ARRIVAL, Film Review Without Spoilers

I recently watched ARRIVAL for a second time through Amazon Prime. In my first viewing, I was in a theater and I loved it. This second go-around, I was not disappointed. I watched with a group of my cousins who are all film/scifi nuts. The viewing was free for Prime members.

ARRIVAL is rated PG 13…it’s somewhat creepy and suspenseful, but a middle school child or a sensitive viewer could probably handle the production. I’m not sure why it did not receive the PG rating. It unfolds without graphic violence and there is no explicit sexual content. One might call ARRIVAL a quiet film, but the subject matter takes it from the quiet realm into the epic and deeply thoughtful.

ARRIVAL was released in theaters to much acclaim in 2016. The film is based on a short story by Ted Chiang. Eric Heisserer wrote the screenplay. I hope to read and review Chiang’s short story in a future post.

The film unfolds with slow intensity primarily around one character, Louise Banks, played wonderfully by Amy Adams. Banks is a linguist recruited by the US government to learn the language spoken by aliens who have alighted in giant oblong space ships in twelve locations around the globe.

The story is a linguist’s dream and as a science fiction fan, I recall a number of novels that view first contact in light of language and communication. China Miéville’s Embassy Town is a good example. In a story such as this, violence is often threatened, but not center stage. Mysteries and the push to understand the other dominate the narrative.

 

Five quotes from the screenplay to pique your interest:

  1. “If this is some sort of peaceful first contact, why send twelve? Why not just send one?”
  2. “Language is the first weapon drawn in a conflict…”
  3. “Are they scientists or tourists? If they’re scientist, they don’t seem to ask a lot of questions…”
  4. “If you could see your life from start to finish, would you change things?”
  5. “Meeting you…was more important that seeing the stars…”

Five reasons to watch this film.

  1. It’s free if you’re an Amazon Prime member.
  2. If your family is into science fiction, ARRIVAL is a crowd pleaser which you can show to your kids with a clear conscience.
  3. Lots to ponder about language and linguistics, language and meaning, the puzzle and the importance of communication.
  4. Female hero with lots of brains and only a few characters to keep track of.
  5. Potentially leads to fruitful discussion about love, suffering, beauty, grace, even religion.

To buy this DVD, click here.

An Excess Male, The Educator’s Guide

Maggie Shen King

The Perfect Discussion Starter for Public Policy 101

AN EXCESS MALE showcases governmental abuse of big data, but also, the one child policy…perhaps the most disastrous public policy of the modern era.

Warning: this book contains sexual content. I do not recommend it for the Middle Grade Reader<

 

Do your students know the term public policy?

A societal problem presents itself and a governmental entity decides on laws, regulations or funding priorities to solve the problem…you know, make a policy, for the public. You can find a number of sites that attempt to give a definition of public policy. I appreciated this Audiopedia presentation:

A basic introduction to public policy

Even with the above intro, public policy is still a complicated concept for the average youth who has not paid great attention to politics.

Shen King’s, AN EXCESS MALE tells the story that will enable a reader to study public policy through a microscope, by getting to know a fictional family and the impact a few particular policies have had and will have on them.

For background and history, have your student read one or two articles on China’s One Child Policy. This piece from National Geographic is a good one.

The summary: China feared overpopulation. China had historically been unable to grow enough food to feed their entire population. Their solution to this immediate societal problem was to institute a public policy (a law that went into effect in 1979) that rewarded those who limited their families to one child. Public pressure kept some couples from giving birth more than once, but there were also incentives given, like tax breaks for those who chose to abide by the law. Unfortunately, those who did not conform were sometimes forced to have abortions or to hide their second or third child. Some women were forcibly sterilized. Families, when forced to choose between a girl or a boy child, wanted boys. Boys were prized more highly for their earning potential and for other cultural reasons. Girl babies were given up for adoption, abandoned or hidden away. Unborn girls were also aborted at a higher rate…all because of a public policy. The current problem facing China now (as written about in the article above) is that by 2030, more than 25 percent of men in their late thirties will not have a family of their own. There are not enough brides in China to match up with these excess males.

