EAT. PREY. LOVE.
New interesting character introduced in this episode. Her name is Kim Rider, she is an online friend/love interest of Molly Solis’. (This involves the 8 chapter story arc, not the individual stories).
My review is the 5th in 5 days, well, almost…I took Sunday off. If you have not read my introduction to this series, I highly recommend you read my first posts, all four, but especially read the 1st one. Click Pilot.
Rider is helpful in explaining the overall arc of the series. She is connected with Molly Solis, emotionally/relationally and also happens to be fluent in computer hacking and understands a little more of what Molly was dealing with right before she disappeared. Rider becomes a teaching character, someone who can explain a couple of mysteries and ask better questions. She’s also lovely, black and British.
The story that Molly’s group of friends encounter is itself another gruesome tale. You can judge by the title which is the first line of this post.
Now that Kim and Molly’s high school friends, Ethan, Sam and James are together on the scene of Molly’s home in Texas, there is finally a concerted effort to figure out how Molly is in trouble. Sometimes this setup feels a little cheesy and contrived, but there are a few real and funny moments.
Also, I need to note:
This episode includes gore and even though it isn’t super explicit, the suggestion is true horror.
In the next eight days, I will watch one episode per day (episodes are called chapters in this series and there are 8 total). I will review each one briefly.
Today I watched the first chapter. This story had a few layers. I read a little about the series on IMDb and Wikipedia to orient myself….here’s the IMDb link if you want to do that too.
Is this really Amazon Prime’s answer to Netflix’s The Black Mirror? Some say this is the model for DARK/WEB, but there is an overall story arc that connects all of the chapters, so not exactly like The Black Mirror. I’ll know more in a few days and can report then.
This series is one season only. As of now, there is no indication that a season 2 will be made.
Written by Mario Miscione, Boman Modine and Michael Nardelli, the story begins with a mysterious set of images and screens where a young woman is obviously being harassed via the internet to do something (we don’t know what) she does not want to do. It then cuts to the apartment of a recently laid off reporter by the name of Ethan Neary. He is obviously in a bad spot, sleeping on his sofa, drinking too much, his apartment a mess. He has missed a number of calls from a high school friend (Sam Daniels) who has been trying to contact him. Sam is anxious about repeated emails that have been sent to her from another old high school friend, Molly Solis. Ethan has received messages as well. Is this really Molly? They are both worried about computer viruses, therefore reticent to open the file, but Ethan decides to open the attachment, which reveals a short story that he ends up reading aloud over the phone to Sam…the read aloud cuts to new action, but with different characters.
At this point, the story being read becomes what the audience sees on the screen.
Chapter 1 of DARK/WEB is about a rideshare driver who experiences a glitch in the app supposed to help him perform his job. Now, instead of simply giving him directions, it talks to him about who all the people are he is driving. He’s driving late at night to make ends meet for his young family and it turns out many of the people he is driving are awful folks. The rideshare app knows details about their evil and begins directing him to do certain things to stop these people from exerting their power in ways that will hurt others. You can imagine where this might go.
Three things I like about this chapter:
- Quick set-up that indicates a mystery
- Amazingly fast empathy for the main character (the rideshare driver)
- Tension around the craziness he is exposing himself to while driving…so much so…I needed to pause the recording for bit and think whether or not I wanted to see what I imagined to be a gory or troubling end.
I won’t give anything away, but the viewer does become invested in the driver’s wellbeing and that is an indication of good character writing. It happens fast that the viewer is rooting for him. Chapter 1 was worth the 27 minutes. I recommend if you like tension and dystopian/cyberpunk/mystery.
SNOW CRASH, by Neal Stephenson was put before me by a member of my sci-fi book group. It’s my second exposure to cyber punk (novels) and I enjoyed the ride (in part). This novel, if turned into film, would likely be rated R. I recommend SNOW CRASH with reservations.
My Review in Two Parts
Why read SNOW CRASH?… 4 Reasons for YES!
- The world-building is remarkable and for many sci-fi fans Neal Stephenson is a must-read author in the cyberpunk sub-genre. I absolutely loved the beginning. The entry into this world felt fresh and dynamic. The first 50 pages (at least) will have you riveted.
- The action scenes are numerous and mostly well-timed and well-written. The action begins on page one and sets the tone for the rest of the story.
- The intersection of virtual reality (Stephenson calls VR the Metaverse…he claims to be the originator of this term) and physical reality feels fluid and actually not that weird now (though it was a genuinely futuristic concept when he published the novel in 1992).
- Stephenson unearths some original and fantastical ideas. Some folks will love the philosophical bent of the story, having to do with ancient and current religions, computer coding, language as code and viruses that cross from virtual reality into the physical world.
Why avoid SNOW CRASH?…4 Reasons for No!
- Shallow characters inhabit this book. The world-building went deep, but the emotional depth and intelligence of the characters bored me.
- (related to reservation 1) The characters, especially the main characters, did not have any real physical or mental weaknesses, sort of like superheroes. In fact, the protagonist is called Hiro Protagonist. By naming his main character Hiro, Stephenson is channeling the comic book/superhero genre. I read about the development of the novel. Stephenson began this book hoping to make it a graphic novel, it did not evolve in that form. However, even superheroes will have angst or some kind of existential danger. Every Superman must have his longing (Lois), his vulnerability (kryptonite) and face a villain who understands how to use these vulnerabilities to press the hero to the point of making a moral choice about his/her power. Though Stephenson’s characters get banged up here and there, I never felt they might actually be in danger or that they feared for their own lives. They took their beatings in stride. Moreover, I never felt there were emotional stakes for either of them (the secondary character is called YT…she is a skateboard delivery person). Hiro’s and YT’s motivations for putting everything on the line to save the world did not seem to connect to any ounce of characterization that I understood.
- Stephenson’s bad/shallow theology was disappointing for me. I will assume that Stephenson did his homework in regard to Sumerian religion and philosophy. (I deduce this from reading his acknowledgments). However, I hang out with a number of Christian thinkers because I’m married to one, and Stephenson’s characterization of Biblical theology is weak and ill informed. I don’t mind critiques of my religion…I even enjoy them if they are well thought out. Stephenson’s were not.
- The info-dump sections were enormous, boring and preachy. A cyber librarian is the character in the Metaverse who does the explaining to Hiro Protagonist, therefore to us. It’s a clever idea to use the librarian, but his information still comes in large swaths and awkwardly disrupts the drama. The info-dump is a huge temptation for sci-fi writers. I struggle with it myself. It’s difficult to build the world, explain the conflict, the problem that will drive the narrative and incorporate all your own ideas/themes without taking up scores of pages explaining stuff to your audience, but great writers tell us that the info dump method is lazy writing. There are other ways to do it! See an earlier post on allscifi that discusses Jemisin’s chosen method for handling backstory in the narrative. Good friend and fellow sci-fi writer, Lit Prof Liam Corley is a Jemisin fan and wrote the post a couple of weeks ago.
In short. If you’re a sci-fi nut/nerd, YES…read SNOW CRASH, but if you’re a literary person wandering around in sci-fi…read Octavia Butler, Jemisin, Le Guin, Vandermeer, Scalzi…almost anyone, but Stephenson.
To buy SNOW CRASH…click here.