KINDRED, perhaps the most admired novel written by the late, great Octavia Butler is a nearly perfect novel.
I rate this novel PG-13 for the violence that is shown, though not celebrated, against black slaves.
I plan to write a separate post for educators after this general review of the novel.
Short Review…3 Reasons to Read
- KINDRED is a page-turner. As a novelist, I so admire this book. It ain’t easy to keep your audience on edge. Butler does it with genius.
- KINDRED humanizes slaves and slaveholders…In my mind, KINDRED is a literary narrative because it does not simplify the incredibly complex story of slavery in US history/society.
- KINDRED is literary, yet it is also an adventure story…Read the book to gain empathy, knowledge and understanding, but count on being entertained and in suspense while you learn.
Octavia Butler did write great science fiction, like The Xenogenesis Trilogy, but KINDRED falls into a different category. It’s a time-travel fantasy with fewer of the typical time travel tropes. We all know those tropes, how tension builds as the reader/audience wonders whether a character who impacts past will change the future. In KINDRED, that tension (changing the future by impacting the past) stays in the background. It is a worry, but not the primary worry. What creates the tension in KINDRED is the survival of the main character.
The story premise is brilliant.
Dana, whom the reader affixes to very early, is an African American woman, married to a white man living in the 1970s. She is living her life in the present as a happy person. Suddenly, she finds herself yanked back into history. It takes her a while to figure out why, but eventually, she and the reader understand that every time one of her ancestors (a white slave owner) finds his life in danger, Dana is summoned to the past. This happens multiple times. Dana comes back into real time when she finds herself in danger of being severly injured or killed. The going back and forth is painful, but an interesting narrative device. The reader, who empathizes with Dana, finds these short respites back in the modern era as hopeful and yet terrifying because the readers knows, as does Dana, that she will be yanked back in time within minutes, hours or days of her respite. Her oasis in the modern era taunts the reader and gives the reader pause. At least in part, our society has grown out of the horrifying reality of slavery. That reality cannot be denied, or at least it is harder to deny when the reader is identifying so powerfully with this main character.
Dana, because of her experience of liberty in the 1970s as a black woman, becomes a guide to those in the past. She has agency, yet because of her skin color, she is also threatening to everyone who exists in this past world, including the slaves she will try to help.
Regarding KINDRED’s captivating narrative, I challenge you to read the first twenty pages of this book and be able to put it down.
Regarding KINDRED’s story, I challenge you to read something of greater substance that falls into the category of “time travel narrative”. I doubt you will find one.
To buy this masterpiece, click KINDRED
To buy the first of Butler’s science fiction the Xenogenesis trilogy, click DAWN
To buy the whole trilogy, click The Xenogenesis Trilogy
BINTI, by Nnedi Okorafor, is a novella about a young woman from a desert tribe on Earth. Her people are called the Himba people and they make a vital piece of technology on Earth called an astrolabe. Binti is the name of the main character. The story, told in first person, begins with Binti climbing aboard a transporter that is taking her to a launch port, then onward to Oomza Uni. Oomza Uni is a university on a distant planet where Binti will have the opportunity to study mathematics with the best and brightest from all over the universe. She is the first of her people to be admitted, so there is the sense of her achieving a great honor. However, she and we (the reader) clearly understand how high the cost is as she leaves her tribe and family behind, potentially forever.
Binti is a 16-year-old, but this book is not a YA book according to the author. However, the back cover of the paperback calls it a “coming of age story”, which might put it in that genre for some. I believe it will appeal most to the middle grade and YA audience, with some degree of PG-13 gore (one incident).
The Novella, BINTI, won the Hugo award in 2016 and the Nebula in 2015 for best novella.
To order BINTI, click here.
What I enjoyed about BINTI.
- Sometimes, a novella is just right. There aren’t many around, but novellas can be a satisfying reading experience. To get through a story in one long sitting or two or three short sittings is a lovely thing. Also…light-weight, perfect for a 2-hour plane ride.
- The main character is unique and different than a typical caucasian protagonist. Her culture will feel different to many readers. Okorafor has ties to Nigeria and I am guessing that her place of origin impacts the writing of this world. That world is powerful in many respects in how it anchors the character’s identity. For the sci-fi reader who loves to enter into new cultures and worlds, this story will scratch an itch.
- Decent tension to keep the reader going.