Starting points for discussion around the novel…

Read chapter 1 most carefully, then continue through the book to the end. The public policy instigated by the Chinese government to solve the problem resulting from the One Child Policy (too many men, not enough women) is presented most concisely in the early scenes of the novel.

  1. How are the various characters related to Wei-guo? Go down the list and describe the relationships in short sentences or if you prefer draw a family/relationship diagram using Wei-guo as the center. In your diagram and/or description include Big Dad, Dad, May-Ling, Hero, Husband One, Husband Two, MaMa.
  2. Based on your diagram, what constitutes a family?
  3. If you were to summarize this first scene, how would you describe what is taking place?
  4. There is a point of discussion early on around Advanced Families and China First along with a reference to patriotism. How would you summarize what it means to be patriotic in the eyes of Wei-guo’s dads?
  5. “Every man is allowed one child…” Why do you think that is?
  6. There are rules and expectations that order these unusual families that are forming as a result of public policy, some rules are dictated by the government, others emerge out of necessity. Begin a list of these rules as you read through the book. Some rules are subtle, not easy to pick up on. Others are more obvious, like “Every man is allowed one child…”
  7. In chapter one, the term Willfully Sterile is used to describe Hero. What do you think this means?
  8. Big Dad calls Husband Two a Lost Boy? What do you think that means? How does Hero, the matchmaker defend Husband Two?
  9.  What are the Strategic Games?
  10. Why might they exist?
  11. What does Major Jung want from Wei-guo and his band of Strategic Games men?
  12. He states a statistic. What is the statistic? Doc tries to protest…but clearly, the government official is giving the orders and not allowing for any discussion. Why do you think that is?
  13. There is a reference in the book periodically to going the max. The meaning is not precisely spelled out. What do you think it means?
  14. What do you think the government would do to May-ling, Hann and XX if they declared in all honesty who they are and what they want?
  15. How do you think a government gets this kind of power over individuals…the power to determine what it means to be a man, a woman, a family, a patriot and control those definitions for an entire society?
  16. The idea of government power through censorship and spying on (keeping track of) their own citizens emerges as a theme and becomes prominent by the final chapters of the book. Do you believe that the government should be able to track you, trace you, know your habits, what you buy and eat and drink? In the name of keeping society safe, is their intrusion into your privacy something you would be okay with?

This is such an important discussion and not just for those living in places like China (where citizens have little say in what their government does)…but in the US and Western Europe and among other “free people”…how much power in the form of data do you want your government to have?

Wired has a great article on the intersection between Big Brother and Big Data This reality is nothing new for the scifi world…but in the past it’s all been make believe. Now science fiction is becoming reality…our reality. What kind of checks on Big Data in the hands of government ought to be put into place now, to avert the kind of situation the reader sees in AN EXCESS MALE?

This ought to be a large public policy debate and a topic discussed by citizens everywhere. How much privacy will we give up for safety and what if our governments turn on us and decide that watching us is a part of creating a better society, more order?

There is much to read and discuss on this topic.

This article from business insider gives another angle and more will be written in the coming years as the technology outruns our ability to debate every new policy.

Enjoy Maggie Shen King’s book. Read it for the love story and the thrilling climax, but pay attention to the under-carriage of this story. A sinister government maintains tremendous power over how society defines everything from sexuality, family and mental illness to patriotism…now that is a scary story…something dreamed up by writer…or something at our doorstep.

To buy AN EXCESS MALE, click here.

 

An Excess Male, A Book Review Without Spoilers

Author, Maggie Shen King

“Science fiction is any idea that occurs in the head, but doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again.”

Ray Bradbury

 

The Short Review

Three Reasons I Recommend you read AN EXCESS MALE…

  1. Learn about China, a rising power with imperial roots and aspirations. Let this novel wake us up to the reality of Big Data meeting Big Brother
  2. Fall in love with the characters put forward by Maggie Shen King
  3. Enjoy a good old fashioned love story/thriller. Actually….NO…the love story is unlike anything you have probably read, but the tale will thrill. Love, loyalty, duty are on display, nearly every page.

To buy AN EXCESS MALE, click here.

