will want to view this before passing it onto their kids.
With that said, this sexual and emotional relationship doesn’t seem to be the main thing and doesn’t dominate the storyline from every angle, but it is one angle. The couple that gives into sexual desire has its relevance to the overall plot. I can’t say more without spoiling the story.
What continues in ORBITAL MECHANICS is character revelation while the battle lines become drawn.
Since I’ve written a couple of novels, I will say that the messy middle is the most difficult part of writing something of epic proportions. DESCENDER has the potential to be epic, so this volume works, yes, to pull us in and draw us deeper into caring about the characters and the outcome of the world in which they live.
Highlights for me emerged as curious plot turns took place. Not every turn surprised me, but many did. The story telling and the art are still fantastic. I know I will read to the end.
Buy it here
YES. Read on, you won’t be disappointed!
I continue this mad and highly pleasurable dash of reviewing 6 volumes in 6 days. Today is day 3, so I’m reviewing volume 3 of the DESCENDER series. No spoilers (unless you haven’t yet read volumes 1 and 2 yet…in which case there are tiny spoilers).
I’m going to have to call SINGULARITIES my favorite volume, so far. It’s filled almost completely with the backstories of all the important characters. If you’re like me, now that you’re hooked on these characters, you have the patience to read back into their histories and you’re going to love it! I also picked up volume 1 again to re-read the first few chapters.
Don’t you admire an author can draw you in with action and plot-driven narrative, when all the while, his/her real aim is to make you fall in love. I do. Kudos to Jeff Lemire for this original and expansive story world inhabited by not just humans, but aliens and robots as well, many of whom we are coming to love.
You will not be disappointed regarding the various bot characters. The backstory of Driller the Killer is included in this volume, as well as that of Tim-22, the sinister and perhaps, alter-ego of Tim-21. In the 19th century novel, Dr. Jekyll, Mr. Hyde, evil and gentleness exist in one human, split personalities. In DESCENDER, the two Tim A.I. characters take on the representations. This is a captivating and common archetype in countless narratives we love…think, Darth Vader/Luke, Voldemort/Harry Potter, Edmund/Lucy. Opposite and rival archetypes reflect human experience. We all know we are not pure good or pure evil, we’re somewhere in between, but understanding the extremes must help us in some way, otherwise, why do we crave these stories? Does it help us live a more balanced life and make choices for “good” or not?
I will draw a conclusion by the end of DESCENDER in regard to its moral relevance for the average scifi reader, but for now, I’m enjoying the ride. I hope you are too…Here are the links for the last 4 because if you’re like me, by now you’re hooked.
Yes! Read this second volume and you might want to order the rest of the series now because if you’re like me, you’re pretty much hooked. This review of volume 2 will have a few spoilers if you haven’t already read volume 1.
MACHINE MOON did not disappoint. The stage is set and the characters are on the stage (although I’m sure there will be a few new faces in coming volumes) and the heat is cranking up for an epic conflict. In volume 1, the reader is introduced to Tim-21, an A.I. of extraordinary talent, intelligence and empathy. Tim-21 was created by scientist, Dr. Jin Quon, as a companion for humans. The hero, depicted as a gentle-spirited little boy, wakes after 10 years of sleep. He had been companion to a human child and living with him as a brother on a remote mining colony. He wakes to find hundreds of corpses of human miners, dead now for 10 years, and two other robots, lesser A.I. models still active. Following Tim-21’s awakening, the Megacosm made up of nine planets, becomes aware of his presence. His particular intelligence chip is perceived as having brought about a disaster which has wiped out much of civilization. As a result, Tim-21 is targeted by a number of powerful factions who want to destroy him or use him to gain power. He has few human allies, though a couple seem to be emerging. Moreover, his relationship with robotkind turns complicated in this second volume. The reader roots for Tim-21 knowing he is a pawn for nearly every other character, which adds to the tension and the page-turning nature of the story.
I need to take this opportunity to comment further on the gorgeous art of Dustin Nguyen in this series. You too can actually hold this artwork in your hands and it is amazing, worthy of your hard-earned cash.
The colors are intense when the story requires it and muted at other times. For example, backstory and memory are mostly color-less. There are precise pen drawing-style features of characters, with water-color wash to add to the texture and the dreamy quality of the world.
Click here for DESCENDER, VOLUME 2, you won’t regret it.
Here’s the review of VOLUME 1: TIN STARS
First, my pure recommendation…YES! You ought to read TIN STARS. Here’s why:
- The Story is Fantastic (and volume 1 is a great set up for more drama)
- The Art is to Die For
- The Characters Feel True and Interesting
- The World is Fantastically Drawn (in the art and in the narrative)
Jeff Lemire and Dustin Nguyen team up to create a science fiction epic, beautiful and gripping. Due to language and some graphic violence, I rate the comic PG-13.
If you hunger for A.I. and space and aliens of various types, shapes and forms, they all inhabit this place. Also, the graphic novel format feels like a window into the future. What the author does not describe in words, we see on the page, beautifully drawn and colored by Nguyen (what a talent!). The graphic novel genre lends itself well to the world of a future civilization, something beyond our imagination and fantastical. The author, Lemire, also knows how to build tension and keep his audience gripped and turning pages.
Speaking of turning pages, I found (after I had read the first volume) this handy reference page. The world imagined by Lemire is complex. physically and politically. Each planet has a unique character, so I can see why the author saw the value in adding it. It is called: Atlas of the Core Planets of the the United Galactic Council.
