ALL SYSTEMS RED is a story, entertaining and well-written, that one can read in about 4 hours. Rated PG-13 for adult themes. I read this novella on a flight from Minneapolis to Seattle. I flew on Delta and none of the airline’s tv/film options seemed very thrilling to me. I often try to see HBO or Showtime options when on a flight because I don’t subscribe to either of those services in real life. Thank goodness I had taken this book with me, hardback, but thin, lightweight and easy to pack because it’s only 127 pages.
And now, for my Short, No-Spoiler Review
I highly recommend ALL SYSTEMS RED for these 5 reasons.
- Original voice…the narrator has the appeal of an innocent, he/she is like a child, yet holds the capacity to narrate a futuristic society inhabited by humans and AI living and working together
- Genre bending…science fiction merged with mystery…in other words, a page-turner
- Thought-provoking ideas about AI and how future humans might understand morality/humanity in regards to AI
- Interesting world-building and a great set-up for subsequent stories
- ALL SYSTEMS RED would make a great audiobook. See the longer review for more
Martha Wells has created a fascinating universe of humanity working and living off Earth, in space, in places that can only be reached via light-speed travel. She doesn’t fixate on the physics of the issue (regarding traveling across vast distances) but focuses on the gritty work life of humans and their bots. In the author’s futuristic world, full AI exist as sex workers and security units (SecUnits) and other helps in life. Also, some humans adopt robotic parts (augmented humans). So, there is a mix of how humans have integrated with tech and within the story world, there is little “judgment” about these realities.
While this is all true, the AI mind that narrates this story has a judgment about itself and humans. The view is not completely skewed toward disgust for humans, though there is some leaning in this regard. Granted, I’ve only read the first 1.5 novellas. But what works in the narrative is that Wells has put forward a more dispassionate, yet charming view of the world the way it is. I highly recommend these novellas as entertainment and am slowly discovering how they speak into deeper moral questions around humanity’s race toward the future, a future in which robots and artificial intelligence will be embedded.
Regarding the narrator. The voice is absolutely charming. I did not listen to the book, but can imagine the voice. This book would be a pleasure to listen to.
To buy the first book, click on All Systems Red
Four of the series in hardback can be bought together. Click on Murderbot Diaries
For the least expensive version to try out novella #1, click on Kindle version: All Systems Red
For the audio version of novella #1, click on Audio of All Systems Red
I sort of missed it and gonna blame that on COVID19, but April 26 is the day the scifi community celebrates the Alien Franchise. Today, a little late, I’m re-watching ALIEN and feel there are some great lessons for the 2020 human host of COVID19
Five Lessons Ripley Can Teach Us About Living with a Hidden Enemy
- Be on guard at all times. The “man” the “government melded with the corporation” is always trying to pull one over on ya…so be wary.
- Take care of your own team (including yourself). The bad guys will infiltrate your team, your mind and your spaceship and they lie real good…they will lull your people into passivity and then STRIKE.
- Let go of sentimentality and fight till the end. Some of your team will fall. Hell, you might even fall, but that doesn’t mean you can’t still fight. Do not give up.
- Kill the demons…never, never, never give them an inch. They feed off you and will take advantage of any weakness you exhibit. They deserve no mercy, so don’t give them any.
- Always keep the goal in mind. Your survival and that of humanity, especially the young and the weak. Hope is everything.
Confession, before I write anything else, I have to say…I love Ripley and not just because Sigourney Weaver graduated from my alma mater and starred gorgeously in the original two Ghost Buster films. I love her for her character in the Alien franchise. I love Ellen Ripley because though she is that suspicious babe you wish would go away most of the time, you def want her on your team when the going gets tough. She always chooses humanity, always chooses moral good, even when it costs her everything.
If you have the stomach for it in this season of quarantine, re-watch the original ALIEN. The creature in the film is modeled after this parasite and not a virus, however, the fear of contagion is palpable and gripping (We can relate).