- A satisfying introduction to an author’s burgeoning world. (two novellas follow this one)
It’s a bargain to order the complete trilogy. To do so, click here.
What annoyed me about BINTI and makes me hesitant to give it the highest review…
- Somewhat shallow character development. This is the negative of the novella format…it’s a challenge to develop the characters deeply.
- The conflict is resolved too easily.
- There are wonderful characters here, but I found the writing a bit underwhelming. My exposure to literary fiction makes me a snob sometimes…the writing won’t be a problem for most readers.
- The tech is more like magic in this story than science…or might as well be. I’m wondering if it will be explained in the next novella in a sciency way or not?
Don’t miss this film. It’s easy to watch. Right now ANNIHILATION is free for Amazon Prime members.
Five Reasons to Watch this Film
- It puts forward a non-humanoid portrayal of an alien species invading our planet–always a welcome change in sci-fi land.
- Watch it for the tension, mystery and suspense (on par with films like Alien and The Thing).
- Watch it for dynamic, mostly female cast. Realistic and flawed characters with agency and intelligence.
- Watch it for the beautifully imagined world. The CGI and other effects are a visual feast.
- I also enjoyed the creepy music. I expect it will make your skin crawl as it did mine.
ANNIHILATION is based on The Southern Reach Trilogy novels by Jeff Vandermeer. Watch the film and read the first book (in particular), also called Annihilation. To read my review of the first novel, click here. The film diverges enough from the novel, spoilers aren’t an issue. Both stand alone and give the consumer something different. The most important commonality in both is the main character: Lena, as named in the film. She is not named in the book, but is only known as the biologist.
Alex Garland wrote the screenplay based on the trilogy, but focused on the first book. He takes that novel told in the first person, a story relayed by the journal entries of the biologist, and creates something that makes sense for the screen.
In one of the film’s earliest scenes, a comet or asteroid hits Earth, near a lighthouse on the North-Eastern coast of the US. Within a few years (we learn later), an anomaly develops in and around the area where the asteroid hit. It becomes circumscribed by what the government people call, the shimmer.
The story of Lena opens with her sitting in a chair in a mostly empty hospital-type viewing room. She is dressed in scrubs, surrounded by men and women in hazmat suits, many of whom watch her through windows. One man is interviewing her about her journey into the shimmer. She is only survivor who has returned of a 5-person team. As he questions her, the story unfolds.
The casting of ANNIHILATION is strong, with nuanced performances by Natalie Portman and Jennifer Jason Leigh (as the psychologist and expedition leader).
This film was released on a February weekend in 2018, the weekend following the release of Black Panther. While the Marvel masterpiece sucked nearly all of the movie-going public into the theaters, one, two and three times to ooh and aah over that story, the graphics and the unfolding of a Wakanda power struggle, ANNIHILATION quietly drew its small and eclectic audience. It left the theaters before the Hollywood press had a chance to say much about it. In truth, even without Black Panther as competition for eyeballs, the film was rated “R”, and therefore would not have attracted the masses.
However, similar to a film like Under the Skin, this story is so creepy and alien in a way that pushes the imagination, the sci-fi fanatic will adore it…as should biologists, who will see their discipline elevated in a way not often witnessed on the big screen.
If you are a DVD watcher, here is a link for purchase.
I end with a favorite quote:
“Was it carbon based? What did it want? It came here for a reason. It came here for a reason. It mutated everything.”
The Short Review. Why or Why not Read ACCEPTANCE?
- I already consumed the first two in the trilogy and like to finish things
- I wanted to understand more of the mystery that is Area X. There was definitely more backstory to absorb in this volume
- I enjoyed the deeply flawed, but thoughtful characters
- I wanted to spend more time in the imaginative world of Area X
- The writing style was unique and often beautiful
Why avoid reading?
- Because the point of view was shifting all the time, it was a challenge to attach to any one character
- Disappointing ending
- The writing style grew stale after a while…lots of interior musings and struggles without enough plot or even conflict (the conflict is underlying, but too diffuse)
- Not only does Vandermeer shift points of view with every chapter, he also moves back and forth between past and present
- I started this book on audio, but switched to print about a 1/3 of the way through because POV and time switching was too confusing
To buy ACCEPTANCE, click here.
To buy the SOUTHERN REACH TRILOGY, click here.