The Long Review, Also Without Spoilers

I recommend this novel with a few reservations. AN EXCESS MALE falls into the category of speculative fiction, though it bleeds into the scifi genre and would likely be enjoyed by anyone who loves “surveillance stories”, like Minority Report and The Net. This novel has a few PG-13 scenes, and some adult themes that might bore a young adult reader, but many young adults and those older who read speculative fiction will love the book. I would not recommend it for Middle Grade or younger.

Shen King’s story belongs in the future, and yet the reality she portrays is around the bend…How many years away? Maybe ten.

The premise of the novel addresses the terrible truth China is now grappling with…that their one-child policy has resulted in 40 million unmarriageable men. By the year 2030, more than 25% of men in their late thirties will have no family of their own. What are the options for Chinese society? Here are three possibilities…

  1. Import wives from neighboring Asian nations or elsewhere. The problem…the Chinese, especially the government values a pure and loyal race. They elevate the Han Chinese culture and importing wives will dilute Han Chinese blood.
  2. Send those extra men to battle. Society does not need them for child-bearing, so let them win honor in fighting to extend China’s influence around Asia and the globe. The problem…many of these men are the only children, the beloved one child of their parents. Who will take care of the parents, those elderly loyal citizens of China who have lived and suffered under this oppressive law to bear only one child? What does it mean if the government plucks away and sacrifices their one and only on the battle field?
  3. Require that women in China take more than one husband. Most will take two…some will even take three husbands. A new family system will evolve around this patriotic duty. The problems that may result…READ THE NOVEL TO FIND OUT.

Maggie Shen King writes a story that assumes the third possibility. Women marry more than one spouse, all for the good of China. In a spirit and tone that celebrates her Taiwanese/Chinese heritage, Shen King imagines a world where men pay dowries, women of child-bearing age are precious and coveted, and single men bear a painful stigma. Shen King tells the story in the third person, changing the close narrator’s viewpoint chapter by chapter. She signals the shift by titling her chapters with the character’s first name. Two husbands, one wife and one potential husband…these are the characters the reader follows into a labyrinth of love, politics, corruption and societal rules that do not bend for individual freedoms.

I have only one complaint about the novel, that the ending felt rushed and a bit predictable, somewhat contrived. Pacing did not match the earlier portion of the story. It’s an issue that can happen when writing from multiple characters’ perspectives. In this case, the main character and to some extent the heart of the story got somewhat lost in the milieu. However, even with a few flaws, I found the book fascinating and worthwhile. It’s a fun quick read and will immediately get you thinking and feeling.

The House of the Scorpion, Contemplating Human Cloning, For Educators

Educators, THE HOUSE OF THE SCORPION provides a valuable and sensitive context for a discussion on genetics and cloning. To begin the journey, read the novel alongside your student(s). Next, discuss the science. There are a number of kid-friendly articles on cloning, I liked this one from Science News For Students

Finally, with an understanding of what cloning is, dig deep into the human story presented by Nancy Farmer in her deftly written account of a boy clone, Matt Alacrán.

I reviewed THE HOUSE OF THE SCORPION on another post on this website. If you continue reading this post, you’ll encounter more than a few spoilers, so beware, click here if you’re interested in reading the novel review before continuing.

 

To order HOUSE OF THE SCORPION, click here.

 

Here are a few questions to get the discussion flowing.

  1. Who is Matt? How would you describe him?
  2. Why do you think others often treat him cruelly?
  3. How would you describe Celia?
  4. What does Celia feel about Matt?
  5. What does El Patrón feel about Matt? Why do you think he calls Matt “mi vida”?
  6. What does it mean to be owned by a person? (Tam Lin, Matt, Celia, and even Felicia…all of them tell stories that indicate they are owned and not free…owned by El Patrón.) How is it that El Patrón owns them?
  7. What is an eejit?
  8. How is an eejit similar or different than Matt?
  9. How would you describe Matt’s struggle with being a clone? Does it make sense to you? Why or Why not?
  10. Matt’s life makes a positive difference in the lives of many others in the novel. Make a list of those people.
  11. Do you believe the cloning of people will take place in our future? In no, why?
  12. If yes, How should clones be viewed by the society that creates them?
  13. Can you imagine a situation where you would choose to have a clone of yourself created or that of a loved one?

