Five Reasons I recommend WIDOWLAND, by C.J. Carey
- Excellent pacing and page-turning tension
- A female hero who comes into her agency in a believable way
- Legit world-building of a bleak UK governed by Nazis
- The writing around the sexual relationships feels vital and true (more on this in the longer review)
- Given the consistent point of view and straightforward timeline, I’m guessing this would make a great audiobook
To purchase WIDOWLAND, click here
The Longer Review…
To control the past, they edited history. To control the future, they edited literature.
WIDOWLAND is an alternative history novel, set in London, 1953. This story would probably carry a PG-13 rating because of the sexual relationships although none of the sex scenes were explicit. For this reason, I wavered on the rating. Overall, the main sex scene was tastefully, even beautifully handled in terms of the emotional weight it carries within the story.
In this alternative history, Germany has invaded the UK and Hitler rules over it as a protectorate. The coronation of Edward the VIII (Queen Elizabeth’s uncle) and the American divorcee, Queen Wallis, is taking place soon. Significant because The Leader, Hitler himself will descend on London for the celebration. The soon-to-be King and Queen of England are collaborators with the Nazis, based on an actual historical and private meeting that took place between the Edward and Hitler at the Berghof in 1937. (No record of the meeting has survived).
The story, told in close third person by the main character, Rose Ransom, opens with a description of London preparing for the coronation. Through Rose’s eyes, the world unfolds. The reader quickly understands, that although Rose holds little power in the system, she sits at the top of the subjugated population as a Geli. She is young and her view of reality is sometimes naive and not always reliable, but the discoveries she makes along the way are a part of how Carey maintains tension in the story. The reader senses the danger she does not.
This is a story about a woman and about women living under Nazi occupation. Carey could have gone overboard painting the world, but deftly focuses the reader’s attention on the kind of oppression that exists in England for the vulnerable. The elderly, women and widows in particular, suffer under the yoke of the Nazis. She highlights the caste system which categorizes the “utility” of women. In this early excerpt, the reader begins to understand Carey’s 1953 London.
Members of the first and elite caste were popularly called Gelis after the woman most loved by the Leader, his niece Geli. Klaras–after the Leader’s mother–were fertile women who had produced, ideally, four or more children. Lenis were professional women, such as office workers and actresses, after Leni Riefenstahl, the regime’s chief film director. Paulas, names after the Leader’s sister, were in the caring professions, teachers and nurses, whereas Magdas were lowly shop and factory employees and Gretls did the grunt work as kitchen and domestic staff. There was a range of other designations–for nuns, disabled mothers and midwives–but right at the bottom of the hierarchy came the category called Friedas. It was a diminutive of the nickname Friedhöfefrauen–cemetary women. These were the widows and spinsters of over fifty who had no children, no reproductive purpose, and who did not serve a man.
There was nothing lower than that.
Rose first runs into trouble when the Cultural Commissioner of the UK Protectorate asks that she help him solve a mystery. She is to venture into Widowland and spy on a group of Friedas. An uprising is bubbling to the surface in London right as Hitler is set to arrive. These disempowered women are the suspected Nazi resisters. The clock is ticking and Rose’s big boss makes known to her that more than just her job is on the line if she fails.
What unfolds is a story of discovery for Rose and choices that will impact many.
One comment about the sexual relationships in this novel. The sex is not explicit. There is an implied disorder to the relationship between Rose and her lover, who is twenty-five years her senior. The power dynamics and how German men use power to procure beautiful young women is a part of the world these characters inhabit and is taken for granted in the novel world. However, the author adds a scene that is emblematic of sex within a loving relationship. The revelation that comes to Rose and the writing around this encounter are so poignant and beautiful, I will remember this passage of writing for a long time.
KINGDOM is brilliant.
Rated R for violence. No sexually explicit content at all. Not even a kiss. And yes, this is a zombie story, but with a twist, which I’ll explain in my longer review. However, be prepared for gore. I watched 2 seasons, but apparently a 3rd is being made to be released in early 2021.
First, the short review…
6 Reasons I Recommend KINGDOM
- Game of Thrones meets the Walking Dead. If the two stories got together and had a child, KINGDOM would be that child.
- Gorgeous costumes, especially the hats
- Palace intrigue galore
- Amazing performances by talented actors many of us have never seen
- A refreshingly different setting and world
- Lots of “scare” moments where you jump out of your seat. These filmmakers know the tropes and use them well.
The story is based loosely on the Manga series, The Kingdom of the Gods by Kim Eun-hee and Yang Kyung-il. The story for television was written by Kim Eun-hee, directed by Kim Seong-hun.
Set in late 16th century Korea (The Joseon Period), Crown Prince Lee Chang, our protagonist, discovers a plot to unseat him. His father is ill and dying and the Queen Consort (not the Prince’s mother) is pregnant with a son…potentially. She and her father are angling for this newborn to take the throne. However, the King must not die from his illness before this child is born, so the the palace doctors are asked to keep him alive at all costs. There is an herb, called the resurrection plant, that must be administered to him in a particular way at death. From this herb, the brain comes back to life, but the creature that resides in the body now has an insatiable hunger for human flesh. Thus, the zombie angle.
The audience is introduced to this creature, the King in the first episode, so no spoilers here. The King is not only a zombie ready to devour any attendant who comes his way, he is being controlled, in chains, by the Queen’s family. She bans the Crowned Prince from seeing his father and although he suspects the King is dead, he cannot prove it. Knowing his life is in danger without his father’s protection, the Crowned Prince flees and while he goes into hiding, the zombie plague is carried to a small village through a body in a coffin, whose death was caused by the King creature.
As the Zombie plague spreads and begins to ravage the region, the Prince comes into his own, fighting to protect his people, but this is a complicated two-front war. The Prince is being chased by his step mother’s clan while fighting the zombie masses. While on the countryside, he slowly unravels the mystery surrounding the condition of his father and does eventually come back to the palace, face to face with the creature. I say no more, lest I spoil…
A few of the secondary characters that emerge are wonderful and as compelling as the Prince and the Queen, including the Prince’s bodyguard, a nurse who escapes the scene of the first zombie outbreak, a perfect villain in the Father of the Queen (although the Queen gives him a run for his money on that score), and a rogue hunter who eventually aligns himself with the Prince.
I loved the writing, all the dialogue is perfect and no scene is wasted. KINGDOM often reminded of Shakespeare, Hamlet in particular…That is how well put together these characters are and the stage is…well, many lovely locations in South Korea.
I cannot recommend this series highly enough. If you do watch it, drop me a line and let me know what you thought of it.
To watch the official trailer, click KINGDOM trailer