This is my second time reading DUNE, with probably about twenty years in between readings. My first took place as a fan, consuming for pleasure. This time, I re-read DUNE as a writer of science fiction. It was still a thrilling ride.
DUNE, the novel holds up well to post-modern scrutiny and the writing is mostly perfect.
This is a PG-13 story, for sexual and violent themes, although those scenes are not explicit in this novel.
The Short Review
5 Reasons the Science Fiction Fan Needs to Read this Book Now
- DUNE, the film will be released in 2021…at least the first film of two will be released…unless pandemic interferes. In this case as in most, I recommend reading before viewing
- Compelling villain and compelling hero, with complex motives for each
- Dynamic characters around the main character, including a number of strong females
- Among the best world-building you will find in science fiction
- Without simplifying the complexity of good versus evil, this story gives the reader a vision of truth, goodness and honor
The Longer Review (mini spoilers below):
When George Herbert created the character Paul Atriedes, he stumbled upon a savior-type, a hero, a character who could embody a kind of leadership that most of humanity longs for. Hero stories are nothing new, certainly not new to the science fiction audience, but great ones are to be treasured.
In the case of DUNE, Paul is not the only treasure. The people of the planet Arrakis, the Fremen, also embody an ideal. They are oppressed, but intelligent, pushed to the margins of society, but resourceful and willing to sacrifice for the cause. Their discipline is akin to the greatest armies of literature and history. They are as creative as tenacious as a Roman legion, as fierce as Khan’s Mongols and as disciplined as the Spartans.
(Spoiler here) So what is supposed to get under our skin about DUNE? How can one argue with a story where the overly confident and utterly powerful Emperor is outsmarted, out-gunned and defeated by an honorable and humble tribal people? That feels so right and good.
But there are complexities that go along with this storyline. Paul is not as pure a hero as he might seem. His role as Messiah is an idea that plagues him throughout the novel because he knows he is not simply fighting for the Fremen. He is also motivated by vengeance and honor. He uses the Fremen to avenge his father, so his victory is an uneasy one. Even as he negotiates a marriage to the Emperor’s daughter for status and honor, but keeps his Fremen lover as concubine, the audience sees the inherent politics that will inhabit Paul’s governing. How Paul will rule the Empire is a story for later books, but the seeds of the struggle are sown well and deep in the original novel. So, even as the audience breathes relief at the victory over injustice, there is more to ponder.
To purchase the novel, click DUNE
There is also an amazing graphic novel version which is being released book by book. Dune is made up of three sections, called books. The first installment in graphic novel form is available here. To purchase, click DUNE, Graphic Novel The second installment will be released in the Spring of 2022. No date yet on the third and final.
Lastly, the 2021 theatrical trailer is out and worth a view, perhaps best seen after reading the novel…but then, maybe not.
Click here to see DUNE, film trailer
THE ANDROMEDA STRAIN, by Michael Crichton, was the first novel published by Crichton under his actual name. He had published previously under a variety of pen names. His reason for publishing under other names…he was a medical student at Harvard and was actually thinking he might practice medicine someday and didn’t want his patients to know that he was writing on the side. This must have been a “thing” in that era because it strikes me that wouldn’t phase anyone now.
However, Crichton soon after became a best-selling author and gave up the idea of practicing medicine.
I read this novel because of a recommendation by a friend during Covid19…
Do I recommend this novel? No, I don’t and here are 5 reasons why:
- The novel puts forward an interesting premise, but not fully baked (I am pretty sure this novel would never get published today)
- Bland main characters. It’s hard to keep them straight, they all seem like the same guy (except they attended different Ivy League schools and have slightly different occupations)
- So-so tension, but nothing like one of his better books, Jurassic Park, for example
- Characters are all white dudes in lab coats and even the non lab-coat characters are all white dudes. *note…when THE ANDROMEDA STRAIN was turned into a film in 1971, the screenwriter changed one of the dudes to a female…even in the 70s the character line-up was thought to be way too monochromatic.
- Too much data and exposition and not enough heart. I felt nothing for all the people (except for the infant…who seems to be completely neglected)
So…this novel became a best-seller and gave rise to a film that bears the same title. Both were hits/made a lot of money. In fact, this book catapulted Crichton’s career. I can only surmise that there was a great hunger for techno-thrillers at the time and that Crichton scratched an itch that had be itching for a long time.
