DARK/WEB, Chapter 5 A No Spoiler Review

EAT. PREY. LOVE.

New interesting character introduced in this episode. Her name is Kim Rider, she is an online friend/love interest of Molly Solis’. (This involves the 8 chapter story arc, not the individual stories).

Kim Rider

My review is the 5th in 5 days, well, almost…I took Sunday off. If you have not read my introduction to this series, I highly recommend you read my first posts, all four, but especially read the 1st one. Click Pilot.

Rider is helpful in explaining the overall arc of the series. She is connected with Molly Solis, emotionally/relationally and also happens to be fluent in computer hacking and understands a little more of what Molly was dealing with right before she disappeared. Rider becomes a teaching character, someone who can explain a couple of mysteries and ask better questions. She’s also lovely, black and British.

The story that Molly’s group of friends encounter is itself another gruesome tale. You can judge by the title which is the first line of this post.

Now that Kim and Molly’s high school friends, Ethan, Sam and James are together on the scene of Molly’s home in Texas, there is finally a concerted effort to figure out how Molly is in trouble.  Sometimes this setup feels a little cheesy and contrived, but there are a few real and funny moments.

Also, I need to note:

This episode includes gore and even though it isn’t super explicit, the suggestion is true horror.

 

DARK/WEB No Spoiler Review of Chapter 4

8 posts of 8 episodes in 8 days.

DARK/WEB is an Amazon Prime series. Here is my overview of the pilot. To read, click Chapter 1.

I have watched half way through DARK/WEB. Chapter 4 furthers the overall narrative arc. Zach Sullivan is visited by Molly Solis’ friends. They also go to visit her house in TX. She had been living there until she disappeared.

This chapter also adds another hint, another one of Molly’s stories sent to her friends. The story is more mysterious, mystical and spiritual, involving an illegal, dark/web for profit organ transplant operation.

I won’t say too much about this chapter to avoid spoilers. It’s not nearly as disturbing as Chapter 2, but my sense is the creators of this series are wanting the audience to ponder what evil exists on the dark web…the actual dark web.

I confess…as much as I resist watching this series, I know that many aspects of it are true and because of that, the overall narrative is disturbing to me.

Hat tip to Roxy Shih, a female Asian American director who is brilliantly putting this important story before our eyes. This visual of the man sitting in the warehouse with the light coming through the high windows is particularly gorgeous. Notice the crucifixes in the shadows. Excellent symbolism.

DARK/WEB A No Spoiler Review of Chapter 3

My favorite episode so far. This is the 3rd post of 8 in 8 days.

The beginning sequence of this chapter is outstanding, will terrify you, make you nervous and curious and might even make you laugh.

The larger arc is filled out in this episode, with another friend of Molly Solis being added to the mix. To read my previous reviews, click The Pilot

Chapter 2

James Woodsley, this friend of Molly’s lives in Madison, WI (my current hometown…so shoutout to my people). James is also sent a short story by Molly. This is viewed in the first moments of the episode.

I can’t say too much more because it will spoil the surprise, but I do want to comment of 4 aspects of DARK/WEB I am appreciating so far:

  1. Outstanding casting. Multi-ethnic. No stereotypes. I noticed this particularly in the pilot…how various characters were cast to upset stereotypes.
  2. DARK/WEB is a HORROR/SCI-FI series, so be warned. Like the film Alien follows the haunted house script a uses many of its tropes (down to the solo female facing the monster in the end), this series too uses horror tropes. It is both futuristic and horrific. These episodes have caused me moments of terror and disturbed my sleep. Not everyone likes this…so this is a warning. From lonely dark streets where the character walks and keeps looking behind his or her back, to darkness, to phones that never quite connect with 911, it’s all there in DARK/WEB. I will reiterate, Chapter 2 was especially horrific.
  3. Roxy Shih, a woman and person of color is doing a brilliant job in the directing, nominated for an Emmy (see below). I’m appreciating her deft touch and so far the writing is very tight. I remind you, these episodes are short…at least they are by film and tv standards, so the creators are accomplishing a lot when they make the audience laugh, cringe and freak out, all in the same 1/2 hour. That doesn’t happen accidentally.

Lastly, here are the Emmy’s DARK/WEB has been nominated for this year:

  • Outstanding Digital Drama Series
    • Michael Nardelli, Tim Nardelli, Mario Miscione, Allison Vanore 
  • Outstanding Directing Team for a Digital Drama Series: 
    • Mario Miscione, Michael Nardelli, Roxy Shih
  • Outstanding Main Title and Graphic Design for a Live-Action Program 
    • Justin Martinez, Tim Nardelli, Mario Miscione, Michael Nardelli
  • Outstanding Light Direction for a Drama or Digital Drama Series
    • Vasiliki Constantinou, Lars Lindstrom
  • Outstanding Music Direction and Composition for a Drama or Digital Drama Series
    • Jonathan Hartman 
  • Outstanding Guest Performer in a Digital Drama Series
    • Rene Heger
  • Outstanding Guest Performer in a Digital Drama Series
    • Graham Sibley

DARK/WEB, Amazon Prime Series. A Review of the Pilot

In the next eight days, I will watch one episode per day (episodes are called chapters in this series and there are 8 total). I will review each one briefly.

Today I watched the first chapter. This story had a few layers. I read a little about the series on IMDb and Wikipedia to orient myself….here’s the IMDb link if you want to do that too.

Is this really Amazon Prime’s answer to Netflix’s The Black Mirror? Some say this is the model for DARK/WEB, but there is an overall story arc that connects all of the chapters, so not exactly like The Black Mirror. I’ll know more in a few days and can report then.

This series is one season only. As of now, there is no indication that a season 2 will be made.

Written by Mario Miscione, Boman Modine and Michael Nardelli, the story begins with a mysterious set of images and screens where a young woman is obviously being harassed via the internet to do something (we don’t know what) she does not want to do. It then cuts to the apartment of a recently laid off reporter by the name of Ethan Neary. He is obviously in a bad spot, sleeping on his sofa, drinking too much, his apartment a mess. He has missed a number of calls from a high school friend (Sam Daniels) who has been trying to contact him. Sam is anxious about repeated emails that have been sent to her from another old high school friend, Molly Solis. Ethan has received messages as well. Is this really Molly? They are both worried about computer viruses, therefore reticent to open the file, but Ethan decides to open the attachment, which reveals a short story that he ends up reading aloud over the phone to Sam…the read aloud cuts to new action, but with different characters.

At this point, the story being read becomes what the audience sees on the screen.

Chapter 1 of DARK/WEB is about a rideshare driver who experiences a glitch in the app supposed to help him perform his job. Now, instead of simply giving him directions, it talks to him about who all the people are he is driving. He’s driving late at night to make ends meet for his young family and it turns out many of the people he is driving are awful folks. The rideshare app knows details about their evil and begins directing him to do certain things to stop these people from exerting their power in ways that will hurt others. You can imagine where this might go.

Three things I like about this chapter:

  1. Quick set-up that indicates a mystery
  2. Amazingly fast empathy for the main character (the rideshare driver)
  3. Tension around the craziness he is exposing himself to while driving…so much so…I needed to pause the recording for bit and think whether or not I wanted to see what I imagined to be a gory or troubling end.

I won’t give anything away, but the viewer does become invested in the driver’s wellbeing and that is an indication of good character writing. It happens fast that the viewer is rooting for him. Chapter 1 was worth the 27 minutes. I recommend if you like tension and dystopian/cyberpunk/mystery.