Five Reasons I recommend WIDOWLAND, by C.J. Carey
- Excellent pacing and page-turning tension
- A young female hero who comes into her agency in a believable way
- Legit world-building of a bleak UK governed by Nazis
- The writing around the sexual relationships feels vital and true (more on this in the longer review)
- Given the consistent point of view and straightforward timeline, I’m guessing this would make a great audiobook
To purchase WIDOWLAND, click here
The Longer Review…
To control the past, they edited history. To control the future, they edited literature.
WIDOWLAND is an alternative history novel, set in London, 1953. This story would probably carry a PG-13 rating because of the sexual relationships although none of the sex scenes were explicit. For this reason, I wavered on the rating. Overall, the main sex scene was tastefully, even beautifully handled in terms of the emotional weight it carries within the story. Mature teens could handle this book. In fact, it might appeal to many female YA readers because the protagonist is a woman in her twenties.
For educators, WIDOWLAND provides a unique picture of what a society imagined by the Nazis might look like and feel like. Great fodder for discussion. Moveover, it portrays (accurately so) literature as a disrupter of those who broker power.
In this alternative history, Germany has invaded the UK and Hitler rules over it as a protectorate. The coronation of Edward the VIII (Queen Elizabeth’s uncle) and the American divorcee, Queen Wallis, is taking place soon. Significant because The Leader, Hitler himself will descend on London for the celebration. The soon-to-be King and Queen of England are collaborators with the Nazis, based on an actual historical and private meeting that took place between the Edward and Hitler at the Berghof in 1937. (No record of the meeting has survived).
The story, told in close third person by the main character, Rose Ransom, opens with a description of London preparing for the coronation. Through Rose’s eyes, the world unfolds. The reader quickly understands, that although Rose holds little power in the system, she sits at the top of the subjugated population as a Geli. She is young and her view of reality is sometimes naive and not always reliable, but the discoveries she makes along the way are a part of how Carey maintains tension in the story. The reader senses the danger she does not.
This is a story about a woman and about women living under Nazi occupation. Carey could have gone overboard painting the world, but deftly focuses the reader’s attention on the kind of oppression that exists in England for the vulnerable. The elderly, women and widows in particular, suffer under the yoke of the Nazis. She highlights the caste system which categorizes the “utility” of women. In this early excerpt, the reader begins to understand Carey’s 1953 London.
Members of the first and elite caste were popularly called Gelis after the woman most loved by the Leader, his niece Geli. Klaras–after the Leader’s mother–were fertile women who had produced, ideally, four or more children. Lenis were professional women, such as office workers and actresses, after Leni Riefenstahl, the regime’s chief film director. Paulas, names after the Leader’s sister, were in the caring professions, teachers and nurses, whereas Magdas were lowly shop and factory employees and Gretls did the grunt work as kitchen and domestic staff. There was a range of other designations–for nuns, disabled mothers and midwives–but right at the bottom of the hierarchy came the category called Friedas. It was a diminutive of the nickname Friedhöfefrauen–cemetary women. These were the widows and spinsters of over fifty who had no children, no reproductive purpose, and who did not serve a man.
There was nothing lower than that.
Rose first runs into trouble when the Cultural Commissioner of the UK Protectorate asks that she help him solve a mystery. She is to venture into Widowland and spy on a group of Friedas. An uprising is bubbling to the surface in London right as Hitler is set to arrive. These disempowered women are the suspected Nazi resisters. The clock is ticking and Rose’s big boss makes known to her that more than just her job is on the line if she fails.
What unfolds is a story of discovery for Rose and choices that will impact many.
One comment about the sexual relationships in this novel. The sex is not explicit. There is an implied disorder to the relationship between Rose and her lover, who is twenty-five years her senior. The power dynamics and how German men use power to procure beautiful young women is a part of the world these characters inhabit and is taken for granted in the novel world. However, the author adds a scene that is emblematic of sex within a loving relationship. The revelation that comes to Rose and the writing around this encounter are so poignant and beautiful, I will remember this passage of writing for a long time.
Rating: PG-13 or thereabouts. This series was made for television by USA Network. There are a couple of steamy sex scenes in season 1, but no explicit nudity. In the photo you see here, the nudity is not explicit and is also relevant to the story.
COLONY, particularly the first season, is a methodical and painful study of society fracturing under the strain of a foreign occupation. The occupiers happen to be a technologically advanced alien invasion force, but for whatever reason (this is not fully explained in the first season of COLONY), those aliens have decided to rule through human governors.
The first season of this series portrays how human survivors figure out ways to continue life following a traumatic takeover of the globe. Writers, Carlton Cuse and Ryan J. Condal, draw in the audience and give their viewers a window into the psychology of the various groups of people as they cope. (Note: regarding the writers, I have tried to give credit to writers who are on the team. It’s important for students, in particular, to know that television often utilizes teams of writers to keep the story going and flowing. Those writers will get credit for their episodes. They are named below, episode by episode.)
For youths studying the Holocaust and other historic occupations, like the Belgians in The Congo, The USSR across Russia and Eastern Europe and the Roman Empire across much of the ancient world, just to name a few, the opportunities for discussion come with each episode.