Synopsis of the Cloning Story:

THE HOUSE OF THE SCORPION is a Middle Grade/YA novel that follows the story of Matt Alacrán, one soul and his battle to find meaning and love in the midst of his genetic reality. El Patrón, a powerful drug lord who has an appetite for eternal life, has allowed Matt to be created as his clone, but the assumption is that Matt will not to live much past his adolescence. El Patrón’s long-term plans are to harvest the boy’s organs for himself. Neither the reader nor Matt know all of this initially. The reveal happens little by little. This is not a horror story in essence, though there are horrific issues to grapple with…Primarily, this story is about a young person figuring out who he is, learning day by day what it means to be human.

The Many Colored Land, Book Review

Short Book Review with No Spoilers… 

Julian May’s THE MANY COLORED LAND is an exceptional adventure that takes place in Pliocene Europe, think Tolkien meets Jules Verne. This is the first story in a trilogy, involving time travel and aliens. The world created by May is so imaginative, while being true to fossil record and prehistoric science. It’s like taking a course in geology, mammalian evolution and ancient flora all in one.

Three Reasons to Read this Great Book

  1. Superior world building and vibrant descriptive passages that will delight most scifi lovers.
  2. A humanoid alien race with a distinctive culture, a compelling ally or enemy?
  3. A complicated conflict between humans and aliens that drives the narrative
  4. A female author with mad writing skills. Julian May was unknown to many of my scifi-reading friends until a woman in my scifi book group introduced us to THE MANY COLORED LAND.

To buy this book, click here.

The Longer Review…With a Few Spoilers

The novel opens with a prologue, three essential scenes that set the adventure in motion. I needed to go back and re-read the first two to realize their relevance because there’s no context at that point for the reader to get them. Therefore, I promptly forget them. (Maybe in my younger years I would have recalled them at the right moment, much later in the story…or maybe not!)

The third scene remains memorable. It introduces the reader to a time travel machine and the human scientist who created it. A broader picture of current human existence becomes evident in this scene as scientists from many planets and many species gather to see the machine in operation. Earth’s children have become a part of a larger galactic cooperative, called the Galactic Milieu. The time machine is tested and its limitations are explained. The machine can only send beings back in history, only into Pliocene Europe. No messages can be sent back the other way, none of the beings who travel back in time will be able to return.

The scientist dies, his wife, Madame Guderian, contemplates what to do with the time machine. She begins to hear from various members of her species. Many feel a desire to leave their current situations. They want adventure or purity, something other than what they are experiencing. Many are lost souls, but others desire a simpler existence. She begins sending groups of people back to the Pliocene as a money-making scheme. There are rules, of course, to avoid messing up human evolution, so all females are sterilized before departing. The assumption is that the great ice age and the inability to procreate will bring an ultimate end to whatever societies form in this prehistoric exile. There are also limits to the kind of technology they bring.

The story proceeds to describe a number of human individuals currently living in the Galactic Milieu, all of whom find themselves dissatisfied with their lives in various ways and make the decision to go back in time. Each person has about a chapter of backstory before they come together. They are the characters the reader follows into the Pliocene, landing in the past about 1/4 of the way into the novel.

What follows is an experience in pre-history Europa, with a few good twists. This is scifi, yet fantasy-like, in that the world of the past is a place not unlike medieval Europe, given the absence of technology and another twist…aliens…who have crash-landed on Pliocene Earth. I really cannot say more without giving too much away.

However, here is a  taste of May’s lovely writing, a descriptive passage of the Pliocene Black Forest

“The understorey of this evergreen expanse received very little sun. Its plants–only saprophytes nourished by the detritus of the great trees. Some of the things that battened on decomposition were degenerate flowering plants, pale stalks with nodding ghostly blooms of livid white, maroon, or speckled yellow; but paramount among the eaters of the dead were the myxomycetes and the fungi. To the five humans traveling through the Pliocene Black Forest it seemed that these, and not the towering conifers, were the dominant form of life.