The ALIEN screenplay, for those who love the genre, resembles the haunted house narrative. Enclosed in a house (in this case, a spaceship) the members of a routine haul (AKA…this crew is made up of blue collar haulers) must battle an enemy determined to consume and hide. Many of the emotions parallel our current quarantine, so if you think it will help you process and release steam, watch Ripley kick ass and conquer.
So, yes…our family is following the trend. We viewed the much talked about THE MANDALORIAN this past holiday vacation. If you count the fact that we (my husband and I and our two kids in their twenties) actually plunked ourselves down in theater seats and watched the new Skywalker film, our eyeballs were largely captivated by the Star Wars universe.
A big win for Disney because I’m guessing we weren’t the only family doing this.
THE MANDALORIAN is a PG-13 show. Don’t let cute child Yoda-like character charm you into thinking this is for little kids. Many of them will be terrified by the series, in part because the cute little character is often in danger.
There is also graphic violence in the series. The main character, Mando, is a bounty hunter in the spirit of Jango/Boba Fett.
First, The Short Review: Five Reasons to Watch THE MANDALORIAN
- Similar to Stranger Things, this series is turning out to be an international phenomena. If you don’t watch it, you’re bound to miss about 1 out of every 5 late-night tv jokes and tons of cultural references.
- The production is well done overall, including the special effects.
- Each of the 8 episodes are action packed and tension filled.
- Baby Yoda (this isn’t actually baby Yoda, but a child of the same species as Yoda) is adorable.
- The story helps to expand and fill out the Star Wars universe and that is kind of fun if you have enjoyed the previous stories.
The story and the main character evolve in this production. I was a little bothered by never being able to see the face/read the face of the hero, but the Star Wars film folks have genuinely figured out the best possible way to convey feeling even when a character is a robot or wears a helmet that covers the face. Speaking of helmets…one of the most delightful interactions took place between two storm troopers. At one point, they are alone and commenting on their superiors’ orders and interacting over a creature/prisoner in their possession. It’s funny and humanizing to hear their banter, though the two of them still seem bent on serving their evil overlords.
As is typical of our most beloved Star Wars tales, the protagonist adores his ship and seems to have a particularly affectionate relationship with it. Star Wars writers do a good job of making machines, like ships and droids take on personality. Droids are a sore subject with our hero. He mistrusts all of them and the story arc grapples with this view. The teaching character introduced in an early episode is called Kuiil. He not only assists Mando when our hero is in need, he represents the gentler and more peace-loving side of the universe. Where Mando can seem brutal and hard, his moral angle on the universe is expanded as the audience sees him interact with the child first and second with Kuiil.
As usual, Star Wars writers are good about villains and rogues, some of whom are weird looking aliens. Yes, there is even a bar scene right at the getgo in episode 1. In addition, the audience visits new planets, sees new creatures and encounters cultures not previously shown in any Star Wars film. This happened organically and it didn’t feel like overload to me. I appreciated the universe getting filled out in more details for the fans, all while telling a story that I cared about. Moreover, the new planets and creatures kept each episode action-packed and visually interesting.
Mando is a loner, but eventually the task of caring for the child becomes bigger than him. He needs allies and those allies are an interesting group as well, gritty and loyal to the cause. Mando’s willingness to team up with others, including a droid, reveals the character growth he has undergone.
This story takes place a few years after the Empire has fallen (post Return of the Jedi, 1983), but 25 years before the the rise of the First Order, the authoritarian regime that is firmly in control of the galaxy when Episode VII: The Force Awakens (2015) begins.
DisneyPlus Streaming Note:
If you want to watch THE MANDALORIAN, you might be able to access it illegally…these things I try not to know, but I realize it happens. If you want the legit way to watch, you’ll have to obtain DisneyPlus. Google search DisneyPlus deals and see what you can find. Our family found that our carrier, Verizon, gave the service free for a year because we have unlimited data. After one year, we pay $6.99 per month. This article in Business Insider will fill you in. We obviously took the deal.