The funny thing is, immediately following this read, I’m consuming Philip K. Dick’s, DO ANDROIDS DREAM OF ELECTRIC SHEEP and I am so wowed by the writing and how different it is from Crichton’s. Dick knew how to flesh out a character. Crichton did not, at least he didn’t yet. He got much better at it in subsequent novels, many of which I have enjoyed.
So, let me just nit-pick a little…
If I was ever to teach a writing class on the development of a writer…I might choose Crichton and force my class to read this book and then give them the pleasure of Jurassic Park as examples of how one gets better at the craft. THE ANDROMEDA STRAIN almost feels like a “freshman novel”, that novel written by an aspiring author who has one great idea, but can’t quite figure out how to tell the story.
In that class, I would also ask the students to read DO ANDROIDS DREAM OF ELECTRIC SHEEP, by Philip K. Dick, written in the same era.
There is a reason that BLADE RUNNER, a brilliant film and subsequent franchise, emerged out of Dick’s novel, published in 1968, one year before THE ANDROMEDA STRAIN.
The character of Rick Deckard is brilliantly written, fleshed out. The reader feels his pain, his angst, his story as he/she reads. Not only that, the secondary characters are complex, mysterious and full of emotion even when Dick writes about androids. His androids seem more human than Crichton’s actual human characters.
I do believe that Crichton saw his errors and improved immensely, but it will be a mystery to me for a long time that this book, THE ANDROMEDA STRAIN, was published and was sold and was read by so many, including me!
If for some reason you want to buy this book, click here.
To watch the film via Amazon Prime, click here.
This morning, I finished reading the classic science fiction novel, A CANTICLE FOR LEIBOWITZ. I rate this novel PG for violence.
First, the short review…
To purchase the novel, click A CANTICLE FOR LEIBOWITZ.
5 Reasons I Recommend A CANTICLE FOR LEIBOWITZ
- If you are a science fiction fan and want to be fluent in the genre’s history, Leibowitz is on many lists of must read sci-fi.
- The novel’s world is depicted plainly and purposefully, capturing the tragedy of a post nuclear holocaust world without sentimentality. The prose is often lovely and the story becomes more and more gripping as it unfolds.
- Especially for the philosopher and the theologian, A CANTICLE FOR LEIBOWITZ puts forward some of the most profound ideas around human evil and our propensity for self-destruction.
- Even if you’re not a philosopher, the characters and ideas come together in a way that does not allow the reader to ignore our society’s seeming dance toward self-destruction.
- In a similar vein as On The Beach, by Nevil Shute, A CANTICLE FOR LEIBOWITZ is a story that has the capacity to change our minds about nuclear arms and warfare.
A CANTICLE FOR LEIBOWITZ was originally published in three parts.
Fiat Homo…Let there be man
Fiat Lux…Let there be light
Fiat Voluntas Tua…Let thy will be done
The first two section titles refer to the Biblical account of creation, when God spoke the earth and humankind into being. The third section’s title refers to the Christian New Testament. Not that the idea lacks foundation in the Hebrew Bible, but the phrase itself is taken from The Lord’s Prayer and Jesus’ prayer in Gethsemane before his death. “And he went forward a little, and fell on his face, and prayed, saying, My Father, if it be possible, let this cup pass away from me: nevertheless, not as I will, but as thou wilt.”
A fair amount of Latin is spoken in this novel and I did not understand all of it, but most phrases are translated within the story or the context makes the meaning clear. All of the main characters and narrators are associated with a religious order, the monks of The Leibowitzian Order, that was established following what the novel calls The Flame Deluge.
The monks, much like Irish monks during the Dark Ages, copy, preserve and make available ancient knowledge to those who will have it. For the most part, the barbarians who dwell around the monastic fortress, whose setting is the old American West, hate this knowledge and see it as the reason destruction came to the planet.
