ALL SYSTEMS RED is a 127 pages story, entertaining and well-written, that one can read in about 4 hours. Rated PG-13 for adult themes. I read this novella on a flight from Minneapolis to Seattle. I flew on Delta and none of the airline’s tv/film options seemed very thrilling to me. I often try to see HBO or Showtime options when on a flight because I don’t subscribe to either of those services in real life. Thank goodness I had taken this book with me, hardback, but thin, lightweight and easy to pack because it’s only 127 pages.
And now, for my Short, No-Spoiler Review.
I highly recommend ALL SYSTEMS RED for these 5 reasons.
- Original voice…the narrator has the appeal of an innocent, he/she is like a child, yet holds the capacity to narrate a futuristic society inhabited by humans and AI living and working together
- Genre bending…science fiction merged with mystery…in other words, a page-turner
- Thought-provoking ideas about AI and how future humans might understand morality/humanity in regards to AI
- Interesting world-building and a great set-up for subsequent stories
- ALL SYSTEMS RED would make a great audiobook. See the longer review for more
Martha Wells has created a fascinating universe of humanity working and living off Earth, in space, in places that can only be reached via light-speed travel. She doesn’t fixate on the physics of the issue (regarding traveling across vast distances) but focuses on the gritty work life of humans and their bots. In the author’s futuristic world, full AI exist as sex workers and security units (SecUnits) and other helps in life. Also, some humans adopt robotic parts (augmented humans). So, there is a mix of how humans have integrated with tech and within the story world, there is little “judgment” about these realities.
While this is all true, the AI mind that narrates this story has a judgment about itself and humans. The view is not completely skewed toward disgust for humans, though there is some leaning in this regard. Granted, I’ve only read the first 1.5 novellas. But what works in the narrative is that Wells has put forward a more dispassionate, yet charming view of the world the way it is. I highly recommend these novellas as entertainment and am slowly discovering how they speak into deeper moral questions around humanity’s race toward the future, a future in which robots and artificial intelligence will be embedded.
Regarding the narrator. The voice is absolutely charming. I did not listen to the book, but can imagine the voice. This book would be a pleasure to listen to.
Four of the series in hardback can be bought together. Click on Murderbot Diaries
For the least expensive version to try out novella #1, click on Kindle version: All Systems Red
For the audio version of novella #1, click on Audio of All Systems Red
DUNE, the 2021 film is a true hit and a must-see large screen theater event. It drew millions across the globe to the theater. I was among those who saw it and loved it. I saw it a second time within a week and the film was still breathtaking, and I’ll see it again though probably via my television.
In a similar way that Peter Jackson pleased both the non-reading audience and the hyper fan of the books, LOTR, it’s looking like Villeneuve will do the same for the average viewer and fans of the novel. First installment of George Herbert’s universe, check. To read my review of the novel DUNE, click here. For my review of the film, please continue.
DUNE is the first of two films, and there could be more if Villeneuve decides to continue with the DUNE’s sequels. We’ll see how that goes. The later books are brilliant but probably more challenging for the average audience member to consume. Herbert’s world is a complex and mostly unhappy place on almost all counts.
First, The Short Review
5 Reasons You MUST See this Film if you are a Scifi Fan…
- Mostly pitch perfect and accurate (close to the novel) storytelling
- Herbert’s DUNE is a foundational work in the scifi genre and has a huge international following. AKA, without Dune, Star Wars might never have happened.
- A vision within the story that transcends culture and era
- Great casting
- An epic visual feast
Now, for the Longer Review…
If you want to go deep, super deep on DUNE, there are papers written, blog posts and articles that speak to why the story DUNE is one that has reverberated in many cultures, especially subjugated cultures, since it was released in 1965. This article is a good one, in case you want more breadth about the history. Click on the link for the Guardian’s penetrating reflection. DUNE article, Guardian.