Free is awesome, but will we re-up at the one year mark? We might, but it depends on the overall content value. Right now, our family subscribes to Netflix and now DisneyPlus. We are Amazon Prime Members and we use YouTube/Roku/Apple TV combo for lots of other content.We do not subscribe to HBO or Hulu or other subscribe options. I do try to watch Hulu shows when I fly Delta, which I do often, so I haven’t felt like I’ve missed that service. HBO would be nice, but there are only so many hours in a day and I still want to read! So…that’s it for us, for now.
So…I’m on an airplane and thinking it’s my chance to watch something new. Yay! I turn on my personal tele, flip through the film and television options. I see a TV series called ALMOST HUMAN. It looks scifi enough and I see JJ Abrams’ name attached to it. I decide to try an episode. I imagine I am watching something new, but apparently, I’m not.
ALMOST HUMAN aired in the late 2012 and early 2013s (in the media world. 7 years is a lifetime). JJ Abrams, Bryan Burk and JH Wyman produced this series.
The premise of ALMOST HUMAN is not so original. It’s basically a cop drama. The unique aspect to this story is his AI partner. Dorian is a humanoid AI, often referred to as a “synthetic” in the series. John Kennex, the main character, is a cop who frequently bends/breaks the rules. Typical cop drama trope. He also carries a lot of emotional baggage. Also typical. Some of that baggage is introduced in the first episode. What is unique about this cop drama is that his partner Dorian is an AI programmed to be empathetic and does not hesitate to tell Kennex when he sees him making poor choices. Those moments are both poignant and funny. Watching their unlikely friendship develop makes for an interesting story. In a way, both are helping the other to become better humans.
ALMOST HUMAN was cancelled at the end of the first season. Thirteen episodes is all that is available to the viewing audience. However the four episodes I watched were entertaining and would interest most scifi fans, especially if your second love after scifi is cop shows. In case that doesn’t sound gripping enough, here are three more reasons you might want to check it out…
- The series puts forward a robocop-type world. In this well-drawn urban landscape of Earth’s future, human cops team up with Artificial Intelligence cops. That’s a nice twist on the typical cop drama.
- The series explores a lot of possible future tech for law enforcement like instantaneous DNA identification. Some of how the cops do their work and the ways the criminals try to outsmart or subvert the new tech is fascinating.
- There is a satisfying “solving of the crime” in each episode, like many typical cop dramas.
While I do recommend this series, it will cost you money. Amazon Prime and YouTube dangle the fruit of the one season in front of us…for $20. Each episode is $1.99, so if you’re doubtful, rent one or two episodes and see if you like it…or fly Delta sometime in the next few months. I liked episodes 2 and 3 more than the first, so try to watch more than the pilot.
The Hive Brain Alien (Spoilers Galore)
Writing non-humanoid aliens who don’t speak a human language is no easy task. This post is preceded by three others. If you want the earlier insights, link to to Part 1, Part 2, and Part 3. It occurs to me that I ought to define dynamic. That word is in all four titles.
In terms of a dynamic literary character, I mean a character who is neither pure good, nor pure evil…a character that can change its/his/her mind, can act morally or immorally, and can find its way into the audience’s heart.
This post will be a study of ALIEN, BATTLE STAR GALACTICA, ANNIHILATION and ENDER’S GAME.
Hive brain aliens (or A.I. in the case of Battle Star Galactica) differ so much from human beings, in part because their societies resemble what would be perceived by humans, as dictatorships or slave states. Hive communities, though a perfectly reasonable way of life for many of Earth’s tiny creatures, when translated into human terms, feel unpalatable. All hive individuals think alike. All live for the queen. All work for her good and the good of the community, often at the expense of the individual. So, how does an author drum up empathy for these characters? In the case of Ridley Scott with his Alien creature…almost none. The exception would be in Alien Resurrection, the third film in the franchise, when the newborn hybrid alien is killed by its own mother, Ripley. The audience knows this is necessary, but still…it hurts to see that cute (not cute) little spawn (not little) sucked out of the spaceship.