They were quivering sheets of orange or white or dusty translucent jelly that crept slowly over the duff of needles and decaying wood like giant amebae. There were bracket fungi–from delicate pink ones resembling baby ears to stiff jumbos that jutted from the trunks like stair treads and were capable of bearing a man’s weight. There were spongy masses of mottled black and white that enveloped several square meters of forest floor as though veiling some unspeakable atrocity. There were airy filaments, pale blue and ivory and scarlet, that hung from rotting limbs like tattered lacework. The forest harbored puffball globes two and a half meters in diameter, and others as small as pearls from a broken string. One variety of fungus cloaked decaying shapes in brittle husks resembling colored popcorn. There were obscene things resembling cancerous organs; graceful ranks of upright fans; counterfeit slabs of raw meat; handsome polished shapes like ebony stars; oozing diseased purple phalluses; faerie parasols blown inside out; furry sausages; and mushrooms and toadstools in varieties the seemed to be without number. At night, they were phosphorescent.”

Another aspect of this novel that I want to write about another time (because this post is getting exceedingly long!) is the way May turns Tolkien ideals on their head. Elves, Humans, Goblins and Orcs? Who are the good guys and who are the bad guys? May’s novel upends the notions set forth in the Tolkien universe and I appreciate how she does it. Julian May died about one year ago, October 17, 2017. I think it’s time to bring this book back into the scifi mainstream and celebrate her for being an imaginative storyteller.

The House of the Scorpion, An Audiobook Review

Roadtrip Listen

Audiobook Rating

THE HOUSE OF THE SCORPION

by Nancy Farmer

read by Raúl Esparza

8 out of 10

 

Highly Recommend! This listen is perfect for a family road trip because the novel is well written and engaging enough to capture the interest of a variety of story-lovers, young and old. The audio voices are well-performed by actor, Raúl Esparza (Ferdinand, Law & Order: Special Victim’s unit) and the story lends itself easily to the listening ear.

5 Reasons for such a strong review:

1. Initially, there are few characters to follow and as new ones are introduced, the listener can maintain a grip on who everyone is…including, there are a number of characters with accents and very distinct voices (performed well by Esparza).

2. The point of view is third person, it stays close to Matt. It does not jump around from character to character.

3. The repetition of little stories told mostly by El Patrón, work like anchors for the listening brain. I write about this in my review of the novel, THE HOUSE OF THE SCORPION Repetition is a common story-telling technique, much like songwriters or poets will use a chorus or a repeated stanza to drive a point home.

4. The writing is top notch, which means, the dialogue is well written. The dialogue feels authentic, like real people talking.

5. Description of Opium takes place slowly and organically. The listener doesn’t have to absorb a huge amount of exposition, the describing of places, houses, rooms, plants, animals, people etc..takes place incrementally. Matt’s life starts out small and his view of Opium is narrow, but little by little, as he learns, the listener learns. Details are added that are important, but not all at once. It makes the audio format easy to follow.

For more on how to choose a good audiobook, see Part II  The Rise of the Audio Book

The House of the Scorpion, A Novel Review With a Few Spoilers

THE HOUSE OF THE SCORPION by Nancy Farmer 

Nancy Farmer’s first of of three novels, following the life of Matteo (Matt) Alacrán, is a story worth reading to or with your kids. The primary moral challenge centers around cloning, but there are many other ethical questions that will arise in the reading. Farmer’s writing creates real characters, despite the fantastical nature of the world. She takes on complicated relationships. power dynamics, and even religion as she draws the readers toward an inevitable reckoning. She stays close to the child, Matt, who grows up in the oddly luxurious world that is Opium. Matt is a young child at the start of the narrative, a teenager by the end. The story is told in close third person.

Matt is a clone of the wealthiest drug Lord in the world, an elderly Mexican man who dragged himself out of poverty to become one of the wealthiest men in the world. He is known as El Patrón. El Patrón is well over 100 years old. He rules his nation through fear and raw power and on its land he produces enough Opium, legal and illegal, for those who need the product. The land of Opium is both a place of horrors and an ecological oasis.  Nothing is simple in Opium, as the reader will slowly discover.

THE HOUSE OF THE SCORPION deals with extreme wealth versus extreme poverty as well as power, ecological degradation, leadership, friendship, loyalty, religion and meaning. All of this subject matter is delivered in an impactful way to the young reader through relatable characters.

