Today, I look at China Miéville’s, EMBASSYTOWN. Beware of spoilers. This won’t be a review of the novel, but a study of the Ariekei, the aliens indigenous to the planet Arieka.
First, a little advice…If you have the opportunity, consume EMBASSYTOWN via audiobook. To buy EMBASSYTOWN via Audible, click here. To buy the physical novel, EMBASSYTOWN click here. Language is central to the story, but the Ariekei language is best experienced when heard rather than read, therefore my encouragement to read via Audible. The Ariekei (also known as the hosts) speak from two mouths at once. One mind, but two words emerge from the creature when it vocalizes. In the audio reading, the sound producers overlay two words spoken at once, like hearing two notes played at the same time. The effect is marvelous and strange.
For a synopsis: One human culture, the Bremen, has adapted and figured out a method of speaking with and listening to the indigenous population of Arieka, a planet on the edge of the known universe. Their motivation for doing so is to maintain a colony on Arieka. Like a typical colonial power, the Bremen dig for metals and also trade with the Ariekei, whose biotech is advanced and valuable across the known universe. The Ariekei are advanced in many respects, but their language does not allow them to lie or even speculate.
Conflict arises in EMBASSYTOWN when one Bremen ambassador introduces lying into the Ariekei language. He does this in the hopes of taking control of the host population, but chaos ensues. The main character, a woman named Avice Benner Cho, steps in to save those living on the planet, both human and Ariekei.
How does Miéville give the aliens, the Areikei, personality and tap into audience empathy?
- Similar to the film Arrival (see post 2 of 3), point of view is key. POV rests in one human character who is relatable. Avice narrates this tale in the first person. Not only is she human, she was raised on Arieka and is known by the indigenous population. She is returning to her home after many years of traveling through space. Avice is the “in between” character. She describes, interprets and translates for the audience.
- Miéville finds colorful shorthand ways of describing the physical and personality attributes of particular Ariekei. Miéville, through his narrator, Avice gives the aliens nicknames, like Spanish Dancer. It’s genius because this shorthand gives the audience color, shape and depth to individual Ariekei and is so much better than than referring to all of them as “insect-horse-coral-fan things” another set of descriptors Avice muses on in the novel. An artist’s rendering in the top image is not necessarily what I had imagined when I pictured the Spanish Dancer, but Miéville doesn’t need me to have that specific picture in my mind. The broad brush strokes are there in the nickname and not just any nickname…calling the creature a dancer implies grace and dignity. The name takes an alien that might be perceived as monstrous and draws our attention to its beauty and gentleness. Maybe this is why ocean scientists call the sea creature (pictured above) a Spanish Dancer. The moniker is descriptive and if I’m visiting an aquarium staring at this thing through glass, if I am thinking of dancers instead of monsters, my eyes are drawn to its beauty. Miéville is doing the same thing when he has Avice call one particular Ariekei, The Spanish Dancer.
- The Ariekei have known Avice since she was a child. Avice has a positive association with the Ariekei. She was raised on their planet and thrived. Humans and Ariekei have lived together for many years in peace. This underlying truth makes a difference in how the audience feels about the Ariekei.
- The Ariekei are vulnerable to human abuse. The narrative of indigenous people groups used and abused by empires and greedy civilizations is not an uncommon story for the current sci-fi reading audience. Miéville dips into that narrative in this novel, portraying the aliens as complex, but also also as innocent, in large part because their language makes it impossible for them to lie. The audience empathizes with the vulnerable indigenous population. The narrative of “empire” taking over the “innocents” and using them for its own gain is familiar. That story taps into the audience’s empathy and our empathy lies with the Ariekei in this case.
- Avice relates to individual Ariekei, Miéville’s way of showing the audience that the Ariekei are not a monolith. Spanish Dancer is the most important Ariekei to the story, but there are others. As Avice relates to her and describes her and other Ariekei, the audience recognizes that though they are different from humans, the Ariekei are not all the same as one another. They are distinct in appearance and personality just as human beings are distinct from one another. (contrast this reality with the hive mind aliens, like the Formics in the Ender’s Game series, or the big computer brain of the Cylons “toasters” in Battle Star Galactica television series. I will tackle hive mind aliens in my final post on this topic.
AUTHORITY, by Jeff VanderMeer, A Book Review Without Spoilers.
First, A Little Data About this Book Review
- I listened to the novel via Audible and felt it was difficult to follow and a little boring, this after loving the Audible version of ANNIHILATION.