So, these aliens in the Alien franchise are not interested in good of any other species aside from their own (seemingly). They do not make tools and have no technological civilization.
They are predators, with one goal…survival. Not only will they eliminate other lifeforms that may pose a threat to them, they will impregnate those who remain and use them to feed their young. Yeah…not a pretty picture, but still, that moment when Ripley turns her back on her offspring…it tugs our heart for a brief moment.
My husband and I have been re-watching Battle Star Galactica (which, by the way is fantastic; the writing, the acting and the overall production hold up to any tv series ever produced). In BSG, the Cylons are the worker bees of a hive mind (an A.I. computer searching for meaning). The Cylons have destroyed human civilization and are chasing down the remnant who are fleeing in space vessels across galaxies to find a place where they will be able to survive/start over. The Cylons are called “toasters” by the humans who shoot them dead (otherwise, they will likely die by the hands/guns of those Cylons). The Cylons are non-human with little or no individuality…until, the computer brain figures out how to create machines that are VERY human-like. Those Cylons infiltrate the human remnant and take on unique personalities. One even falls in love and is impregnated by a human. So…it all becomes complicated. Including, the episode we just watched which chronicles a Cylon called Scar. The episode is the 15th of the second season and is titled, Scar. It is free for for Amazon Prime members as is the entire series. (Update, as of January 2021, this is not true…hoping it will come back to screens for free again, sometime in the future).
This particular Cylon is not only named by the human fleet (naming a hive member changes the way the audience sees this character), it is feared by them. The fleet’s fear of Scar also puts it in a unique category. No longer is Scar a worker bee.
Scar has been able to kill more human viper pilots by learning. The implication put forward by one of the human-like Cylons (the pregnant one) is that each time Scar has been destroyed, its failure in battle remains in its brain. As that brain is downloaded into the new Cylon body, a new pilot is born, only it does not forget. Scar is able to access the lessons of its battle failures and grow more adept at fighting human pilots. In a previous episode of BSG, the human fleet has destroyed the Cylon “resurrection ship”. Therefore, this battle with Scar is to the death. Scar will not be coming back in a new body if it is destroyed this time.
In BSG, the writers want the audience to grapple with a morphing understanding of the Cylons. Cylons start out all evil, but don’t stay that way. Various human-like Cylons enter into human community and help it, many step in with critiques of human society, acting almost like prophets. The Cylons are monotheists, who believe there is a purpose to their existence. The human remnant is polytheistic, worshipping the gods of the Greek Pantheon. Wonderful fodder for philosophical ponderings within BSG.. Through the many episodes, the audience begins to feel more compassion for the Cylons. The entire series is worth watching if you are a writer who cares about humanizing characters that fall into the category of enemy or other.
In ANNIHILATION, the enemy is mysterious, hive-like in that it reacts en masse and not as individuals…In fact, it can’t be categorized as a hive-brain alien exactly. There is little clarity that the anomaly in Area X is actually an alien takeover. What emerges is the notion (at least in the novel) that the changes taking place in Area X are inevitable and may be good for Earth. The anomaly, however, is impersonal. The alien impact, or whatever it is, is spreading and seems to have no consciousness in the way we think of consciousness, but is more like a fungus or a virus. It has power to change its environment, but any actual “brain” that would become a military target, allowing our government to remove the anomaly is unclear. Lots of mystery, but the writer, Vandermeer, makes it work, especially in ANNIHILATION, the first novel of the Southern Reach Trilogy.
Area X is frightening because it consumes and/or changes all who encounter it. As a writer, ANNIHILATION is worth studying for the utter strangeness of the alien anomaly. There is no verbal communication with it, only physical and psychological encounter. The biologist character in the novel (Lina, in the film) helps the audience see the mystery as beauty. However, the ambiguity remains and is never truly resolved. It’s good to see an alien like this. The presence of it pushes the human characters to their limits and reveals aspects of our humanity that are important to recognize. Really great sci-fi ought to do this.