The Longer Review of ACCEPTANCE
If you read my earlier reviews, you understand that I started out a big fan of Annihilation. Not only was the main character, compelling, but the mysteries that unfolded in the narrative created the perfect amount of tension to keep me engaged. I’m guessing this was true for many other readers interested in the interior life of this quietly observant biologist as she ventures into Area X. The biologist (she is never named in the book) is at the heart a true scientist and in certain respects more attuned to flora and fauna than to people, but she observes people with a scientific eye. She is spooky, highly intelligent and trustworthy as a narrator in surprising and interesting ways. I really loved this character. I loved that she was anti-social and an introvert. She also had clear motivation to act because her husband had been on a previous mission into Area X and returned damaged before succumbing to death She is a worthy rival to the various human and monster challengers that get in her way. In fact, she is such a great character that Alex Garland (screenwriter) took the story and created a feature-length film around her, that character played wonderfully by Natalie Portman. I loved the film, but it is not the same story told in the trilogy, nor is it the same story told in the novel after which it is named. The film narrative diverges in significant ways. I will post my review of the film tomorrow. I ought not say more unless I spoil the story.
What to say about Vandermeer’s style? Be prepared for words like ziggurat to be on the page in large numbers. His writing is lovely and intellectually gratifying if you’re interested in imaginative metaphors and curious juxtapositions. This language mimics the beauty and strangeness of Area X. Here is an excerpt:
In Control’s imagination, the entrance to the topographical anomaly was enormous, mixed with the biologist’s vast bulk in his thoughts so that he had expected a kind of immense ziggurat upside down in the earth. But no, it was what it had always been: a little over sixty feet in diameter, circular, located in the middle of a small clearing. The entrance lay there open for them, as it had for so many others. No soldiers here, nothing more unusual than the thing itself.
I’m not opposed to imaginative language, but the extensive descriptions did sometime bog down the story for me, especially when I was trying to consume the book via audio. With a passage like above, I would sometimes have to rewind…What did he just say? Did he say ziggurat?
Finally, my reticence to fully praise this trilogy is that the mystery is not explained to my satisfaction. Too many unanswered questions. I guess Vandermeer has another novel called Area X, but given this group of books…Annihilation, Authority and ACCEPTANCE are presented to the world as a trilogy…I want the satisfaction to take place by the end of the third book and not have to pick up another novel to figure out the answers I need.
Regarding the audio experience. For whatever reason, my brain struggles to follow an audio narrative that jumps around in point of view and in the timeline like this novel did. I struggled with this same issue when I listened to The Three Body Problem. Annihilation as an audio book was easier to listen to. It was straightforward, narrated by one character in the first person and unfolded in a linear timeline (with a few memories/backstory as a part of filling out the character). That narration works well for me. I’m curious for those of you who consume a lot of audio books if you have these same struggles? Drop me a line and let me know.
I am delighted to introduce this third guest post. Professor Liam Corley, an old friend from my early years as a University pastor at UC Berkeley, writes on Jemisin.
First, Professor Corley will show us why Jemisin is worth reading. Second, he will comment on Jemisin’s deft handling of the story-telling craft. The latter part of the post contains spoilers, but for anyone who cares about writing great characters in epic novels, the professor’s sharp analysis will be incredibly helpful. Enjoy!
Five Reasons…(no spoilers)
Sure, N.K. Jemisin has won all of the top prizes in the industry, and every one of the books in The Broken Earth trilogy has won the Hugo. But you’re a discerning reader. You don’t follow trends or hype. Why will you be glad you read Jemisin’s amazing novels?
- You’re a mom, and you have fought with your daughter. Maybe been mean. Apologized. Did it again. Jemisin’s work is all about the woman protagonist, especially mothers, and the tangled relationships she depicts will have you thinking about YOUR relationships in a new way.
- You know Black Lives Matter, but you don’t know how to talk about it without bursting into flames or tears. Jemisin’s work is a treasure trove of insight into how to confront, live through, and go beyond racial injustice and all of the horrors it has inflicted. From lynching to the casual use of the N-word, it’s all there, in sci fi clothing.
- You care about the environment–really care–and wonder what humanity is doing to its survival prospects by destroying our home.The Broken Earth faces up to the end of the world. Again and again and again. Why are we destroying the world? Because we’re greedy and hate each other. Yup, that’s pretty broken. But Jemisin also shows people learning how to survive in the aftermath and figuring out how to make things right.