As a viewer of the film, what I wanted was something of the depth of the novel, a compelling vision of the world of Arrakis, Caladan and the politics surrounding the story. I also wanted characters who made sense within that world. They had to feel real. DUNE delivered on all counts.
True, the viewer is only getting a third of the character depth in the film version and for that reason, I encourage all to read (or re-read) the novel. It ages well. But, even if you don’t read the novel, Paul, Leto, Jessica, Duncan, Kynes and the Fremen come across very close to the novelist’s vision. I had two observations of change that caught my attention: Villeneuve did not portray the Atreides, mostly male in-house staff accurately in terms of their suspicion of Jessica as the betrayer. Their suspicion of the one woman in the mix comes through in the novel, not in the film. Also, the gay Baron Harkonnen is a known child predator in the novel. I can guess there are many reasons Villeneuve decided to forgo this portrayal of the only gay character in the story world. Let him be obese and disgusting in the visuals, but diminish his child predator persona. That seems like a wise decision on many fronts.
The portrayals I loved:
Arakkis, the worms, the Fremen, the sitch, the general feeling of the Bene Gesserit, the Harkonnens, the Sardaukar, the ornithopters, Arrakeen, the costumes (including the stillsuit)…these are all perfect, as are the actors’ portrayals of their characters.
Overall, DUNE was worth the money. I highly recommend this film. Rated PG-13 for violence.
I had barely heard of SQUID GAME until about a week ago, but now the buzz is everywhere. If you’re like me, you’re wondering…Why all the hype about this Korean dystopian series?
So, last night, I watched the 1st of the 9 episodes and love what is being set up. This episode features a giant robotic girl that rules over a game of Red Light Green Light, also the episode’s title.
Here’s what I can say about the opening.
- An introduction to a variety of well-drawn characters
- Especially, the main character, Seong Gi-hun played by Lee Jung-Jae, is a sympathetic hero, a financially desperate divorcee with a gambling problem living with his mother
- The story draws together hundreds of below average types or “losers” to compete with one another for an extraordinary financial prize. (Losers is the word used by the creator and he makes great pains to show the audience his characters’ failings).
- A creepy robot child with roving eyes that shoot bullets. Tis the stuff of nightmares.
SQUID GAMES would probably receive a PG-13 or maybe even an R rating for violence. I am watching the dubbed version. The dubbing hasn’t bothered me.
There is a dystopian flavor to the story and the world, but its reality is not so hard to believe. What I mean by that is that the game world is not fantastical, nor is it futuristic. This game could be happening today on an island somewhere. The audience does get a shot of the island in episode 1, as well as the back of the billionaire maniacal overlord, who watches via screen as the contestants compete and try to stay alive.
Creator, Hwang, worked for ten years to get SQUID GAME made. The traditional studios wouldn’t touch it, but alternative streaming is proving again, that fresh stories are out there, often outside the Hollywood bubble. Cheers to Netflix in particular for curating and promoting dramas and comedies we would never otherwise see.
Click on the links below for more of my reviews of “outside the Hollywood bubble” stories that deliver. The first two are also Korean-made
Science fiction fans were delivered a treat over the weekend. Asimov’s Foundation Series is finally consumable via screen, television streaming to be precise. Writers/Creators, David S. Goyer (Batman Begins, 2005) and Josh Friedman (Terminator: Dark Fate, 2019) have teamed up to attempt what many had believed unthinkable.
Why unthinkable? The Foundation Series, which began as a few short stories, but over the course of Asimov’s life, evolved into something much more vast, portraying the slow downward spiral of an empire in a sprawling universe over many centuries.
Apple, having bought the rights to the Foundation Series in 2019, invested a large sum to make this happen. The story is definitely being tweaked by Goyer and Friedman, but I am appreciating the adjustments because the Foundation Series novels did not appeal to me. Too many supposedly smart dudes sitting in rooms and talking at one another. Too many ideas delivered in a way that felt preachy to me, therefore dull. Characters that felt interchangeable and almost zero females.
