The series, INTO THE DARK, is a Hulu concept, a horror anthology series in the vein of The Twilight Zone, though each production is as long as a feature film. In the show’s first season, Hulu released one episode per month, for a total of 12 episodes. All of the episodes were tied thematically to a holiday that falls within that month.
The 8th episode was released in May under the title: ALL THAT WE DESTROY. The story is inspired by Mother’s Day.
ALL THAT WE DESTROY is horror, but with a scifi twist. It is a tale in the vein of Ex Machina, the drama unfolding around a brilliant scientist who runs a lab in a remote location. It’s a story as old as Mary Shelley’s Frankenstein and a trope that will please both the science fiction nut and the horror fan. In other words, this HULU original does not disappoint in terms of revealing a monster or two…
I would rate this film R for violence and language. Trigger warning to those who might be disturbed by violence perpetrated against the vulnerable. This is a monster movie.
Short Review: Four Reasons To Watch INTO THE DARK
- Lots of edge-of-your-seat suspense and mystery.
- The characters surprise, yet for all their weirdness, they are relatable.
- Strong female leads, with themes around motherhood and life-creation.
- The story takes place in a desert hideaway where the sun shines brightly. I found it refreshing to see this setting for such a dark and troubling tale.
Point of View determines how a story like INTO THE DARK will unfold. In the case of this film, the POV primarily rests with the supposed monster, the creation. In the opening scene, the audience watches her wake up out of a tub of black sludge. The audience learns within the first 20 minutes of the film that this young woman is a clone. The clone is lovingly washed and dressed by the scientist, whose hands the audience sees, but does not meet until later. Instead, we meet the scientist’s son. His mother is the scientist and she is a woman fixated on solving the dilemma of her son. She’s doing this in the only way she knows how, by using her science in what is clearly an unethical way.
The twist in this story, as you might imagine, is that the clone may or may not be the true monster.
Ex Machina was on my mind during much of the viewing of INTO THE DARK
In the case of Ex Machina (which I loved, but still haven’t reviewed on this site), the point of view is mostly held by the visitor who enters the lab. Mystery about what the heck the scientist has created drives the plot, ramping up tension as the visitor discovers (therefore, we the audience discover) the horrors of the scientist’s experiments. This tension culminates as the visitor understands that in order to survive, he will need to escape from the lab before the monster overcomes him. This is where a story such as Ex Machina, science fiction in its vibe, follows the haunted house script. Think Poltergeist, Amityville Horror, The Shining. Survival equals escape. Will the hero make it out?
INTO THE DARK gives the audience a twist on this haunted house trope. The point of view starts with the clone, but moves to the scientist and to the son at various points in the film. The clone is innocent in her birth and clueless about the dangers that lurk. The audience understands those dangers and strongly empathizes with her, is rooting for her.
Part way into the film, a visitor enters the action. It’s a chance meeting, but reveals the vulnerability of the scientist, her son and the ghastly experiment she has been conducting. The finale brings all the characters together. I liked the ending. It was packed with symbolism, but not overdone. A true Mother’s Day tale.
Educators, THE HOUSE OF THE SCORPION provides a valuable and sensitive context for a discussion on genetics and cloning. To begin the journey, read the novel alongside your student(s). Next, discuss the science. There are a number of kid-friendly articles on cloning, I liked this one from Science News For Students
Finally, with an understanding of what cloning is, dig deep into the human story presented by Nancy Farmer in her deftly written account of a boy clone, Matt Alacrán.
I reviewed THE HOUSE OF THE SCORPION on another post on this website. If you continue reading this post, you’ll encounter more than a few spoilers, so beware, click here if you’re interested in reading the novel review before continuing.
To order HOUSE OF THE SCORPION, click here.
Here are a few questions to get the discussion flowing.
- Who is Matt? How would you describe him?
- Why do you think others often treat him cruelly?
- How would you describe Celia?
- What does Celia feel about Matt?
- What does El Patrón feel about Matt? Why do you think he calls Matt “mi vida”?
- What does it mean to be owned by a person? (Tam Lin, Matt, Celia, and even Felicia…all of them tell stories that indicate they are owned and not free…owned by El Patrón.) How is it that El Patrón owns them?
- What is an eejit?
- How is an eejit similar or different than Matt?
- How would you describe Matt’s struggle with being a clone? Does it make sense to you? Why or Why not?
- Matt’s life makes a positive difference in the lives of many others in the novel. Make a list of those people.
- Do you believe the cloning of people will take place in our future? In no, why?
- If yes, How should clones be viewed by the society that creates them?