- You think Toni Morrison is the best writer ever. Hands down. Ever. If Octavia Butler and Toni Morrison had a love child, it would be N.K. Jemisin. If you can remember reading Beloved in college or watching the movie with Oprah and bawling your eyes out because it was all just so wrong, so beautiful, and so painfully wrong and beautiful, you’ll want to read The Broken Earth.
- You love great science fiction and fantasy world-building and character-driven plots. If you are an avid sci-fi reader and especially if you write it, you’ll want to immerse yourself in Jemisin’s Broken Earth trilogy. For more on this point, see my longer review on Craft and Culture in Jemisin’s work below.
Click here to buy the first book of The Broken Earth trilogy. Click here if you want to buy all three.
Warning: there are spoilers below, so in case you haven’t read Jemisin yet, you may want to stop reading and pick up the first book of the trilogy.
Craft and Culture:
Notes on N.K. Jemisin’s The Broken Earth Trilogy
Readers of SFF (science fiction and fantasy) have embraced N.K. Jemisin’s acclaimed Broken Earth trilogy, and every installment of the series has won the coveted Hugo Award. Consequently, this post is not meant to introduce new readers to the series. Instead, I will be pointing out elements of Jemisin’s writing that contribute to the magic of the reading experience. Other SFF writers will find this of interest, but so will readers who want to understand why the novels affected them as they did. I’ll touch briefly on how Jemisin weaves her alternating timelines into a narrative fabric that turns flashbacks into a strength, not a weakness, on Jemisin’s incorporation of racial politics that are already part of her reader’s core emotional lives, and on the genres novels’ connections to more literary traditions.
I found myself reflecting on Jemisin’s woven chronologies when I was trying to think through the best ways to incorporate character backstories in my SF work-in-progress. Writers know that flat characters live only in the moment, and their motivations tend to have more to do with survival or accomplishment than working out emotional consequences of their past. Yet providing a character’s past can be a distraction from engaging readers in the drama of the story’s “now” time. How then can authors deepen their characters without losing narrative engagement? Jemisin’s solution is brilliant.
In the first book of the trilogy, Jemisin takes her main character’s timeline and slices it into three parts—childhood, adulthood, and post-apocalyptic adulthood. The character has different names in these time periods and acts in much different geographies and societies, so it takes a while before most readers realize that the chapters which alternate between these three perspectives are actually all the same character at different times of her life. What this allows Jemisin to do is to provide the entire scope of her main character’s life in a nonlinear fashion that is as engaging as it is emotionally excruciating. Getting to know the main character at three very different stages of life gives readers a clear view of the character’s depth, journey, change, and motivation.
This technique shouldn’t simply be adopted wholesale by authors wishing to provide an engaging saga, but it makes evident a point that could be adopted more broadly: backstory needs to be as engaging as the main story or it shouldn’t be indulged in beyond broad strokes and hints. All narrative is a dance between scenes and interludes, scenes and interludes, scenes and . . . Flashbacks, to be compelling and to maintain the hooks of engagement, should be fully realized scenes and not inert paragraphs of backstory.
The Broken Earth series is almost entirely a story about race-based injustice and the ways that civilizations built on exploitation create systems and stories to obscure or recast their dependence on a despised underclass. Jemisin is incredibly effective in evoking readers’ feelings about American racial politics by incorporating parallel dynamics in her fictional world. The first, and probably most overt, instance is her use of a racial epithet, “Rogga,” to indicate orogenes, the enslaved and exploited earth magicians. The sonic similarity of the epithet to the N-word is obvious and intentional. Indeed, even the complex ways the term is used in the series—as slur, as indictment of injustice, as insider labeling—mirror the many ways the N-word is debated in our society. This instance of labeling leaves no questions in the readers’ minds about the allegorical nature of racial politics in Jemisin’s world.
What makes Jemisin’s evocation of contemporary race so powerful is precisely such correspondences that, despite their overt nature when reflected upon, fit so well within plot of the novel that readers can escape the sorts of mental coping mechanisms they have for engaging racial issues in their non-reading lives. Edgar Allan Poe was a master of this technique. His tales of the grotesque and macabre are set far distant in time and geography from the slave-owning Southern states where he lived, but their depictions of torture, fear, guilt, and sadism draw indirectly on the repressed experience of those dynamics on plantations. Jemisin’s incorporation of lynchings, segregation, dehumanization, and other tools used by racist societies to subjugate their victims both draw on and make explicit the prevalence of these practices in our own world.