But how about the series? So far I am loving what is evolving on screen. If you’re a scifi fan, here’s why I think it’s worth watching.
- The core of Asimov’s ideas are all there, the story well told so far
- The production design, the sets and costumes are fabulous
- The acting has been surprisingly good
- The screenwriters have changed some of the male characters to female, including Gaal Dornick, the lead character in these first 2 episodes. Dornick, pictured below, is played by Spanish actor, Lou Llobell.
If you’re one of those people who subscribed to Apple Plus because of Ted Lasso, FOUNDATION might just convince you to stay a little longer. I rate this production PG-13 for some violence and sexual content.
The third episode drops this Friday, October 1st.
Five Reasons I recommend WIDOWLAND, by C.J. Carey
- Excellent pacing and page-turning tension
- A female hero who comes into her agency in a believable way
- Legit world-building of a bleak UK governed by Nazis
- The writing around the sexual relationships feels vital and true (more on this in the longer review)
- Given the consistent point of view and straightforward timeline, I’m guessing this would make a great audiobook
To purchase WIDOWLAND, click here
The Longer Review…
To control the past, they edited history. To control the future, they edited literature.
WIDOWLAND is an alternative history novel, set in London, 1953. This story would probably carry a PG-13 rating because of the sexual relationships although none of the sex scenes were explicit. For this reason, I wavered on the rating. Overall, the main sex scene was tastefully, even beautifully handled in terms of the emotional weight it carries within the story.
In this alternative history, Germany has invaded the UK and Hitler rules over it as a protectorate. The coronation of Edward the VIII (Queen Elizabeth’s uncle) and the American divorcee, Queen Wallis, is taking place soon. Significant because The Leader, Hitler himself will descend on London for the celebration. The soon-to-be King and Queen of England are collaborators with the Nazis, based on an actual historical and private meeting that took place between the Edward and Hitler at the Berghof in 1937. (No record of the meeting has survived).
The story, told in close third person by the main character, Rose Ransom, opens with a description of London preparing for the coronation. Through Rose’s eyes, the world unfolds. The reader quickly understands, that although Rose holds little power in the system, she sits at the top of the subjugated population as a Geli. She is young and her view of reality is sometimes naive and not always reliable, but the discoveries she makes along the way are a part of how Carey maintains tension in the story. The reader senses the danger she does not.
This is a story about a woman and about women living under Nazi occupation. Carey could have gone overboard painting the world, but deftly focuses the reader’s attention on the kind of oppression that exists in England for the vulnerable. The elderly, women and widows in particular, suffer under the yoke of the Nazis. She highlights the caste system which categorizes the “utility” of women. In this early excerpt, the reader begins to understand Carey’s 1953 London.
Members of the first and elite caste were popularly called Gelis after the woman most loved by the Leader, his niece Geli. Klaras–after the Leader’s mother–were fertile women who had produced, ideally, four or more children. Lenis were professional women, such as office workers and actresses, after Leni Riefenstahl, the regime’s chief film director. Paulas, names after the Leader’s sister, were in the caring professions, teachers and nurses, whereas Magdas were lowly shop and factory employees and Gretls did the grunt work as kitchen and domestic staff. There was a range of other designations–for nuns, disabled mothers and midwives–but right at the bottom of the hierarchy came the category called Friedas. It was a diminutive of the nickname Friedhöfefrauen–cemetary women. These were the widows and spinsters of over fifty who had no children, no reproductive purpose, and who did not serve a man.
There was nothing lower than that.
Rose first runs into trouble when the Cultural Commissioner of the UK Protectorate asks that she help him solve a mystery. She is to venture into Widowland and spy on a group of Friedas. An uprising is bubbling to the surface in London right as Hitler is set to arrive. These disempowered women are the suspected Nazi resisters. The clock is ticking and Rose’s big boss makes known to her that more than just her job is on the line if she fails.
What unfolds is a story of discovery for Rose and choices that will impact many.