If you want to purchase ANNIHILATION, click here.
Lastly, ENDER’S GAME. The Formics are the enemies, (the Buggers) that Ender eventually destroys. The novel is about how he is trained to perform this act. Ender commits xenocide without knowing it. It’s worth reading or re-reading ENDER’S GAME to watch how Orson Scott Card pulls this off. The Formics are all evil until very close to the end of the novel. The turn takes place when the innocent, but talented Ender realizes how he has been manipulated and how his power has been used to “save Earth”, but while doing so, he has destroyed another species. His grief is immense. Ender will bear this guilt into subsequent novels. The audience, once it realizes that the Formics have been destroyed, enters into Ender’s regret. A young boy’s conscience has been scarred. The novel then portrays the Bugger queen communicating with Ender, giving hope to him that there might be a path to redemption. The audience wants this for Ender. The queen reveals that the Formics had initially assumed humans were a non-sentient race because they lacked a hive mind. She/they realized their mistake too late. In other words, the war was a BIG misunderstanding. The queen requests that Ender take a dormant egg that has not been destroyed to a new planet where this species can thrive anew and Ender agrees. Suddenly, the audience is rooting for the Formics.
That is a turn around worth studying! The audience goes from hating Formics and seeing them as a monolith, to empathizing with them and hoping for their rebirth.
Make sure you pick this novel up next time you’re at the bookstore or you can order it here.
My husband and I are watching Battle Star Galactica (BSG) for the second time in our married lives. The first time we watched, our kids were always in bed. It was just-for-parents entertainment…Our daughter was a middle schooler, our son, a couple of years behind her. They’re both out of college now. So it was a while ago.
BSG was created for the SyFy channel by Glen A. Larson and Ronald D. Moore.
There is much pleasure in the re-watching for me. Last night, we viewed The Hand of God, episode 10, one of many amazing episodes in that first season. Our re-watch has me reflecting on what makes BSG so good?
- The writing is absolutely spot on. No-nonsense story-telling that provides the audience with a solid long-term arc of purpose and meaning: humanity, betrayed by A.I. known as Cylons, must leave their home and find another habitable planet. An epic journey in a space ship. Grafted onto the journey narrative are countless subplots that will draw in scifi and non scifi fans. How do the writers do this? That leads me to my second point…
- This story is inhabited by heroic, but flawed characters most of us can relate to.
- The production value is superb. Even in the 2019s, the set, special effects and costumes create a believable fictional world.
- The actors embody their characters well, extra dramatic heft carried by the Commander of the fleet, William Adama and President of the survivors, Laura Roslin (played by Edward James Olmos and Mary McDonnel respectively).
- The themes around protecting a way of life, more specifically, a democratic society in the midst of battle, are extremely poignant in our current political environment.
- Ethnically diverse cast of characters and women in key leadership roles.
If this will be your first time viewing the series, or if you’re re-watching like me, consider this podcast aptly named Galacticast to augment the full depth of each episode. It’s a fun and easy way to be extra nerdy about BSG. Click below for the link up.
As an aside, I find myself wishing The Expanse would produce an episode by episode podcast…Sometimes, I feel like I’m not quite getting it. Maybe in the re-watch, I will.
To watch the entire series, click here.
High praise for COLONY, Season 2. In case you have not seen the first season, this review will contain a few spoilers for those first episodes, but none for season 2. You can read my review of Colony, Season 1 here
There is a third season of this show that will come to Netflix sometime this year (a few fan blogs predict as early as April 2019), having already aired on USA Network. Beware of going onto the USA Network site. You might stumble upon a few spoilers. USA Network features a number of still shots from season 3 in their promotion of COLONY.