I’ll pivot here to Jemisin’s relationship to African American literature because the series has numerous plot points and characterizations that evoke masterworks by Toni Morrison, one of the most important American writers of the last century. Morrison has won both the Pulitzer and Nobel Prize in a distinguished career that exploded into prominence with the publication of Beloved in 1988. Morrison’s novels often focus on a strong African American woman character, something Jemisin also does through her allegorical association of orogenic ability with African American identity. [spoiler alert] Several key plot points in The Broken Earth draw on Sethe’s world in Beloved, most notably when Sethe murders her own child to prevent her from being taken back into slavery.
There are at least a dozen other correspondences between Morrison and Jemisin that occurred to me as I read The Broken Earth, but I won’t spoil your reading pleasure by listing them all. Suffice it to say, SFF editors and agents interested in fostering more #ownstories in the genre should expect to see more explicit borrowing from more established traditions in the future. Most importantly, I think that editors and agents should take note of what Morrison and Jemisin already have expressed through their work: #ownstories aren’t niche or sideline stories; they are central to the human condition, and in the case of the United States, foundational to our national identity and culture.
Related to the issue of a society’s foundations in racial injustice, i.e. SLAVERY, is how Jemisin draws on another classic of SFF literature, Ursula K. Le Guin’s immensely powerful and well-known story, “The Ones Who Walk Away from Omelas.” The story poses a philosophical question about injustice and the related phenomenon of scapegoating: would I live in a society that seemed perfect if I knew its perfection depended upon the suffering a single nameless child? The Broken Earth stages this epiphany and existential crisis time and time again throughout the series, with the added element of the unmerited scapegoating being race-based.
On the whole, I’ve become quite a fanboy of Ms. Jemisin’s work, and I hope someday to assign it in one of my classes on American literature
Liam Corley is a professor of American literature at California State Polytechnic University, Pomona. He is also a Navy Reserve officer, and he returned to creative writing as a way of understanding the world after his deployment to Afghanistan in 2008-2009. His work on literature and war can be found in Badlands, Chautauqua, College English, First Things, The Wrath-Bearing Tree, and War, Literature, & the Arts. He is currently at work on a science fiction manuscript about genetics, time travel, and humanity’s irreligious future. He lives in Riverside, CA, with his wife and four children.
High praise for COLONY, Season 2. In case you have not seen the first season, this review will contain a few spoilers for those first episodes, but none for season 2. You can read my review of Colony, Season 1 here
There is a third season of this show that will come to Netflix sometime this year (a few fan blogs predict as early as April 2019), having already aired on USA Network. Beware of going onto the USA Network site. You might stumble upon a few spoilers. USA Network features a number of still shots from season 3 in their promotion of COLONY.
The main reasons I recommend watching Season 2 is for the superb story and the characters. The writing is spot-on, a continuation of Season 1. Let me elaborate…
- The characters, whom the viewer has come to admire, love and/or mistrust in Season 1, develop and continue to feel real and relatable
- The mystery of the invasion is explained a bit more, but the story still holds plenty of tension
- The narrative continues to raise important moral questions around living under occupation…The moral conflict goes deep and is unique for each character. The show highlights this well.
I loved all of season 2, but found the early episodes incredibly fun to watch because they are a goldmine of backstory.
Season 1 of COLONY drops the viewer into an already occupied, alien-invaded planet. The viewer attaches to the characters first and then begins watching for clues to explain what is taking place. Even the characters living through the ordeal don’t know much. Some mysteries are explained, but many remain.
What is wonderful about season 2…Three key backstory events are provided.
- First contact with the aliens
- What took place on the actual day of the invasion
- How the invading aliens strategized with an early group of collaborating humans
Episode 1 of season 2 begins with another day in the life of the Bowman family, but in this case, it is the day of the invasion, hours before the wall comes down, isolating the LA Bloc from the rest of Southern California. (During season 1, the audience slowly learns that similar events have taken place in cities across the globe)
Packed into this episode is a window into how Snyder was chosen to rule over the masses.
Two men in suits, collaborators who know that the invasion is imminent, recruit him. They recruit him because he has embezzled from an educational institute for which he works. They recruit him not in spite of, but because his integrity is compromised.
“Even great men make two or three mistakes in their lives,” Snyder says, when confronted.
The men in suits answer: “It’s the choices you make today that will determine your future. All you have to do is say yes.”