- Can you imagine a situation where you would choose to have a clone of yourself created or that of a loved one?
Synopsis of the Cloning Story:
THE HOUSE OF THE SCORPION is a Middle Grade/YA novel that follows the story of Matt Alacrán, one soul and his battle to find meaning and love in the midst of his genetic reality. El Patrón, a powerful drug lord who has an appetite for eternal life, has allowed Matt to be created as his clone, but the assumption is that Matt will not to live much past his adolescence. El Patrón’s long-term plans are to harvest the boy’s organs for himself. Neither the reader nor Matt know all of this initially. The reveal happens little by little. This is not a horror story in essence, though there are horrific issues to grapple with…Primarily, this story is about a young person figuring out who he is, learning day by day what it means to be human.
THE HOUSE OF THE SCORPION
by Nancy Farmer
read by Raúl Esparza
8 out of 10
Highly Recommend! This listen is perfect for a family road trip because the novel is well written and engaging enough to capture the interest of a variety of story-lovers, young and old. The audio voices are well-performed by actor, Raúl Esparza (Ferdinand, Law & Order: Special Victim’s unit) and the story lends itself easily to the listening ear.
5 Reasons for such a strong review:
1. Initially, there are few characters to follow and as new ones are introduced, the listener can maintain a grip on who everyone is…including, there are a number of characters with accents and very distinct voices (performed well by Esparza).
2. The point of view is third person, it stays close to Matt. It does not jump around from character to character.
3. The repetition of little stories told mostly by El Patrón, work like anchors for the listening brain. I write about this in my review of the novel, THE HOUSE OF THE SCORPION Repetition is a common story-telling technique, much like songwriters or poets will use a chorus or a repeated stanza to drive a point home.
4. The writing is top notch, which means, the dialogue is well written. The dialogue feels authentic, like real people talking.
5. Description of Opium takes place slowly and organically. The listener doesn’t have to absorb a huge amount of exposition, the describing of places, houses, rooms, plants, animals, people etc..takes place incrementally. Matt’s life starts out small and his view of Opium is narrow, but little by little, as he learns, the listener learns. Details are added that are important, but not all at once. It makes the audio format easy to follow.
For more on how to choose a good audiobook, see Part II The Rise of the Audio Book
Nancy Farmer’s first of of three novels, following the life of Matteo (Matt) Alacrán, is a story worth reading to or with your kids. The primary moral challenge centers around cloning, but there are many other ethical questions that will arise in the reading. Farmer’s writing creates real characters, despite the fantastical nature of the world. She takes on complicated relationships. power dynamics, and even religion as she draws the readers toward an inevitable reckoning. She stays close to the child, Matt, who grows up in the oddly luxurious world that is Opium. Matt is a young child at the start of the narrative, a teenager by the end. The story is told in close third person.
Matt is a clone of the wealthiest drug Lord in the world, an elderly Mexican man who dragged himself out of poverty to become one of the wealthiest men in the world. He is known as El Patrón. El Patrón is well over 100 years old. He rules his nation through fear and raw power and on its land he produces enough Opium, legal and illegal, for those who need the product. The land of Opium is both a place of horrors and an ecological oasis. Nothing is simple in Opium, as the reader will slowly discover.
THE HOUSE OF THE SCORPION deals with extreme wealth versus extreme poverty as well as power, ecological degradation, leadership, friendship, loyalty, religion and meaning. All of this subject matter is delivered in an impactful way to the young reader through relatable characters.
Farmer uses a style of writing that does not explain too much too early, but for those details that are difficult to fathom, they get repeated many times throughout the book, almost like a chorus. For example, the story of how El Patrón’s siblings perished, is told and retold. The story reveals the condition of poverty endured by his family, his town, his people and how desperately powerless he had been at one time. El Patrón is an old man…of course he would repeat himself again and again, but there is more to that story. The tale is part of the legend and a defining trauma in the life of the old man. The story also reminds the reader that Matt, though he is an exact replica of El Patrón on a cellular level, his life experiences will have been completely different. That memory of losing his family is El Patrón’s, but not Matt’s. The nature versus nurture debate looms in the background of this narrative and is worthy of a hearty discussion with your child.
Many other issues are introduced in THE HOUSE OF THE SCORPION There is more great storytelling and ethics to unearth as the narrative progresses. Nothing is black and white in Matt’s world, but this is why I would recommend the book. Farmer has put forward a character and a world with the kind of complexity that leads to memorable discussions. My next post will cover a short audiobook review of THE HOUSE OF THE SCORPION.
To buy THE HOUSE OF THE SCORPION, click here.