The main reasons I recommend watching Season 2 is for the superb story and the characters. The writing is spot-on, a continuation of Season 1. Let me elaborate…
- The characters, whom the viewer has come to admire, love and/or mistrust in Season 1, develop and continue to feel real and relatable
- The mystery of the invasion is explained a bit more, but the story still holds plenty of tension
- The narrative continues to raise important moral questions around living under occupation…The moral conflict goes deep and is unique for each character. The show highlights this well.
I loved all of season 2, but found the early episodes incredibly fun to watch because they are a goldmine of backstory.
Season 1 of COLONY drops the viewer into an already occupied, alien-invaded planet. The viewer attaches to the characters first and then begins watching for clues to explain what is taking place. Even the characters living through the ordeal don’t know much. Some mysteries are explained, but many remain.
What is wonderful about season 2…Three key backstory events are provided.
- First contact with the aliens
- What took place on the actual day of the invasion
- How the invading aliens strategized with an early group of collaborating humans
Episode 1 of season 2 begins with another day in the life of the Bowman family, but in this case, it is the day of the invasion, hours before the wall comes down, isolating the LA Bloc from the rest of Southern California. (During season 1, the audience slowly learns that similar events have taken place in cities across the globe)
Packed into this episode is a window into how Snyder was chosen to rule over the masses.
Two men in suits, collaborators who know that the invasion is imminent, recruit him. They recruit him because he has embezzled from an educational institute for which he works. They recruit him not in spite of, but because his integrity is compromised.
“Even great men make two or three mistakes in their lives,” Snyder says, when confronted.
The men in suits answer: “It’s the choices you make today that will determine your future. All you have to do is say yes.”
Snyder says yes to this Faustian bargain. We already know he is an important character. The audience has followed his career, his successes and failures and the ways he has and continues to intersect with the Bowmans. His presence is constantly a tension, but always interesting.
Episode 2 is delightful as it gives a few interesting point of view shifts via some clever cinematography
- A view of what the Raptor’s see, those are the robotic drones (if they are truly robotic) that rule the skies on occupied Earth.
- A view of what lies outside the LA Bloc, including Santa Monica, but also beyond, outside of the Urban landscape
- A peek into the alien mindset and culture…I can’t say more without a spoiler
I’m looking forward to season 3, which might come to Netflix as early as April, but sad because USA Network has confirmed its end. Three seasons of COLONY and no more. That’s the bad news…the good new is…
Season 3 of COLONY is being touted as outstanding and possibly better than both the first and second. I look forward to watching it and following my binge watching, I’ll be sure to post a review here.
The 6th and final post of a 6-day reading fest. I’m excited to recommend this series…all 6 volumes. I would rate DESCENDER as PG-13. This comic series is pretty mild compared to some of the stuff your kids are exposed to. Parents might want to view volume 4 to get a sense (regarding the one sex scene). Overall, the language was extremely tame. The violence was not graphic…not as graphic as many other comic series.
Also…FYI…don’t piss off you machines, those very helpful robots that make your life easier.
Today, I want to acknowledge my dishwasher, for all the hard work and quality service it does every other day or so…also, my robot vacuum machine. Also…the electric toothbrush, and much much more. Thanks to you, machines…I have more time to read amazing comics/stories like DESCENDER, THE MACHINE WAR.
Really, though, I have continued praise for the story. You can view my previous reviews on allscifi I’ve written a review for each volume. As a novel-writer, I am intrigued by the strengths and weaknesses of the comics genre. The visuals in this epic are so gorgeous and add so much to the understanding and the feeling the story. However, I did find myself missing lovely passages of linguistic poetry and the interior monologue that takes place in some novels and short stories.
THE MACHINE WAR does close with a longer interior monologue. A character the reader has not yet met, but one who makes sense in the story overall, she begins to narrate the post-story of DESCENDER, the pre-story of the coming series. This is the bridge character who will take center stage in the sequel to DESCENDER. The next series will be called ASCENDER.