An excerpt from the novel:
“After the bombs and the Fallout came the plagues and the madness. Then, in the bloodletting known as the Age of Simplification, the people – those few who remained – rose up against their teachers, their scientists and their rulers, those they held responsible for turning the world into a barren desert…”
A CANTICLE FOR LEIBOWITZ, published in 1959, channels the zeitgeist of an era when people were genuinely terrified of and preparing for nuclear war. For many readers, especially, younger readers, that period of history can feel like a long time ago in a galaxy far far away…but given Covid19, the economic shock that has hit the globe through the shutdown as well as the rise of a belligerent Communist China and a perpetually divided United States, war and/or chaotic one-upsmanship between two superpowers seems less far distant than it has since 1989, when the Soviet Empire collapsed. If World War III were to happen today, what would be the fallout?
Many of the questions posed by Miller in A CANTICLE FOR LEIBOWITZ are relevant today. There is wisdom and a degree of sobriety that can be gained by our society paying closer attention to stories like this one.
THE CALCULATING STARS, by Mary Robinette Kowal
A Short Review
I highly recommend reading or listening to this novel. Below are 4 reasons why I loved it…
- Lots of dynamic female characters, told in first person by a female pilot/mathematician
- Well-written prose, making it easy to read and enjoy
- The characters are well drawn and realistic, despite the fact that they’re intellectual superstars
- It portrays a healthy marital relationship (for once!). Sometimes, you just want the husband to not be a jerk, and in this novel, that is absolutely the case. *Elma and her husband also enjoy a dynamic sex life, which is why I give the book a PG-13 rating. Nothing terribly graphic, but there are a few heated encounters between husband and wife.
THE CALCULATING STARS is a part of the Lady Astronaut Series, by Kowal, which includes a short story, The Lady Astronaut of Mars and another novel, The Fated Sky.
These stories emerge in an alternative history of Earth, focusing on the US Space program after a meteor plunges into the ocean off the coast of Maryland. The disaster strikes on March 3, 1952 and kills nearly all of the inhabitants of the Eastern Seaboard, including DC and most US government officials.
Kowal quickly frames the narrative from here. A meteorite of this magnitude will change the climate of the Earth forever. It is a matter of time (5-10 years) before the Earth becomes uninhabitable. Nations must work together to relocate to another planet and on this front, women have to be trained alongside men, don’t they? That is the question around which the book pivots. This is the 1950s and not only does racism rear its head in the space program, so does sexism.
The main character, Elma York narrates the story in first person, and I liked her as narrator. She is ambitious and brilliant, but flawed enough to give the story tension.
Elma is not only a renowned mathematician, she is also an experienced pilot, having flown for the WASPs in WWII. Her husband becomes the lead engineer of the new space program. Elma is recruited as one of the computers, seemingly an acceptable “role” for women in the new space venture (think Hidden Figures), but her real hope is to convince the NACA bosses that women are just as able to fly into space as men.
THE CALCULATING STARS won the 2019 Nebula for Best Novel, the 2019 Locus Award for Best Scifi Novel, the 2019 Hugo for Best Novel and the 2019 Sidewise Award for Alternate History.
Click here to purchase THE CALCULATING STARS
I love science fiction, dreaming about the future, imagining what our life in outer space might look like someday, but my passion for the genre has as much to do with the past as it does with the future. Science fiction shows us the future but also has the ability to teach us about our past and often does so without the baggage of politics and biases. The stories below are launch pads. Their portrayals of history through story are not by any means comprehensive, but rather snapshots into the lives of people encountering challenges that may be imagined by the author, but mirror history.
Here are a handful of scifi stories that bring the reader face to face with the past:
- Superman Smashes the Klan
- The Man in the High Castle
- An Excess Male
History Lesson #1. SUPERMAN SMASHES THE KLAN. Launch a discussion about the Ku Klux Klan (it’s inception and impact on US race relations).
In this three-issue Superman Comic, Gene Luen Yang gives historic tidbits at the end of each issue. You can read my review of the series here.
In issue 1,Yang highlights the 13th amendment to the constitution (abolition of slavery) and the 1882 Chinese Exclusion Act
Following issue 2, Yang discusses the Jewish immigrants who created Superman.
Following issue 3, Yang discusses the challenges of his own parents, both of whom were immigrants from Taiwan
History Lesson #2. Watch or read, THE MAN IN THE HIGH CASTLE (book by Philip K. Dick. The Amazon Prime TV series was produced by Dick’s daughter, Isa Dick Hackett). Discuss and learn about World War II.