Farmer uses a style of writing that does not explain too much too early, but for those details that are difficult to fathom, they get repeated many times throughout the book, almost like a chorus. For example, the story of how El Patrón’s siblings perished, is told and retold. The story reveals the condition of poverty endured by his family, his town, his people and how desperately powerless he had been at one time. El Patrón is an old man…of course he would repeat himself again and again, but there is more to that story. The tale is part of the legend and a defining trauma in the life of the old man. The story also reminds the reader that Matt, though he is an exact replica of El Patrón on a cellular level, his life experiences will have been completely different. That memory of losing his family is El Patrón’s, but not Matt’s. The nature versus nurture debate looms in the background of this narrative and is worthy of a hearty discussion with your child.

Many other issues are introduced in THE HOUSE OF THE SCORPION There is more great storytelling and ethics to unearth as the narrative progresses. Nothing is black and white in Matt’s world, but this is why I would recommend the book. Farmer has put forward a character and a world with the kind of complexity that leads to memorable discussions. My next post will cover a short audiobook review of THE HOUSE OF THE SCORPION.

To buy THE HOUSE OF THE SCORPION, click here.

ANNIHILATION, Book Review

Book 1 of the Southern Reach Trilogy

ANNIHILATION, Review of the novel

By Jeff VanderMeer

“When you see beauty in desolation it changes something in you. Desolation tries to colonize you.”

The above observation comes to the reader early in ANNIHILATION and is a good representation of the reflective narration of this creepy science fiction novel, a book I highly recommend to the scifi lover.

Here’s the short review on why I recommend the novel. If you want to read the longer review…it follows immediately after the list.

To buy this book, click here.

  1. This is an all-female cast for a change
  2. A Biology-centric alien mystery
  3. Eloquent narrator/main character. Gorgeous writing overall.
  4. Very creepy vibe and tension all the way through to keep you reading
  5. Short and sweet, but not too short. (Plus, if you love it, there are two novels that follow. See The Southern Reach Trilogy).

ANNIHILATION tells the story of an all-female expedition into an alien eco-system that has planted itself on a stretch of coastal Northeastern US. The reader learns quickly that most of the people within previous expeditions have disappeared into this anomaly, a place labeled by the government as Area X. Only a few have returned, including the protagonist’s husband, who was on the 11th expedition and died from cancer soon after his return.

The primary narrator, also the protagonist of the story, writes the account in her journal. She is the biologist and is never named. None of the primary characters are named, but exist in the story via their function. We see all of Area X through the biologist’s eyes. In addition to her, this 12th expedition into Area X is made up of a psychologist, a surveyor (former military) and an anthropologist. The story opens with the expedition already underway. The four women are hiking to a basecamp that had been established by previous expeditions.

There are two prominent story-lines woven together artfully by author, Jeff VanderMeer.

One is the slow-building and always tense journey into the center of Area X, where a tunnel (or as our protagonist insists on calling it, a tower) and a lighthouse need to be explored. Discoveries are made about both, as well as the environment which is filled with strange hybrid vegetation and creatures. Those discoveries deepen the mystery.

The second storyline, which gave me much pleasure, was the unveiling of the main character. As a narrator, the biologist’s observations are keen, and her attempt to understand what happened to her husband lends itself to a natural telling of her backstory. There is a love tale here, subtle, but steady. It progresses with the first storyline, marching toward the climax and a revelation on par with a religious epiphany.

In writing this review, I did want to understand the word itself, Annihilation. In part I kept looking it up because I was always misspelling it. (I was forgetting that second “n”).

Annihilate comes from two Latin roots: an and nihil, annihilare means: to bring to nothing. In Middle English and later within the church, you find the same roots in the word annulment. An annulment was a legal/religious term that ended a marriage (in essence, turned the marriage into nothing, as if it never existed).

However, the coolest definition of the word is found in physics. Annihilation is the reaction in which a particle and its antiparticle collide and disappear. Energy is then released. I’m not a physicist, so when I started reading articles on annihilation and saw the terms Higgs Boson and Quarks…I realized I was out of my league. However, it would be safe to say…that when the process of annihilation takes place there is destruction and creation. I’m assuming VanderMeer, the author of ANNIHILATION, knows exactly how this definition frames the narrative.