- AUTHORITY is the second book in the Southern Reach Trilogy. ANNIHILATION being the first, ACCEPTANCE is the third
- I have not yet read ACCEPTANCE, but have been told by a trusted scifi-reading friend that the trilogy is worth reading overall
The Short Review.
I Give this Book a Semi-Enthusiastic yes. Read AUTHORITY for these reasons:
- The story maintains the overall tension as introduced in the first novel.
- It may not resolve completely, but the novel reveals enough enticing details to make the reading worthwhile.
- The narrator character is the protagonist and insists on being called Control. Though I’m not fond of him, he establishes a relevant relationship to someone who has survived Area X.
- The writing itself, as is consistent with ANNIHILATION, has lovely moments.
So…if AUTHORITY was a stand alone novel, I might not write a stellar review and I would give up on reading any other VanderMeer novels, but since I loved ANNIHILATION so much, I will read on. If you’re curious about my review of the first Southern Reach novel, click here for the ANNIHILATION REVIEW
In AUTHORITY, the narrator is a male who calls himself Control. His birth name is John Rodriguez. He is the new director of the Southern Reach. In an early introduction, he insists that his colleagues call him Control. I realize the title of this novel is AUTHORITY and that the book is much about who has authority in the confusing situation that is taking place in and around Area X. This was another reason I was annoyed by John Rodriguez’s moniker. It felt like the author was trying to make me think in a certain direction and less about a person. I didn’t like that.
Control seems like a weirdo, socially. I was not fond of his narrative voice, nor his behaviors or leadership. Control does not compel me. I feel a distance from this character that I think I’m supposed to feel compassion for. Since the story is being told by him, in the first person, I can’t get away from him. I would have stopped listening had I not been told by a friend that the final book and the whole arc of the three books make sense when you finish them.
Despite me not feeling a connection to this narrator character, I can see why author, VanderMeer, changes perspective in this book. He wants the reader to receive another view into Area X. That which is mysterious and difficult to describe, much less understand in Area X, is seen from another angle in this novel. Control provides the US military/intelligence/bureaucratic angle as well as some recent history.
Given that the reader knows the content of ANNIHILATION, that Area X has consumed a number military and government expeditions, the background is helpful to the larger story.
But, for me, the main silver lining around this new narrator was that the reader finally received a physical description of the narrator and protagonist from the previous book.
“The biologist’s hair had been long and dark brown, almost black, before they’d shaved it off. She had dark, thick eyebrows, green eyes, a slight, slightly off-center nose (broken once, falling on rocks), and high cheekbones that spoke to the strong Asian heritage on one side of her family…”
This description does make me bummed about the filmmakers of ANNIHILATION casting the biologist for the cinematic story as a white woman (Natalie Portman) with zero (or near zero) Asian heritage. Bummed for many mixed-race actresses out there who did not get this part.
I will listen to the next book, AUTHORITY, on Audible. I hope to enjoy it more than this middle novel.
Click here to buy ANNIHILATION, Bk 1 of The Southern Reach Trilogy
Click here to buy AUTHORITY, Bk 2 of the Southern Reach Trilogy
Click here to buy ACCEPTANCE, Bk 3 of The Southern Reach Trilogy
THE HOUSE OF THE SCORPION
by Nancy Farmer
read by Raúl Esparza
8 out of 10
Highly Recommend! This listen is perfect for a family road trip because the novel is well written and engaging enough to capture the interest of a variety of story-lovers, young and old. The audio voices are well-performed by actor, Raúl Esparza (Ferdinand, Law & Order: Special Victim’s unit) and the story lends itself easily to the listening ear.
5 Reasons for such a strong review:
1. Initially, there are few characters to follow and as new ones are introduced, the listener can maintain a grip on who everyone is…including, there are a number of characters with accents and very distinct voices (performed well by Esparza).
2. The point of view is third person, it stays close to Matt. It does not jump around from character to character.
3. The repetition of little stories told mostly by El Patrón, work like anchors for the listening brain. I write about this in my review of the novel, THE HOUSE OF THE SCORPION Repetition is a common story-telling technique, much like songwriters or poets will use a chorus or a repeated stanza to drive a point home.
4. The writing is top notch, which means, the dialogue is well written. The dialogue feels authentic, like real people talking.
5. Description of Opium takes place slowly and organically. The listener doesn’t have to absorb a huge amount of exposition, the describing of places, houses, rooms, plants, animals, people etc..takes place incrementally. Matt’s life starts out small and his view of Opium is narrow, but little by little, as he learns, the listener learns. Details are added that are important, but not all at once. It makes the audio format easy to follow.
For more on how to choose a good audiobook, see Part II The Rise of the Audio Book