This series is a great way to understand the Axis powers and that tentative alliance that almost took over the globe. You’ll find yourself or your student understanding the world that was inhabited by those who lived under occupation during that war. The French, The Koreans, and many others were forced to survive under Nazi or Japanese rule. Some made compromises, others rebelled. Can you imagine who you would have become to survive an occupation? That question is a great way for students to enter into and understand history.
History Lesson #3. Watch COLONY on Netflix to begin to grapple with the reality of living under occupation.
In the case of COLONY, the true enemy is an alien race that has invaded Earth, but some of the darkest villains are the human beings who have allied themselves with this conquering force.
Living under occupation, whether under the Greeks, Romans, The Islamic Caliphate, the Brits, the USSR, it requires turncoats, or those who will help to subdue the masses for the sake of the little bits of power and privilege that are doled out by the occupying power. The tv series COLONY does an amazing job of capturing this reality. A longer review can be found here.
History Lesson #4. Read AN EXCESS MALE, by Maggie Shen Chen, to begin to understand 20th century Chinese history.
Although this book imagines a future China, this story highlights what is perhaps the most disastrous public policy mandate of all time, THE ONE CHILD POLICY. For my review of this novel, click here. To read my guide for educators, click here.
History Lesson #5. KINDRED, by Octavia Butler. Read this book (fictional) and one of the other historic slave narratives like, MY LIFE AS A SLAVE, by Frederick Douglass. Discuss the ways slavery dehumanizes all those who participate in its reality.
KINDRED, by the late and great Octavia Butler, gives the reader a taste of the slave-inhabited South of yore. The brutality is evident and palpable. Lessons are brought so close…it’s hard to read this book, yet it is valuable for those trying to understand slavery in 18th and 19th century US. Here is my longer review of Kindred
Read All Three Issues of SUPERMAN SMASHES THE KLAN You Won’t Be Sorry
- Comic book action and a great story
- Relatable kid characters who make poor or good choices and learn from them
- Even Superman grows and changes
- History lesson combined with Gene Luen Yang memoir tidbits in the final pages of each issue are perfect for spurring deeper conversations about racism in the US
- I can’t get enough of Gurihiru’s lovely art
It’s a sad season for many of us on planet Earth who are living under the threat of COVID19 spread. Schools have been shuttered, so many activities cancelled and parents are left trying to figure out how to keep their kids off screens and at least somewhat engaged in their education. Great books, ones your kids will be motivated to read without any of your coaxing, are the home-school parent’s best friend.
On my website, you can use the menu bar for educators to see what science fiction books might appeal to your student. It’s not an exhaustive list, but there are more than a few gems you’ll want to check out. When I review a book, I give the story a movie type rating…G, PG, PG-13, etc.
If you want to read a review of issue 1 of this series, click SUPERMAN SMASHES THE KLAN, A No Spoiler Review
If you want to read a review of issue 2, click here
In the case of issue 3, I have no reservations in recommending this book to all kids and adults, though you might give it a PG rating for the serious topic it tackles, racism and violence.
The story (as portrayed in all three issues) is accessible to a child. He/she might need to be old enough to engage in a basic conversation about race, justice and belonging, but my experience in having two kids who attended public schools in California, they were ripe for the beginning of that conversation by kindergarten. I would recommend you don’t shield your young ones from starting this conversation early.
In this third issue of SUPERMAN SMASHES THE KLAN, the story climaxes with a confrontation between Superman and the Klan of the Fiery Cross. Superman has befriended the Lees, an Asian American family that has moved out of Chinatown and into the suburbs. They are the focus of the Klan’s animosity and Superman is defending them against the Klan’s violence. Author, Gene Luen Yang does not pull punches. There is a real portrayal of race hatred in this comic series, but that is what makes this story all the more powerful…it delivers truth.
Roberta, the young sister in the Lee family plays a crucial role in helping Superman beat back injustice. She will appeal to both girls and boys with her quirks (in the opening sequence of the first issue, she gets car sick and has to throw up while her family is driving out of Chinatown) and her bravery (she confronts evil and injustice head on, even though she can’t always defend herself). In this issue, Lois Lane takes Roberta under her wing and encourages her to research a mystery for the Daily Planet as a cub reporter. Roberta is a wonderful hero.