To order the first season dvds, click here.
Cuse, Condal and the rest of their writing team don’t shy away from giving a few more obvious discussion starters, like the gas chamber scene in episode 2. It’s horrific and frightening as it should be, but what should be just as frightening is seeing weak and fearful human beings turn so quickly against one another. Watching COLONY has the potential to draw out more reflection in those who might be bored by a history they think they understand in full. Most youth (and to be fair, most adults) do not comprehend what it was really like to live in Nazi occupied Holland for example, where some courageous citizens hid Jews and/or helped them escape. Everyday people performed heroically even though their actions endangered their lives. Their families also assumed huge costs. I know of one family that sent their youngest children away, out of the city, to protect them from any retribution that might come if they were discovered. Those children were raised by relatives, their family life shattered not just by the occupiers, but because of the choices their parents had made to do what they understood as right and just. This family also had to kill a neighbor who was about to turn them into the authorities.
We all like to think we would be heroes, but what would it really feel like to pay the costs and resist an occupying power? COLONY gets under the skin and forces the viewer to think about these questions.
Here are a few potent questions that emerge out of COLONY…episode by episode…to get the discussion juices flowing. (Warning: spoilers written in this next section)
Episode 1…Pilot written by Carlton Cuse and Ryan J. Condal. This episode juxtaposes Katie with Will. Will Bowman, after a failed attempt to find his son, decides to collaborate with The Transitional Authority. What convinces Will to work alongside the collaborators? What lengths would you go to in terms of collaborating with the occupiers, if you or your family were directly threatened? Katie decides to go a different route, which will involve her spying on her husband. What do you think of her choice?
Episode 2…Written by Wes Tooke. Being sent to The Factory has been mentioned a few times. This episode culminates with the gas chamber scene. How do the occupiers use fear to ensure order? How does fear impact normal citizens in the LA bloc? Do you fear people in power in our society? Who? How does that impact you?
Episode 3…Written by Daniel C. Connolly. In this episode, Katie takes part in the hijacking of a supply truck, in which civilian and Resistance lives are sacrificed to determine drone response times. Do you think the Resistance has a right to sacrifice these lives for the greater good? Why or why not?
Episode 4…Written by Anna Fishko & Dre Alvarez. In this episode Broussard, a key friend to Katie and Resistance member, executes Phyllis (one of the heads of Homeland Security) and her bedridden husband. They do this to send a message to Homeland Security and to the Transitional Authority. Strange sacrifices are made by those living under occupation. Why do you think Phyllis pleads for Broussard to shoot her husband when she knows she is about to die? What does that say about the living standards under the occupation, even for those who are most elite?
Episode 5…Written by Carlton Cuse. Watch the interrogation scene that starts around minute 15. Does the Transitional Authority understand who is on its team and who is rebelling? If you were living in this world, would you resist and if so, how?
Episode 6…Written by Ryan J. Condal. More and more, Will is disillusioned with the Transitional Authority as Katie is with the Resistance. In COLONY, what is portrayed is a broken system on either end of the spectrum. There are good people trying to make sense of the world who are collaborators. There are bad people, trying to overturn the system within the Resistance. The world is complex and it forces choices on human actors at every turn. What do you think would be the most difficult choice for you if an occupier took over your city/state/country and why would that be the most difficult choice?
Episode 7…Written by Sal Calleros. An insidious character, introduced a few episodes before, is the Bowman’s personal tutor, Lindsey. Lindsey is a true believer in the occupation. She understands the coming of the aliens as an answer to a prophesy, associated with a religion promulgated by the alien invaders and the collaborators. Why do you think Lindsey believes and why does she try to convert the Bowman’s daughter, Gracie, into this belief system?
Episode 8…Written by Wes Tooke. Betrayal at the top of the Resistance. The episode drives home the truth that in an occupation, even the rebels have a messy house. Those who collaborate with the occupiers and those who resist must watch their backs. Information becomes a commodity for both sides. How do you respond to the betrayal of trust by Quayle? If you were to have a conversation with him before his betrayal, how would you try to convince him to remain true to the Resistance?
Episode 9…Written by Ryan J. Condal. Loyalty is a confusing maze in the case of the occupation What do you value? Who is most important to you and what would it take for you to betray that person? At the first anniversary of the alien invasion, those who remember it are persecuted, those who rebel are at risk by one of their own and those who collaborate understand that their positions of power are always in question. In a situation such as this, who does one trust? Who would you trust?
Episode 10…Written by Carlton Cuse & Ryan J. Condal & Wes Tooke. One might get lucky…friendship and loyalty might make a difference…In the case of Will Bowman and his relationship with the collaborator, Snyder, this might be the case. In the case of Will and his relationship with Jennifer (the Homeland head) will friendship make a difference? In the case of Katie and Broussard, how will it all shake out? There are many questions emerging in this season finale. Katie and Will epitomize the conflict regarding loyalty. Both want the same thing…the recovery of their son, Charlie, but they take different tacts. Does their loyalty hold when everything is on the line? What does loyalty mean to you? Is there someone in your life you would be loyal to even if it meant you might die for that loyalty?