This page was not present in volume 5, perhaps Lemire assumes we know the world by then, but it is at the end of 1-4. It’s a helpful, especially if you’re the type who likes to know the world well before you read the story, flip to the back right away to orient yourself.
Don’t be surprised to see this series come to the screen sometime in the near future. When that happens, you can breathe on your fingertips, wipe them on your cuff and brag…Oh yes, I read the graphic novels, back in 2019.
To order your copy, click here: DESCENDER, Volume 1, Tin Stars
The Perfect Discussion Starter for Public Policy 101
AN EXCESS MALE showcases governmental abuse of big data, but also, the one child policy…perhaps the most disastrous public policy of the modern era.
>Warning: this book contains sexual content. I do not recommend it for the Middle Grade Reader<
Do your students know the term public policy?
To order this book, click here.
A societal problem presents itself and a governmental entity decides on laws, regulations or funding priorities to solve the problem…you know, make a policy, for the public. You can find a number of sites that attempt to give a definition of public policy. I appreciated this Audiopedia presentation:
Even with the above intro, public policy is still a complicated concept for the average youth who has not paid great attention to politics.
Shen King’s, AN EXCESS MALE tells the story that will enable a reader to study public policy through a microscope, by getting to know a fictional family and the impact a few particular policies have had and will have on them.
For background and history, have your student read one or two articles on China’s One Child Policy. This piece from National Geographic is a good one.
The summary: China feared overpopulation. China had historically been unable to grow enough food to feed their entire population. Their solution to this immediate societal problem was to institute a public policy (a law that went into effect in 1979) that rewarded those who limited their families to one child. Public pressure kept some couples from giving birth more than once, but there were also incentives given, like tax breaks for those who chose to abide by the law. Unfortunately, those who did not conform were sometimes forced to have abortions or to hide their second or third child. Some women were forcibly sterilized. Families, when forced to choose between a girl or a boy child, wanted boys. Boys were prized more highly for their earning potential and for other cultural reasons. Girl babies were given up for adoption, abandoned or hidden away. Unborn girls were also aborted at a higher rate…all because of a public policy. The current problem facing China now (as written about in the article above) is that by 2030, more than 25 percent of men in their late thirties will not have a family of their own. There are not enough brides in China to match up with these excess males.
Starting points for discussion around the novel…
Read chapter 1 most carefully, then continue through the book to the end. The public policy instigated by the Chinese government to solve the problem resulting from the One Child Policy (too many men, not enough women) is presented most concisely in the early scenes of the novel.
- How are the various characters related to Wei-guo? Go down the list and describe the relationships in short sentences or if you prefer draw a family/relationship diagram using Wei-guo as the center. In your diagram and/or description include Big Dad, Dad, May-Ling, Hero, Husband One, Husband Two, MaMa.
- Based on your diagram, what constitutes a family?
- If you were to summarize this first scene, how would you describe what is taking place?
- There is a point of discussion early on around Advanced Families and China First along with a reference to patriotism. How would you summarize what it means to be patriotic in the eyes of Wei-guo’s dads?
- “Every man is allowed one child…” Why do you think that is?
- There are rules and expectations that order these unusual families that are forming as a result of public policy, some rules are dictated by the government, others emerge out of necessity. Begin a list of these rules as you read through the book. Some rules are subtle, not easy to pick up on. Others are more obvious, like “Every man is allowed one child…”
- In chapter one, the term Willfully Sterile is used to describe Hero. What do you think this means?
- Big Dad calls Husband Two a Lost Boy? What do you think that means? How does Hero, the matchmaker defend Husband Two?
- What are the Strategic Games?
- Why might they exist?
- What does Major Jung want from Wei-guo and his band of Strategic Games men?
- He states a statistic. What is the statistic? Doc tries to protest…but clearly, the government official is giving the orders and not allowing for any discussion. Why do you think that is?
- There is a reference in the book periodically to going the max. The meaning is not precisely spelled out. What do you think it means?
- What do you think the government would do to May-ling, Hann and XX if they declared in all honesty who they are and what they want?
- How do you think a government gets this kind of power over individuals…the power to determine what it means to be a man, a woman, a family, a patriot and control those definitions for an entire society?
- The idea of government power through censorship and spying on (keeping track of) their own citizens emerges as a theme and becomes prominent by the final chapters of the book. Do you believe that the government should be able to track you, trace you, know your habits, what you buy and eat and drink? In the name of keeping society safe, is their intrusion into your privacy something you would be okay with?
This is such an important discussion and not just for those living in places like China (where citizens have little say in what their government does)…but in the US and Western Europe and among other “free people”…how much power in the form of data do you want your government to have?
Wired has a great article on the intersection between Big Brother and Big Data This reality is nothing new for the scifi world…but in the past it’s all been make believe. Now science fiction is becoming reality…our reality. What kind of checks on Big Data in the hands of government ought to be put into place now, to avert the kind of situation the reader sees in AN EXCESS MALE?
This ought to be a large public policy debate and a topic discussed by citizens everywhere. How much privacy will we give up for safety and what if our governments turn on us and decide that watching us is a part of creating a better society, more order?
There is much to read and discuss on this topic.
This article from business insider gives another angle and more will be written in the coming years as the technology outruns our ability to debate every new policy.
Enjoy Maggie Shen King’s book. Read it for the love story and the thrilling climax, but pay attention to the under-carriage of this story. A sinister government maintains tremendous power over how society defines everything from sexuality, family and mental illness to patriotism…now that is a scary story…something dreamed up by writer…or something at our doorstep.