Snyder says yes to this Faustian bargain. We already know he is an important character. The audience has followed his career, his successes and failures and the ways he has and continues to intersect with the Bowmans. His presence is constantly a tension, but always interesting.
Episode 2 is delightful as it gives a few interesting point of view shifts via some clever cinematography
- A view of what the Raptor’s see, those are the robotic drones (if they are truly robotic) that rule the skies on occupied Earth.
- A view of what lies outside the LA Bloc, including Santa Monica, but also beyond, outside of the Urban landscape
- A peek into the alien mindset and culture…I can’t say more without a spoiler
I’m looking forward to season 3, which might come to Netflix as early as April, but sad because USA Network has confirmed its end. Three seasons of COLONY and no more. That’s the bad news…the good new is…
Season 3 of COLONY is being touted as outstanding and possibly better than both the first and second. I look forward to watching it and following my binge watching, I’ll be sure to post a review here.
AUTHORITY, by Jeff Vandermeer, A Book Review Without Spoilers.
First, A Little Data About this Book Review
- I listened to the novel via Audible and felt it was difficult to follow and a little boring, this after loving the Audible version of ANNIHILATION.
- AUTHORITY is the second book in the Southern Reach Trilogy. ANNIHILATION being the first, ACCEPTANCE is the third
- I have not yet read ACCEPTANCE, but have been told by a trusted scifi-reading friend that the trilogy is worth reading overall
The Short Review.
I Give this Book a Semi-Enthusiastic yes. Read AUTHORITY for these reasons:
- The story maintains the overall tension as introduced in the first novel.
- It may not resolve completely, but the novel reveals enough enticing details to make the reading worthwhile.
- The narrator character is the protagonist and insists on being called Control. Though I’m not fond of him, he establishes a relevant relationship to someone who has survived Area X.
- The writing itself, as is consistent with ANNIHILATION, has lovely moments.
So…if AUTHORITY was a stand alone novel, I might not write a stellar review and I would give up on reading any other Vandermeer novels, but since I loved ANNIHILATION so much, I will read on. If you’re curious about my review of the first Southern Reach novel, click here for the ANNIHILATION REVIEW
In AUTHORITY, the narrator is a male who calls himself Control. His birth name is John Rodriguez. He is the new director of the Southern Reach. In an early introduction, he insists that his colleagues call him Control. I realize the title of this novel is AUTHORITY and that the book is much about who has authority in the confusing situation that is taking place in and around Area X. This was another reason I was annoyed by John Rodriguez’s moniker. It felt like the author was trying to make me think in a certain direction and less about a person. I didn’t like that.
Control seems like a weirdo, socially. I was not fond of his narrative voice, nor his behaviors or leadership. Control does not compel me. I feel a distance from this character that I think I’m supposed to feel compassion for. Since the story is being told by him, in the first person, I can’t get away from him. I would have stopped listening had I not been told by a friend that the final book and the whole arc of the three books make sense when you finish them.
Despite me not feeling a connection to this narrator character, I can see why author, Vandermeer, changes perspective in this book. He wants the reader to receive another view into Area X. That which is mysterious and difficult to describe, much less understand in Area X, is seen from another angle in this novel. Control provides the US military/intelligence/bureaucratic angle as well as some recent history.
Given that the reader knows the content of ANNIHILATION, that Area X has consumed a number military and government expeditions, the background is helpful to the larger story.
But, for me, the main silver lining around this new narrator was that the reader finally received a physical description of the narrator and protagonist from the previous book.
“The biologist’s hair had been long and dark brown, almost black, before they’d shaved it off. She had dark, thick eyebrows, green eyes, a slight, slightly off-center nose (broken once, falling on rocks), and high cheekbones that spoke to the strong Asian heritage on one side of her family…”
This description does make me bummed about the filmmakers of ANNIHILATION casting the biologist for the cinematic story as a white woman (Natalie Portman) with zero (or near zero) Asian heritage. Bummed for many mixed-race actresses out there who did not get this part.
I will listen to the next book, AUTHORITY, on Audible. I hope to enjoy it more than this middle novel.
Click here to buy ANNIHILATION, Bk 1 of The Southern Reach Trilogy
Click here to buy AUTHORITY, Bk 2 of the Southern Reach Trilogy
Click here to buy ACCEPTANCE, Bk 3 of The Southern Reach Trilogy
In two days, Amazon Prime makes three seasons of THE EXPANSE available to members. This comes in advance of their release of season 4 and fans of the show, across the globe, are celebrating. This series almost came to a bitter and premature end. Firefly fans know exactly what I’m talking about.