One comment about the sexual relationships in this novel. The sex is not explicit. There is an implied disorder to the relationship between Rose and her lover, who is twenty-five years her senior. The power dynamics and how German men use power to procure beautiful young women is a part of the world these characters inhabit and is taken for granted in the novel world. However, the author adds a scene that is emblematic of sex within a loving relationship. The revelation that comes to Rose and the writing around this encounter are so poignant and beautiful, I will remember this passage of writing for a long time.
Here is a really lame photo (yet authentic because it was taken in a dark theater) of our party of 4, my husband and I and two friends, watching our first film in an actual theater since Covid lockdown.
A QUIET PLACE II was what we watched and it is worth a trip to the theater. The suspense and scare moments are best viewed when in a humongous, dark location, alongside a bunch of others who will scream in unison with you. We ventured into a theater in Madison, Wisconsin last night, our mask mandate having been lifted the day before. (Dane County has one of the highest vaccination rates in the country).
Here are 5 reasons this film is worth your attention:
- This is true scifi (in the spirit of Ridley Scott’s Alien, AKA monster versus human)
- The storytelling is intimate in the best possible way, focusing on one family scrambling to survive in a nearly impossible world
- Jump out of your seat moments, but without the extreme gore found within the horror genre
- A longer story arc that builds tension and keeps the audience longing for more
- A dynamic deaf actress who plays a deaf character. An amazing role and an amazing performance by Millicent Simmonds
I must say, the group of us were giddy and joyful to be walking into the theater again after so many months of Netflix and Amazon Prime and Disney Plus, etc, etc, viewing by ourselves in our little hovels. The theater felt glorious and expansive.
Some economists ponder whether or not the movie theater will die as a result of our streaming habits (already in process before Covid). If last night is any indication, I would say no. Some films need to be viewed in community and in a massive, dark space.
All of us in our party had see the first installment. All of us had been pleasantly surprised with the quality of the story in that first film. Always suspecting the sequel will be lame, we didn’t venture into the theaters until we heard from critics and viewers that this second film was both consistent with the vibe of the first (did not lose its heart) yet deepened the overall tension. A third installment is being shot as I write.
I highly recommend you view the first film before going to the second. Here is my review of A QUIET PLACE
You can rent this first film on Amazon Prime for $3.99.
After which I highly recommend you view the second film and be prepared for a few jump-out-of-your-seat moments and a wonderful theater experience overall.
TRAIN TO BUSAN is the story of a father and daughter trying to make their way from Seoul to Busan. While on that journey, a viral outbreak that turns its victims into flesh-eating zombies, begins to ravage the country.
TRAIN TO BUSAN, set in Korea, is subtitled for English (and other language) speakers. This film was written for the screen by Sang-Ho Yeon and Joo-Suk Park and directed by Yeon. The film would probably receive a PG-13 rating for gore, the zombie kind, nothing worse that what you might see on AMC’s The Walking Dead. You can view this film for free if you are an Amazon Prime member. I loved it. In fact, I think the writing is brilliant.
Click here for the film’s trailer.
- Perfect writing/storytelling, including the pacing that ramps up quickly at about 10 minutes in
- Sympathetic characters. The father/daughter story at the heart puts this zombie flick in a category above most others
- Another fresh setting. By now, if you’ve read a few of my reviews, you know I am an advocate of consuming stories told outside of the Hollywood bubble
- Once the action starts, it doesn’t stop and much of it takes place in the close confines of a train or a train station
- A pitch-perfect ending
You may or may not be a fan of zombie stories. If you’re a fan, you have plenty to choose from and have probably already seen TRAIN TO BUSAN. If not, drop everything you’re doing and watch now. However, even if you don’t love zombie flicks, this story and the characters that inhabit it might win you over.