Given the talented writer that he is, Yang draws out a number of characters on both sides of the conflict who have depth. The bad guys are more than just foils. Likewise, the good guys are not always perfect. Even Superman is grappling with flashbacks around his own childhood, trying to make sense of his alien nature. It’s one of a number of great storylines that will please the Superman fanatic and add much to the themes that emerge in SUPERMAN SMASHES THE KLAN.
A bonus delight in all the issues are the final pages where Gene Luen Yang puts forward a bit more history of his own immigrant story and that of the Klan…In a vulnerable and testimonial way, he reflects on both the challenges and the beauty of our mixed cultural nation.
SUPERMAN SMASHES THE KLAN is a story in three issues. One issue every other month released since October. This is something comic book readers understand. You buy one issue, read about your favorite hero and wait in anticipation for the next issue to come out. Comic book adventures are serial-styled stories. Each comic book usually contains one story arc and always ends with a cliffhanger. That is one reason why readers buy the next issue. There is delight in this way of consuming a story, but it requires more patience than most of us are used to.
In case that style does not appeal to you or your child, buy all three. All three SUPERMAN SMASHES THE KLAN issues contained in one book, a story that will grab your child and keep him or her reading. The three will be released together on May 12. To preorder the story in one paperback instead of 3 separate issues, click here.
My advice in case you plan to discuss race with your child, make sure you read the story too. The education that will come out of the reading will benefit parent and child.
To buy SUPERMAN SMASHES THE KLAN, ISSUE 3, click here.
To buy the previous issues, click
SUPERMAN SMASHES THE KLAN Part 2 hit comic book stores in December. It’s over a month old and I have been delinquent in reviewing it, until today. This story is appropriate for just about all readers. Rated PG.
For a review of Part 1, see this no spoiler review
Warning: This review will have spoilers if you have not read the first installment.
Inspired by the 1940s radio series Clan of the Fiery Cross, Gene Yang picks up the cliff-hanger from part 1. In part 1, Tommy Lee, a Chinese-American boy has been abducted by a white supremacist group, Klan of the Fiery Kross.
The aim of the Klan is to tar and feather Tommy, therefore teaching his parents a lesson. They resent the Lees moving out of Chinatown and into their white neighborhood. The Lee family has made this move because Dr. Lee, Tommy’s father, has been offered a job in a nearby lab.
All the storylines ratchet up a notch in Part 2.
- Superman backstory: Superman continues to have flashbacks of his parents, aliens who look very different than humans. He is grappling with his own “alien” identity. His journey parallels the journey of the immigrants and their children in the story
- A little bit of romance: Yes, it’s a bit comedic and fun to see the budding affection between Superman and Lois and a little flare between Jimmy and Roberta, the main character in the story, the Lee’s spunky daughter.
- A community undergoing change: Yang captures an aspect of American life that rings true…especially, second generation immigrants moving out of the inner cities, out of enclaves and integrating into white America, changes that have historically led to tension. As in Part 1, Yang treats the “bad guys” fairly, always grappling with their feelings and their perspective. Not excusing their views or actions, but giving all his characters humanity.
- Another history lesson/bio on race relations in the US: At the end of the comic, a memoir section called Superman and Me describes Gene Yang’s childhood relationship with Superman and other comic heroes. Underneath Yang’s love affair with comics is the power of story and how they provided a sense of identity and empowerment for the author. In case you’re enamored by the history lesson, consider Yang’s early graphic novel masterpiece, American Born Chinese Definitely worth owning and passing around to friends, especially young teens.
Overall, this is a great middle to the story. I look forward to reading the finale, Part 3 when it is released on February 19, 2020.
A note on the art: The art in the series, created by Gurihiru, is colorful, capturing a blend of retro and anime. It seems apropos that this Japanese female duo would create the artwork for a comic grappling with some of the first Asian-American characters portrayed in a sympathetic way in the American Comics Universe.
To buy Part 1, click here
To buy Part 2, click here
KINDRED, perhaps the most admired novel written by the late, great Octavia Butler is nearly perfect.
I rate this novel PG-13 for the violence that is shown, though not celebrated, against black slaves.
I plan to write a separate post for educators after this general review of the novel.
Short Review…3 Reasons to Read
- KINDRED is a page-turner. As a novelist, I so admire this book. It ain’t easy to keep your audience on edge. Butler does it with genius.