 

THE THREE BODY PROBLEM: For Educators

by Cixin Liu

Worthy of a Physics/Calculus Teacher’s Attention particularly high school and particularly for AP or IB Physics students

ALSO instructive for discussions in philosophy and ethics (see bottom paragraph)

High school physics instructors or calculus instructors…this novel would make a great summer reading assignment before your class begins in the Fall. One, the story is entertaining. Two, the story portrays historically some of the greatest physicists to walk planet Earth. Three, The Three Body Problem itself, the actual physics problem, this engages the physicist’s and the mathematician’s mind, Newtonian physics and all that jazz…Not that I understand it all, but I believe these the guys who write on the website: askamathematician.com. The excerpt below is from their website

The Three Body Problem is to exactly solve for the motions of three (or more) bodies interacting through an inverse square force (which includes gravitational and electrical attraction).

The problem with the 3-body problem is that it can’t be done, except in a very small set of frankly goofy scenarios (like identical planets following identical orbits).

The unsolvability of the 3-body problem, rather than being an embarrassing hole in physics, an obvious but unsolved problem, is actually the norm. In physics, the number of not-baby-simple, exactly solvable problems can be counted on the fingers of one hand (that’s missing some fingers), and that includes the 2-body problem.

The dynamics of one body is pretty straight forward, in as much as it travels straight forward.

The dynamics of two bodies, while not trivial, can be reduced by pretending that one body is sitting still, and then restricting all of your attention to the other body.  Using that technique, you find (or, at least, Newton found) that the motion of a body under gravity is an ellipse. The same idea can be applied to the quantum mechanics of electrons and protons to find the exact structure of the electron shells in hydrogen (1 proton + 1 electron = 2 bodies). In that case you’re not talking about actual orbits, but the idea is similar.

But, for three bodies, there doesn’t seem to be a fancy trick for finding solutions. As a result, the exact behavior of 3 or more bodies can’t be written down. The exact energy levels and orbital shell shapes in anything other than hydrogen is impossible to find.  Even deuterium (hydrogen with one extra neutron)! Can’t be done.

Despite that, we do alright, and happily, reality doesn’t concern itself with doing math, it just kinda “does”. For example, quantum field theory, despite being the most accurate theory that ever there was, never involves exactly solving anything. Once a physicist gets a hold of all the appropriate equations and a big computer, they can start approximating things. With enough computing power and time, these approximations can be made amazingly good. Computer simulation and approximation is a whole science unto itself.

The main actors in THE THREE BODY PROBLEM are almost all physicists and/or mathematicians and they’re nerdy, but not dweebs. Read chapter 5, A Game of Pool if you want a taste of what the novel offers. Then, there is the virtual reality, which unfolds as a puzzle/game and is played often by nanotechnology researcher, Wang Miao. Wang is compelled to understand the mystery introduced in the early chapters of the novel and realizes that the game is key to the revelation he seeks. In the game world, Wang walks through the history of physics with virtual characters like Confucius (our earliest physicists were primarily philosophers…a helpful connection for students to make), Newton and Einstein. Trisolara happens to be grappling with the three body problem. It is a planet in a solar system where there are three suns. The game players, along with the philosophers and physicists throughout history try again and again, in a systematic way, to solve the problem of the planet’s impending destruction. To go through each game level, Wang encounters physicists who have furthered the thinking regarding the problem. It’s like taking a course called The Intro to Physics…all this learning while the reader hurtles toward the big reveal at the end of the novel. Ah…to be entertained while learning…tis a wonderful thing. At the very least, THE THREE BODY PROBLEM ought to raise the curiosity level of your students and give them a glimpse of the relevance of physics and math to their everyday lives.

For the ethicist/philosopher, THE THREE BODY PROBLEM raises interesting issues about elites thinking they know best for all. The Cultural Revolution in China drives the narrative in the early chapters. Many elites are driven out of their positions of authority, killed or exiled by the communist party as it takes power. The author calls this a madness. (Chapter 1’s title is: The Madness Years). However, within the communist party, a new breed of elites rise to the top. Later, toward the final chapters of the novel, a group of environmental activists, along with men and women Liu specifies as elites across the globe, use their power to set in motion what they hope will be Earth’s salvation (knowing that saving the planet may come at the expense of most or all human lives). This small group of people have become judge, jury and executioner for humanity. Moreover, their hope for saving the Earth might not evolve the way they imagine. The stage is set for a discussion about power, elitism, environmental degradation and what might be ways to stem our self-destructive/planet-destroying tendencies.