Seok-woo, a divorced father of one 10yo (or so) daughter, Soo-an, is a fund manager who works long hours. While he works, his mother cares for his daughter. They are based in Seoul, Korea. On the day the audience meets this family (the first minutes of the film), Soo-an is anticipating her birthday on the following day. She longs to be with her mother on her birthday. The problem, her mother lives in Busan, so Seok-woo must decide if he will accompany his daughter to Busan during a time when he is overwhelmed with work. He decides he will. In the first minutes, the audience has learned he has NOT been the most attentive father due to his demanding job. Is it guilt or something else that urges him to make this decision?
The decision is a sacrifice from his perspective, though he assumes he will be able to go very early in the morning, deposit his daughter in Busan and still return to Seoul to work a half day. The train trip (normally) is about 3 hours.
However, as they embark on the journey, a few unusual situations emerge, scenes the audience anticipates and knows are signs of something gone wrong.
The father and daughter board the train. The audience meets a number of the passengers, those who will become important characters in the story, and at the last minute, the zombie sickness manages to board with them.
The rest of the narrative is not a simple zombie story. Seok-woo must fight and learn to sacrifice, not just for his daughter, but for others. While he journeys, he will have many teachers, including his daughter. Amid all the stress, he grows and changes.
I gave this film a 10-star rating on IMdb, the highest available as I am becoming a huge fan of South Korean cinema. I LOVE the epic nature of the stories that are emerging from their film makers and will seek out more in the coming year. *stay tuned!
During COVID, I have been watching older science fiction films, whose theatrical release I might have missed. EQUILIBRIUM falls into that category. Written and directed by Kurt Wimmer, starring Christian Bale, Sean Bean, Taye Diggs and Emily Watson, this film is rated R for violence, released in 2002. You can rent it as an Amazon Prime member for 4 dollars.
I recommend this film. It’s not the most thoughtful science fiction around, but it was entertaining on a few levels.
Short Review, 4 Reasons to watch
- Christian Bale gives a nice performance
- The one idea that drives the plot does create tension and makes the audience think at least a little…(see longer review)
- Stylized fight scenes–if you like martial arts/Matrix type battles
- Tight, linear story…easy to follow (given I just watched Tenet in the theater, it’s nice to watch a film that is relatively straightforward)
Earth exists in a dystopian reality, post WWIII, led by a man the population calls Father, though the ruling powers are likely something broader than one man. These decision makers have determined that Earth will not make it through another world war and have created a rigid society for the sake of survival. Emotion is outlawed, so are all things associated with emotion, in the film’s case: art, music, nostalgia items, love/affection, sensual pleasure, pets. The ruling class gives the population a drug to dampen emotions. Most faithfully take their doses a few times a day, including Bale’s character, John Preston. Preston is called a cleric, which the audience learns is a highly trained enforcer of the government’s anti-emotion policy. He roots out the rebels and those who indulge in art of all types.
The incident that brings upheaval into Preston’s life is when his partner Partridge, played by Sean Bean, steals a poetry book they had confiscated. Preston confronts him when he catches Partridge reading Yeats for his own pleasure. He is sentenced to death, but not before he reads a few lines of poetry out loud. Soon after, Preston discovers Patridge’s lover, played by Emily Watson. When he realizes that his former partner had gone down this road toward emotions, even falling in love…it seems, he cannot go back….something in him is triggered.
The unraveling continues as Preston dreams and recalls his wife’s conviction and execution. She was caught “feeling” outside the bounds of what the society permitted. His son is a rigid rule keeper, but his daughter is obviously more emotional and possibly disturbed (who wouldn’t be in this world?). Preston stops taking the drug and begins to truly feel a lot more. His new partner, Brandt, played by Taye Diggs, begins to notice his odd behavior. In the meantime, the rebels begin to recruit Preston. They want him to kill Father.