Final word on the review. If you love comics…you will absolutely LOVE this series. The art and the writing are top notch. Furthermore, if you’re a scifi fan…you ought to read this tome. The narrative adds so much to our morality around how we understand ourselves, our machines, our planet and those who work in the shadows to make our lives easier. Let us no forget that real work has to be done by someone. More and more of that is done by machines…but much of it is still done by humans, people who we can easily marginalize and treat as less than human. This is important for all of us to remember. The best scifi stories teach us to be better humans. DESCENDER does exactly that.
Click here to buy this final in the series: DESCENDER, Volume 6 The Machine War
Click here to buy the first installment of the sequel to the DESCENCER, series ASCENDER, Vol. 1, The Haunted Galaxy
Day 4 and the 4th review. I’m tired as I write this because I had a full day and hosted 10 people at my house for a dinner party. They’re all gone now and the dishes are washed or are in the robot machine that cleans them (thank you, Kitchen Aid!)
So, here it goes…The DESCENDER saga continues, a ramping up of tensions across the Megacosm.
Slight spoilers if you haven’t read 1-3 yet. This volume confirms the PG-13 rating. There is a sexual encounter, not explicit, but emotionally portrayed/drawn by the artist. It’s not graphic in that there are no x-rated body parts on display, but still…it’s a sex scene. Some parents will want to view this before passing it onto their kids.
With that said, this sexual and emotional relationship doesn’t seem to be the main thing and doesn’t dominate the storyline from every angle, but it is one angle. The couple that gives into sexual desire has its relevance to the overall plot. I can’t say more without spoiling the story.
What continues in ORBITAL MECHANICS is character revelation while the battle lines become drawn.
Since I’ve written a couple of novels, I will say that the messy middle is the most difficult part of writing something of epic proportions. DESCENDER has the potential to be epic, so this volume works, yes, to pull us in and draw us deeper into caring about the characters and the outcome of the world in which they live.
Highlights for me emerged as curious plot turns took place. Not every turn surprised me, but many did. The story telling and the art are still fantastic. I know I will read to the end.
To purchase, click Volume 4 of DESCENDER
YES. Read on, you won’t be disappointed!
I continue this mad and highly pleasurable dash of reviewing 6 volumes in 6 days. Today is day 3, so I’m reviewing volume 3 of the DESCENDER series. No spoilers (unless you haven’t yet read volumes 1 and 2 yet…in which case there are tiny spoilers).
I’m going to have to call SINGULARITIES my favorite volume, so far. It’s filled almost completely with the backstories of all the important characters. If you’re like me, now that you’re hooked on these characters, you have the patience to read back into their histories and you’re going to love it! I also picked up volume 1 again to re-read the first few chapters.
Don’t you admire an author can draw you in with action and plot-driven narrative, when all the while, his/her real aim is to make you fall in love. I do. Kudos to Jeff Lemire for this original and expansive story world inhabited by not just humans, but aliens and robots as well, many of whom we are coming to love.
You will not be disappointed regarding the various bot characters. The backstory of Driller the Killer is included in this volume, as well as that of Tim-22, the sinister and perhaps, alter-ego of Tim-21. In the 19th century novel, Dr. Jekyll, Mr. Hyde, evil and gentleness exist in one human, split personalities. In DESCENDER, the two Tim A.I. characters take on the representations. This is a captivating and common archetype in countless narratives we love…think, Darth Vader/Luke, Voldemort/Harry Potter, Edmund/Lucy. Opposite and rival archetypes reflect human experience. We all know we are not pure good or pure evil, we’re somewhere in between, but understanding the extremes must help us in some way, otherwise, why do we crave these stories? Does it help us live a more balanced life and make choices for “good” or not?
I will draw a conclusion by the end of DESCENDER in regard to its moral relevance for the average scifi reader, but for now, I’m enjoying the ride. I hope you are too. Follow the links below to purchase.