THE EXPANSE (based on books by James S.A. Corey) had been canceled by NBCUniversal’s Syfy channel after season 3. Fans exploded in fury and came out of the woodwork to figure out how they could keep this series going.
The story of how the EXPANSE survived is one worth reading. It includes fans hiring a plane to fly a Save THE EXPANSE banner over the Amazon headquarters as well as George RR Martin and Craig Newmark (founder of Craig’s List), writing emails to Bezos. Bezos and his Amazon studio head, Jennifer Salke, paid attention. Season 4 went into production last year and will be released sometime in 2019. I’ll post the release date when announced.
If you are a scifi nut or you just love great characters, epic story telling and the casting of strong men and women, including a number of kickass women of color and you haven’t already stuck your nose into this series, I highly recommend. For a no spoiler review, see this guest post of THE EXPANSE written earlier this Fall by friend and math professor, John Mayberry.
The 6th and final post of a 6-day reading fest. I’m excited to recommend this series…all 6 volumes. I would rate DESCENDER as PG-13. This comic series is pretty mild compared to some of the stuff your kids are exposed to. Parents might want to view volume 4 to get a sense (regarding the one sex scene). Overall, the language was extremely tame. The violence was not graphic…not as graphic as many other comic series.
Also…FYI…don’t piss off you machines, those very helpful robots that make your life easier.
Today, I want to acknowledge my dishwasher, for all the hard work and quality service it does every other day or so…also, my robot vacuum machine. Also…the electric toothbrush, and much much more. Thanks to you, machines…I have more time to read amazing comics/stories like DESCENDER, THE MACHINE WAR.
Really, though, I have continued praise for the story. You can view my previous reviews on allscifi I’ve written a review for each volume. As a novel-writer, I am intrigued by the strengths and weaknesses of the comics genre. The visuals in this epic are so gorgeous and add so much to the understanding and the feeling the story. However, I did find myself missing lovely passages of linguistic poetry and the interior monologue that takes place in some novels and short stories.
THE MACHINE WAR does close with a longer interior monologue. A character the reader has not yet met, but one who makes sense in the story overall, she begins to narrate the post-story of DESCENDER, the pre-story of the coming series. This is the bridge character who will take center stage in the sequel to DESCENDER. The next series will be called ASCENDER.
Final word on the review. If you love comics…you will absolutely LOVE this series. The art and the writing are top notch. Furthermore, if you’re a scifi fan…you ought to read this tome. The narrative adds so much to our morality around how we understand ourselves, our machines, our planet and those who work in the shadows to make our lives easier. Let us no forget that real work has to be done by someone. More and more of that is done by machines…but much of it is still done by humans, people who we can easily marginalize and treat as less than human. This is important for all of us to remember. The best scifi stories teach us to be better humans. DESCENDER does exactly that.
Click here to buy this final in the series: DESCENDER, Volume 6 The Machine War
Day 4 and the 4th review. I’m tired as I write this because I had a full day and hosted 10 people at my house for a dinner party. They’re all gone now and the dishes are washed or are in the robot machine that cleans them (thank you, Kitchen Aid!)
So, here it goes…The DESCENDER saga continues, a ramping up of tensions across the Megacosm.
Slight spoilers if you haven’t read 1-3 yet. This volume confirms the PG-13 rating. There is a sexual encounter, not explicit, but emotionally portrayed/drawn by the artist. It’s not graphic in that there are no x-rated body parts on display, but still…it’s a sex scene. Some parents will want to view this before passing it onto their kids.
With that said, this sexual and emotional relationship doesn’t seem to be the main thing and doesn’t dominate the storyline from every angle, but it is one angle. The couple that gives into sexual desire has its relevance to the overall plot. I can’t say more without spoiling the story.
What continues in ORBITAL MECHANICS is character revelation while the battle lines become drawn.
Since I’ve written a couple of novels, I will say that the messy middle is the most difficult part of writing something of epic proportions. DESCENDER has the potential to be epic, so this volume works, yes, to pull us in and draw us deeper into caring about the characters and the outcome of the world in which they live.
Highlights for me emerged as curious plot turns took place. Not every turn surprised me, but many did. The story telling and the art are still fantastic. I know I will read to the end.
Buy it here