There is a strange interaction between Preston and the leader of the rebels where the leader makes sure that Preston cannot allow himself to feel if he is going to do the job he needs to do. The leader also indicates that he himself buried his feelings. That raises an interesting question about feelings and soldiers who are called upon by society to perform a “justified” killing. The audience can see in this a reflection of Father’s maintenance of the population…Father has told his followers that they must not feel in order to perform righteously. I think the audience is supposed to ponder this and reflect on what it means to kill another human being (like killing the spirit of the person by outlawing art!), but the interaction does pass by pretty quickly and there is no further discussion on it. Moreover, many people die in this film, so if we’re supposed to feel horrible about murder/a crazy amount of killing…hmm…not sure.
There are almost zero female characters in EQUILIBRIUM, which begs the question…
Is a non-emotional world a place where women have a hard time existing? I suspect so, at least in this film world. All of the female characters who have significant screen time (which isn’t much) are in the rebel category. Even Mona Lisa cannot exist in this world. (Da Vinci’s masterpiece is destroyed in an early scene). I appreciated the Emily Watson character, but she is one among six guys who dominate every scene. I realize a lot of folks don’t care about this issue…but I like to contemplate…Does it have to be this way? Would this film say something deeper and broader about humanity if one of the hardcore cleric characters was a woman? Or maybe the filmmaker was showing us what a world might look like without women, without mothering, nurturing and emotional connection…and maybe without them…art could not exist. That is an interesting idea, but I don’t think this film quite got us there.
Good science fiction does often grapple with the question, what does it mean to be human? The equilibrium sought out by the government in this film, is tentative and only possible because of the numbing of the population through a constant intake of a drug. EQUILIBRIUM portrays characters who will forego taking the drug, are willing to die and choose to sacrifice all for the sake of feeling. Art, poetry, music, love, affection and warmth in relationships…we cannot be human without them. We cannot live without them.
For that reason, I found EQUILIBRIUM a hopeful picture of humanity. Love, creativity and expression will burst forth. It cannot be contained. It can never be fully squelched and is a hopeless task of any government to try to do so.
THE ANDROMEDA STRAIN, by Michael Crichton, was the first novel published by Crichton under his actual name. He had published previously under a variety of pen names. His reason for publishing under other names…he was a medical student at Harvard and was actually thinking he might practice medicine someday and didn’t want his patients to know that he was writing on the side. This must have been a “thing” in that era because it strikes me that wouldn’t phase anyone now.
However, Crichton soon after became a best-selling author and gave up the idea of practicing medicine.
I read this novel because of a recommendation by a friend during Covid19…
Do I recommend this novel? No, I don’t and here are 5 reasons why:
- The novel puts forward an interesting premise, but not fully baked (I am pretty sure this novel would never get published today)
- Bland main characters. It’s hard to keep them straight, they all seem like the same guy (except they attended different Ivy League schools and have slightly different occupations)
- So-so tension, but nothing like one of his better books, Jurassic Park, for example
- Characters are all white dudes in lab coats and even the non lab-coat characters are all white dudes. *note…when THE ANDROMEDA STRAIN was turned into a film in 1971, the screenwriter changed one of the dudes to a female…even in the 70s the character line-up was thought to be way too monochromatic.
- Too much data and exposition and not enough heart. I felt nothing for all the people (except for the infant…who seems to be completely neglected)
So…this novel became a best-seller and gave rise to a film that bears the same title. Both were hits/made a lot of money. In fact, this book catapulted Crichton’s career. I can only surmise that there was a great hunger for techno-thrillers at the time and that Crichton scratched an itch that had be itching for a long time.
The funny thing is, immediately following this read, I’m consuming Philip K. Dick’s, DO ANDROIDS DREAM OF ELECTRIC SHEEP and I am so wowed by the writing and how different it is from Crichton’s. Dick knew how to flesh out a character. Crichton did not, at least he didn’t yet. He got much better at it in subsequent novels, many of which I have enjoyed.
So, let me just nit-pick a little…
If I was ever to teach a writing class on the development of a writer…I might choose Crichton and force my class to read this book and then give them the pleasure of Jurassic Park as examples of how one gets better at the craft. THE ANDROMEDA STRAIN almost feels like a “freshman novel”, that novel written by an aspiring author who has one great idea, but can’t quite figure out how to tell the story.