- KINDRED humanizes slaves and slaveholders…In my mind, KINDRED is a literary narrative because it does not simplify the incredibly complex story of slavery in US history/society.
- KINDRED is literary, yet it is also an adventure story…Read the book to gain empathy, knowledge and understanding, but count on being entertained and in suspense while you learn.
Octavia Butler did write great science fiction, like The Xenogenesis Trilogy, but KINDRED falls into a different category. It’s a time-travel fantasy with fewer of the typical time travel tropes. We all know those tropes, how tension builds as the reader/audience wonders whether a character who impacts past will change the future. In KINDRED, that tension (changing the future by impacting the past) stays in the background. It is a worry, but not the primary worry. What creates the tension in KINDRED is the survival of the main character.
The story premise is brilliant.
Dana, whom the reader affixes to early in the novel, is an African American woman, married to a white man living in the 1970s. She is living her life in the present as a happy, seemingly normal person. Suddenly, she finds herself yanked back into history. It takes her a while to figure out why, but eventually, she and the reader understand that every time one of her ancestors (a white slave owner) finds his life in danger, Dana is summoned to the past. This happens multiple times.
In the past, Dana is a compelling character because she has experienced some degree of liberty in the 1970s as a black woman. Out of that experience, she becomes a guide and a conscience to those she encounters, to slaves and to slaveholders. Dana is also a threat, including the slaves she will try to help, because her agency upends the social norms in such a significant way.
Dana comes back into real time when she finds herself in danger of being severly injured or killed. The going back and forth is painful and a brilliant narrative device. The reader, who empathizes with Dana, finds these short respites back in the modern era as hopeful and yet terrifying, knowing, as Dana does, that she will be yanked back in time within minutes, hours or days. The oasis in the modern era gives Dana and the reader a chance to catch a breath and process the dark reality of slavery, but the tension remains.
At least in part, our society has grown out of the horrors of slavery, even the novel puts forward this idea. Yet, the African Slave trade is an historical reality which cannot be denied. Butler brings the audience close to the horror. She makes her reader think and feel the impact of slavery and does it disarmingly, through story. It’s a powerful way to teach.
Regarding KINDRED’s captivating narrative, I challenge you to read the first twenty pages of this book and be able to put it down.
Regarding KINDRED’s story, I challenge you to read something of greater substance that falls into the category of “time travel narrative”. I doubt you will find one.
To buy this masterpiece, click KINDRED
To buy the first of Butler’s science fiction the Xenogenesis trilogy, click DAWN
To buy the whole trilogy, click The Xenogenesis Trilogy
BINTI, by Nnedi Okorafor, is a novella about a young woman from a desert tribe on Earth. Her people are called the Himba people and they make a vital piece of technology on Earth called an astrolabe. Binti is the name of the main character. The story, told in first person, begins with Binti climbing aboard a transporter that is taking her to a launch port, then onward to Oomza Uni. Oomza Uni is a university on a distant planet where Binti will have the opportunity to study mathematics with the best and brightest from all over the universe. She is the first of her people to be admitted, so there is the sense of her achieving a great honor. However, she and we (the reader) clearly understand how high the cost is as she leaves her tribe and family behind, potentially forever.
Binti is a 16-year-old, but this book is not a YA book according to the author. However, the back cover of the paperback calls it a “coming of age story”, which might put it in that genre for some. I believe it will appeal most to the middle grade and YA audience, with some degree of PG-13 gore (one incident).
The Novella, BINTI, won the Hugo award in 2016 and the Nebula in 2015 for best novella.
To order BINTI, click here.
What I enjoyed about BINTI.
- Sometimes, a novella is just right. There aren’t many around, but novellas can be a satisfying reading experience. To get through a story in one long sitting or two or three short sittings is a lovely thing. Also…light-weight, perfect for a 2-hour plane ride.
- The main character is unique and different than a typical caucasian protagonist. Her culture will feel different to many readers. Okorafor has ties to Nigeria and I am guessing that her place of origin impacts the writing of this world. That world is powerful in many respects in how it anchors the character’s identity. For the sci-fi reader who loves to enter into new cultures and worlds, this story will scratch an itch.
- Decent tension to keep the reader going.
- A satisfying introduction to an author’s burgeoning world. (two novellas follow this one)
It’s a bargain to order the complete trilogy. To do so, click here.