To read a No-Spoiler review of this novel, click THREE BODY PROBLEM, Book Review

To buy THE THREE BODY PROBLEM, click here.

FEED, A No Spoiler Book Review

FeedFeed
By M.T. Anderson

A Book Review Without Spoilers

My daughter took a Dystopian Young Adult Literature class at her university a few years back. She took it for fun because though she was an architecture student, she loved to read fantasy, science or dystopian fiction. FEED was on the syllabus and after reading it for class, she handed it to me. “Mom, you have to read this book.”

When your kid hands you a book with that recommendation, you ought to respond, so I began to read…The first line of this novel grabbed me. It has to be one of the best EVER in the history of YA or scifi…

We went to the moon to have fun, but the moon turned out to completely suck.

However, after that first line, I almost didn’t make it past the first chapter. The narrator grated on me. The story is told from the first person point of view of a spoiled and entitled older teen male. Initially, I wasn’t sure I wanted to read his story, but I kept on, glancing a glimmer of hope for this character as I pushed through my angst. I saw how MT Anderson was using this vantage point to get under my skin…after all, much of the western world falls into the category of entitled, wealthy and spoiled. I decided that rather than distancing myself from this character, I ought to learn from his journey.

FEED is mostly a YA dystopian novel, but spills over into science fiction because of the futuristic tech and those initial scenes on the moon.

In recent months, I have recommended this story to more people than any other book I have read in the last 10 years. Why? FEED is good enough to hand over to a 13-year-old and a 52-year-old and if you are a parent, please read it and discuss it with your teen. Talk honestly about how we are connected to our devices.

FEED projects a future where children are connected to the web via the brain at a very early age. In the story world, the connection is called the feed. The practical science of how this takes place is never detailed, but it becomes clear that those with the feed maintain major economic, educational and social advantages. The story also shows the consequences of our planet devastated by greed and consumption. Oceans are dead, meat is genetically grown without the need for an actual animal and those who have money spend it on pure entertainment.

Titus, the teen protagonist and the narrator, lives at the top of this food chain. Initially, Titus seems utterly narcissistic. He and his friends battle boredom by pursuing short bursts of entertainment in whatever form available (almost always for purchase and provided by the feed). Titus slowly emerges as a deeper character, as someone hoping for authentic intimacy and friendship. Within his social class, it seems there are no guides to help him. Even his family is devoid of warmth and affection. For example, Titus never calls his little brother by his name, but refers to him throughout the story as Smellfactor. He treats his brother as an object of inconvenience, someone to ignore and avoid. Within Titus’ social circle, there is every indication that his family is normal.

While on the Moon, Titus meets Violet. Initially, physical attraction drives his desire to be with her, but when an event disconnects Titus, his group of his friends and Violet from the feed for a few hours, their bond takes on a deeper hue. Violet is not from his social class and was not connected to the feed at the earliest age possible. Her hippy, intellectual parents resisted putting the feed in her brain for as long as they were able, homeschooling her for a time (since education happens via the feed). As a result, Violet knows about the world in ways Titus and his friends don’t. She has developed critical thinking skills and keeps current on news, including the broad unrest that is taking place across the globe.

Violet isn’t lost without her feed like Titus. She asks questions, she makes observations, she opens Titus’ eyes to the way the feed manipulates, limits and traps those who are connected. Titus finds her views compelling and true, yet he resists her as well. Titus is less of a hero than we might hope, but he does attempt in his own way to move toward knowledge and depth. This makes for a potent story.

FEED poses so many questions that are worth asking. I won’t spoil the finale, but there is a poetic vision that lends itself to pondering and, as I said…a great discussion.

This book is a quick read. Do hand it out to your children and grandchildren. Do give it to your nieces and nephews. Do read it yourself, so you can draw out the conversation that needs to take place in our society…TODAY if not yesterday.

If you need questions for starting a discussion, see my post FEED, by M.T. Anderson Discussion Questions for Educators

To buy this amazing book, click here.