In that class, I would also ask the students to read DO ANDROIDS DREAM OF ELECTRIC SHEEP, by Philip K. Dick, written in the same era.
There is a reason that BLADE RUNNER, a brilliant film and subsequent franchise, emerged out of Dick’s novel, published in 1968, one year before THE ANDROMEDA STRAIN.
The character of Rick Deckard is brilliantly written, fleshed out. The reader feels his pain, his angst, his story as he/she reads. Not only that, the secondary characters are complex, mysterious and full of emotion even when Dick writes about androids. His androids seem more human than Crichton’s actual human characters.
I do believe that Crichton saw his errors and improved immensely, but it will be a mystery to me for a long time that this book, THE ANDROMEDA STRAIN, was published and was sold and was read by so many, including me!
If for some reason you want to buy this book, click here.
To watch the film via Amazon Prime, click here.
KINGDOM is brilliant.
Rated R for violence. No sexually explicit content at all. Not even a kiss. And yes, this is a zombie story, but with a twist, which I’ll explain in my longer review. However, be prepared for gore. I watched 2 seasons, but apparently a 3rd is being made to be released in early 2021.
First, the short review…
6 Reasons I Recommend KINGDOM
- Game of Thrones meets the Walking Dead. If the two stories got together and had a child, KINGDOM would be that child.
- Gorgeous costumes, especially the hats
- Palace intrigue galore
- Amazing performances by talented actors many of us have never seen
- A refreshingly different setting and world
- Lots of “scare” moments where you jump out of your seat. These filmmakers know the tropes and use them well.
The story is based loosely on the Manga series, The Kingdom of the Gods by Kim Eun-hee and Yang Kyung-il. The story for television was written by Kim Eun-hee, directed by Kim Seong-hun.
Set in late 16th century Korea (The Joseon Period), Crown Prince Lee Chang, our protagonist, discovers a plot to unseat him. His father is ill and dying and the Queen Consort (not the Prince’s mother) is pregnant with a son…potentially. She and her father are angling for this newborn to take the throne. However, the King must not die from his illness before this child is born, so the the palace doctors are asked to keep him alive at all costs. There is an herb, called the resurrection plant, that must be administered to him in a particular way at death. From this herb, the brain comes back to life, but the creature that resides in the body now has an insatiable hunger for human flesh. Thus, the zombie angle.
The audience is introduced to this creature, the King in the first episode, so no spoilers here. The King is not only a zombie ready to devour any attendant who comes his way, he is being controlled, in chains, by the Queen’s family. She bans the Crowned Prince from seeing his father and although he suspects the King is dead, he cannot prove it. Knowing his life is in danger without his father’s protection, the Crowned Prince flees and while he goes into hiding, the zombie plague is carried to a small village through a body in a coffin, whose death was caused by the King creature.
As the Zombie plague spreads and begins to ravage the region, the Prince comes into his own, fighting to protect his people, but this is a complicated two-front war. The Prince is being chased by his step mother’s clan while fighting the zombie masses. While on the countryside, he slowly unravels the mystery surrounding the condition of his father and does eventually come back to the palace, face to face with the creature. I say no more, lest I spoil…
A few of the secondary characters that emerge are wonderful and as compelling as the Prince and the Queen, including the Prince’s bodyguard, a nurse who escapes the scene of the first zombie outbreak, a perfect villain in the Father of the Queen (although the Queen gives him a run for his money on that score), and a rogue hunter who eventually aligns himself with the Prince.
I loved the writing, all the dialogue is perfect and no scene is wasted. KINGDOM often reminded of Shakespeare, Hamlet in particular…That is how well put together these characters are and the stage is…well, many lovely locations in South Korea.
I cannot recommend this series highly enough. If you do watch it, drop me a line and let me know what you thought of it.
To watch the official trailer, click KINGDOM trailer