What annoyed me about BINTI and makes me hesitant to give it the highest review…
- Somewhat shallow character development. This is the negative of the novella format…it’s a challenge to develop the characters deeply.
- The conflict is resolved too easily.
- There are wonderful characters here, but I found the writing a bit underwhelming. My exposure to literary fiction makes me a snob sometimes…the writing won’t be a problem for most readers.
- The tech is more like magic in this story than science…or might as well be. I’m wondering if it will be explained in the next novella in a sciency way or not?
The Short Review. Why or Why not Read ACCEPTANCE?
- I already consumed the first two in the trilogy and like to finish things
- I wanted to understand more of the mystery that is Area X. There was definitely more backstory to absorb in this volume
- I enjoyed the deeply flawed, but thoughtful characters
- I wanted to spend more time in the imaginative world of Area X
- The writing style was unique and often beautiful
Why avoid reading?
- Because the point of view was shifting all the time, it was a challenge to attach to any one character
- Disappointing ending
- The writing style grew stale after a while…lots of interior musings and struggles without enough plot or even conflict (the conflict is underlying, but too diffuse for my tastes)
- Not only does VanderMeer shift points of view with every chapter, he also moves back and forth between past and present
- I started this book on audio, but switched to print about a 1/3 of the way through because POV and time switching was too confusing
To buy ACCEPTANCE, click here.
To buy the SOUTHERN REACH TRILOGY, click here.
The Longer Review of ACCEPTANCE
If you read my earlier reviews, you understand that I started out a big fan of Annihilation. Not only was the main character, compelling, but the mysteries that unfolded in the narrative created the perfect amount of tension to keep me engaged. I’m guessing this was true for many other readers interested in the interior life of this quietly observant biologist as she ventures into Area X. The biologist (she is never named in the book) is at the heart a true scientist and in certain respects more attuned to flora and fauna than to people, but she observes people with a scientific eye. She is spooky, highly intelligent and trustworthy as a narrator in surprising and interesting ways. I really loved this character. I loved that she was introverted and anti-social. She also had clear motivation to act because her husband had been on a previous mission into Area X and returned damaged before succumbing to death She is a worthy rival to the various human and monster challengers that get in her way. In fact, she is such a great character that Alex Garland (screenwriter) took the story and created a feature-length film around her, that character played wonderfully by Natalie Portman. I loved the film, but it is not the same story told in the trilogy, nor is it the same story told in the novel after which it is named. The film narrative diverges in significant ways. I will post my review of the film tomorrow. I ought not say more unless I spoil the story.
What to say about VanderMeer’s style? Be prepared for words like ziggurat to be on the page. His writing is lovely and intellectually gratifying if you’re interested in imaginative metaphors and curious juxtapositions. This language mimics the beauty and strangeness of Area X. Here is an excerpt:
In Control’s imagination, the entrance to the topographical anomaly was enormous, mixed with the biologist’s vast bulk in his thoughts so that he had expected a kind of immense ziggurat upside down in the earth. But no, it was what it had always been: a little over sixty feet in diameter, circular, located in the middle of a small clearing. The entrance lay there open for them, as it had for so many others. No soldiers here, nothing more unusual than the thing itself.
I’m not opposed to imaginative language, but the extensive descriptions did sometime bog down the story for me, especially when I was trying to consume the book via audio. With a passage like above, I would sometimes have to rewind…What did he just say? Did he say ziggurat?
Finally, my reticence to fully praise this trilogy is that the mystery is not explained to my satisfaction. Too many unanswered questions. I guess VanderMeer has another novel called Area X, but given this group of books, Annihilation, Authority and ACCEPTANCE are presented to the world as a trilogy…I want satisfaction by the end of the third book. I don’t want to have to pick up another novel to figure out the answers I need.
Regarding the audio experience. For whatever reason, my brain struggles to follow an audio narrative that jumps around in point of view and in the timeline like this novel did. I struggled with this same issue when I listened to The Three Body Problem. Annihilation as an audio book was easier to listen to. It was straightforward, narrated by one character in the first person and unfolded more or less in a linear timeline (with a few memories/backstory as a part of filling out the character). That narration works well for me. I’m curious for those of you who consume a lot of audio books if you have these same struggles? Drop me a line and let me know.